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Collections: Art Institute of Chicago, Cooper Hewitt, Smithsonian Design Museum, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Minneapolis Institute of Art, Musée du Louvre, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery (Smithsonian), Pushkin State Museum of Fine Arts, Rijksmuseum, Smithsonian American Art Museum, SMK — National Gallery of Denmark, State Hermitage Museum, State Russian Museum, The Cleveland Museum of Art, The Metropolitan Museum of Art, The Museum of Modern Art, Tretyakov Gallery, Victoria and Albert Museum, Whitney Museum of American Art, Yale Center for British Art, Yale University Art Gallery, State Catalogue of the Museum Fund of Russia (274 museums), Europeana (19 museums), Wikidata (44 museums), Paris Musées (12 museums), Joconde, the French Ministry of Culture's museum database (495 museums), and the Catalogo generale dei Beni Culturali of Italy's Ministry of Culture (25 museums). Images belong to their rights holders.

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Pen and ink

60,822 works from 131 museums44 on view nowClear all

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Technique
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  • Graphite137,439
  • Pen and ink60,822
  • Watercolour58,381
  • Ink51,491
  • Chalk39,881
  • Gouache9,482
  • Charcoal8,850
  • Pastel4,205
  • Oil2,434
  • Silverpoint430
  • Mixed media297
Christie's Auction Room, Pall Mall, Thomas Rowlandson, ca. 1808–10Thomas RowlandsonChristie's Auction Room, Pall Mallca. 1808–10The Metropolitan Museum of Art
Woodland River with a Boat, Agostino Carracci, c. 1590Agostino CarracciWoodland River with a Boatc. 1590National Gallery of Art
Sketch for "Building - Blocks for a Doorway", Vito Acconci, c. 1983/1985Vito AcconciSketch for "Building - Blocks for a Doorway"c. 1983/1985National Gallery of Art
The Squire's Kitchen, Thomas Rowlandson, late 18th–early 19th centuryThomas RowlandsonThe Squire's Kitchenlate 18th–early 19th centuryThe Metropolitan Museum of Art
Sketch for "Building - Blocks for a Doorway" (A), Vito Acconci, c. 1983/1985Vito AcconciSketch for "Building - Blocks for a Doorway" (A)c. 1983/1985National Gallery of Art
Male Head in a Hood, Baron Dominique Vivant Denon, ca. 1794Dominique Vivant DenonMale Head in a Hoodca. 1794The Metropolitan Museum of Art
Wooded hillside with deer, Thomas Rowlandson, 1780–1827Thomas RowlandsonWooded hillside with deer1780–1827The Metropolitan Museum of Art
Sketch for "Building - Blocks for a Doorway" (C), Vito Acconci, c. 1983/1985Vito AcconciSketch for "Building - Blocks for a Doorway" (C)c. 1983/1985National Gallery of Art
Studies and Sketches for Figures: Standing Male Nude in Frontal View, Male Heads, Seated Monkey, and a Long-Beaked Bird (a Stork?) (recto); Figure Studies:  Back View of Standing Male and Female Heads, a Flying Long-Beaked Bird, etc. (verso), Agostino Carracci, 1577–1602Agostino CarracciStudies and Sketches for Figures: Standing Male Nude in Frontal View, Male Heads, Seated Monkey, and a Long-Beaked Bird (a Stork?) (recto); Figure Studies: Back View of Standing Male and Female Heads, a Flying Long-Beaked Bird, etc. (verso)1577–1602The Metropolitan Museum of Art
Seated Nude Male Figure (recto); Ornamental Designs of Foliage, a Grotesque Head, and a Leg (verso), Agostino Carracci, ca. 1590–93Agostino CarracciSeated Nude Male Figure (recto); Ornamental Designs of Foliage, a Grotesque Head, and a Leg (verso)ca. 1590–93The Metropolitan Museum of Art
Figure Studies for Various Female and Male Figures (recto); Threes Amors in the Garden of Venus (verso), Agostino Carracci, 1600–02Agostino CarracciFigure Studies for Various Female and Male Figures (recto); Threes Amors in the Garden of Venus (verso)1600–02The Metropolitan Museum of Art
Studies of Nudes and Human Heads (recto and on the verso), Agostino Carracci, 1557–1602Agostino CarracciStudies of Nudes and Human Heads (recto and on the verso)1557–1602The Metropolitan Museum of Art
Italian Landscape (after Titian), John Evelyn, 1656John EvelynItalian Landscape (after Titian)1656Yale Center for British Art
A Blacksmith, Thomas Rowlandson, 18th–19th centuryThomas RowlandsonA Blacksmith18th–19th centuryThe Metropolitan Museum of Art
A Military Review, Thomas Rowlandