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Collections: Art Institute of Chicago, Cooper Hewitt, Smithsonian Design Museum, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Minneapolis Institute of Art, Musée du Louvre, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery (Smithsonian), Pushkin State Museum of Fine Arts, Rijksmuseum, Smithsonian American Art Museum, SMK — National Gallery of Denmark, State Hermitage Museum, State Russian Museum, The Cleveland Museum of Art, The Metropolitan Museum of Art, The Museum of Modern Art, Tretyakov Gallery, Victoria and Albert Museum, Whitney Museum of American Art, Yale Center for British Art, Yale University Art Gallery, State Catalogue of the Museum Fund of Russia (274 museums), Europeana (19 museums), Wikidata (44 museums), Paris Musées (12 museums), Joconde, the French Ministry of Culture's museum database (495 museums), and the Catalogo generale dei Beni Culturali of Italy's Ministry of Culture (25 museums). Images belong to their rights holders.

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Pen and ink

60,822 works from 131 museums44 on view nowClear all

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  • Graphite137,439
  • Pen and ink60,822
  • Watercolour58,381
  • Ink51,491
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  • Gouache9,482
  • Charcoal8,850
  • Pastel4,205
  • Oil2,434
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  • Mixed media297
Study for "A charm for democracy, reviewed, analyzed, and destroyed January 1, 1799" (recto and verso), Thomas Rowlandson, 1799Thomas RowlandsonStudy for "A charm for democracy, reviewed, analyzed, and destroyed January 1, 1799" (recto and verso)1799The Metropolitan Museum of Art
Sketch for "Building - Blocks for a Doorway" (B), Vito Acconci, c. 1983/1985Vito AcconciSketch for "Building - Blocks for a Doorway" (B)c. 1983/1985National Gallery of Art
Sketch for "Building - Blocks for a Doorway", Vito Acconci, c. 1983/1985Vito AcconciSketch for "Building - Blocks for a Doorway"c. 1983/1985National Gallery of Art
Going Sick to the Rear, Thomas Rowlandson, ca. 1815Thomas RowlandsonGoing Sick to the Rearca. 1815The Metropolitan Museum of Art
Hilly landscape with rocks, Thomas Rowlandson, 1780–1827Thomas RowlandsonHilly landscape with rocks1780–1827The Metropolitan Museum of Art
Raising the Wind, Thomas Rowlandson, 1812Thomas RowlandsonRaising the Wind1812The Metropolitan Museum of Art
Costume study for A Midsummer Night's Dream: Theseus, Jim Dine, 1966Jim DineCostume study for A Midsummer Night's Dream: Theseus1966The Museum of Modern Art
Following Piece, Vito Acconci, 1969Vito AcconciFollowing Piece1969The Museum of Modern Art
Stable Yard with Horses, Thomas Rowlandson, 1784–1795Thomas RowlandsonStable Yard with Horses1784–1795The Metropolitan Museum of Art
Study for The Car Crash: Man in Woman's Costume and Woman in Man's Costume, Jim Dine, 1960Jim DineStudy for The Car Crash: Man in Woman's Costume and Woman in Man's Costume1960The Museum of Modern Art
Mister Vulture, J. J. Grandville, 1840Jean Ignace Isidore Gérard GrandvilleMister Vulture1840The Metropolitan Museum of Art
Man in a Nightshirt Reaching for a Bottle Labeled "Fountain of Youth", J. J. Grandville, 1803–47Jean Ignace Isidore Gérard GrandvilleMan in a Nightshirt Reaching for a Bottle Labeled "Fountain of Youth"1803–47The Metropolitan Museum of Art
Sketch for "Building - Blocks for a Doorway" (E), Vito Acconci, c. 1983/1985Vito AcconciSketch for "Building - Blocks for a Doorway" (E)c. 1983/1985National Gallery of Art
Human Skeleton, Lateral View, George Stubbs, 1795 to 1806George StubbsHuman Skeleton, Lateral View1795 to 1806Yale Center for British Art
Tiger Skeleton, Lateral View (Study for the key figure to Table IV), George Stubbs, 1795 to 1806George StubbsTiger Skeleton, Lateral View (Study for the key figure to Table IV)1795 to 1806Yale Center for British Art
Human Skeleton, Lateral View, George Stubbs, 1795 to 1806George StubbsHuman Skeleton, Lateral View1795 to 1806Yale Center for British Art
Contergan (Thalidomide), Do it yourself, St. Tropez, Supermann (Triplet), Décollage, Kleenex 4 (effaçage), Sun in the head, 130 km/h, The Wall, and Lotto & Totto, Wolf Vostell, c. 1962-63Vostell, WolfContergan (Thalidomide), Do it yourself, St. Tropez, Supermann (Triplet), Décollage, Kleenex 4 (effaçage), Sun in the head, 130 km/h, The Wall, and Lotto & Tottoc. 1962-63The Museum of Modern Art
Notes on Movement II (Body as Place), Vito Acconci, March 1972Vito AcconciNotes on Movement II (Body as Place)March 1972The Museum of Modern Art
Leopard Body, Lateral View (Later stage in dissection, superficial connective tissue and ears removed), George Stubbs, 1795 to 1806George StubbsLeopard Body, Lateral View (Later stage in dissection, superficial connective tissue and ears removed)1795 to 1806Yale Center for British Art
Fowl Skeleton, Lateral View (Study for the key figure to Table V), George Stubbs, 1795 to 1806George StubbsFowl Skeleton, Lateral View (Study for the key figure to Table V)1795 to 1806Yale Center for British Art
Illustration in Jérôme Paturot, by Louis Reybaud, Paris, 1846, J. J. Grandville, ca. 1846Jean Ignace Isidore Gérard GrandvilleIllustration in Jérôme Paturot, by Louis Reybaud, Paris, 1846ca. 1846The Metropolitan Museum of Art
Illustration in Jérôme Paturot, by Louis Reybaud, Paris, 1846, J. J. Grandville, ca. 1846Jean Ignace Isidore Gérard GrandvilleIllustration in Jérôme Paturot, by Louis Reybaud, Paris, 1846ca. 1846The Metropolitan Museum of Art
Theme Song, Vito Acconci, 1973Vito AcconciTheme Song1973The Museum of Modern Art
Shepherdess, J. J. Grandville, 1827–47Jean Ignace Isidore Gérard GrandvilleShepherdess1827–47The Metropolitan Museum of Art
An Imperial Tomb: Elevation and Ground Plan, Circle of Antonio da Sangallo, c. 1530Circle of Antonio da SangalloAn Imperial Tomb: Elevation and Ground Planc. 1530National Gallery of Art
Design for a Freestanding Tomb Seen in Elevation and Plan, Antonio da Sangallo, the Younger, 1530–35Antonio da Sangallo, the YoungerDesign for a Freestanding Tomb Seen in Elevation and Plan1530–35The Metropolitan Museum of Art
Untitled (Drury Inn), Martin Kippenberger, 1994Martin KippenbergerUntitled (Drury Inn)1994The Museum of Modern Art
Untitled (What we gone do), Martin Kippenberger, 1995Martin KippenbergerUntitled (What we gone do)1995The Museum of Modern Art
Human Skeleton, Lateral View, George Stubbs, 1795 to 1806George StubbsHuman Skeleton, Lateral View1795 to 1806Yale Center for British Art
Woman Talking to a Seated Male Nude, Thomas Rowlandson, 1775–1827Thomas RowlandsonWoman Talking to a Seated Male Nude1775–1827The Metropolitan Museum of Art
Herd of deer under an oak tree, Thomas Rowlandson, 1775–1827Thomas RowlandsonHerd of deer under an oak tree1775–1827The Metropolitan Museum of Art
Room Situation (Proximity), Vito Acconci, 1970Vito AcconciRoom Situation (Proximity)1970The Museum of Modern Art
Shipyard, Greenwich, Thomas Rowlandson, before 1791Thomas RowlandsonShipyard, Greenwichbefore 1791The Metropolitan Museum of Art
Costume study for A Midsummer Night's Dream: Snug, Jim Dine, 1966Jim DineCostume study for A Midsummer Night's Dream: Snug1966The Museum of Modern Art
Illustration for Jérôme Paturot à la recherche d'une position sociale (Jérôme Patruot in Search of a Social Position), by Louis Reybaud, Paris, 1846, J. J. Grandville, ca. 1846Jean Ignace Isidore Gérard GrandvilleIllustration for Jérôme Paturot à la recherche d'une position sociale (Jérôme Patruot in Search of a Social Position), by Louis Reybaud, Paris, 1846ca. 1846The Metropolitan Museum of Art
Monkey Standing, Anterior View, George Stubbs, 1795 to 1806George StubbsMonkey Standing, Anterior View1795 to 1806Yale Center for British Art
Fairlop Fair, Essex, Thomas Rowlandson, ca. 1816Thomas RowlandsonFairlop Fair, Essexca. 1816The Metropolitan Museum of Art
Seaport, Thomas Rowlandson, 1792Thomas RowlandsonSeaport1792The Metropolitan Museum of Art
Sketch for "Building - Blocks for a Doorway" (B), Vito Acconci, c. 1983/1985Vito AcconciSketch for "Building - Blocks for a Doorway" (B)c. 1983/1985National Gallery of Art
Sketch for "Building - Blocks for a Doorway" (B), Vito Acconci, c. 1983/1985Vito AcconciSketch for "Building - Blocks for a Doorway" (B)c. 1983/1985National Gallery of Art
Sketch for mural project "The Foreign Plowman", Jim Dine, c. 1987/1989Jim DineSketch for mural project "The Foreign Plowman"c. 1987/1989National Gallery of Art
Notes on Movement, Vito Acconci, 1971Vito AcconciNotes on Movement1971The Museum of Modern Art
3 Rainbows for CORE, Jim Dine, 1966Jim Dine3 Rainbows for CORE1966The Museum of Modern Art
Proscenium arch design for the play A Midsummer Nights's Dream, Jim Dine, 1966Jim DineProscenium arch design for the play A Midsummer Nights's Dream1966The Museum of Modern Art
Room Piece, Vito Acconci, 1970Vito AcconciRoom Piece1970The Museum of Modern Art
Study of trees, Thomas Rowlandson, 1780–1827Thomas RowlandsonStudy of trees1780–1827The Metropolitan Museum of Art
Trees: Set design for A Midsummer Night's Dream, Jim Dine, 1966Jim DineTrees: Set design for A Midsummer Night's Dream1966The Museum of Modern Art
Illustration in Jérôme Paturot, by Louis Reybaud, Paris, 1846, J. J. Grandville, ca. 1846Jean Ignace Isidore Gérard GrandvilleIllustration in Jérôme Paturot, by Louis Reybaud, Paris, 1846ca. 1846The Metropolitan Museum of Art
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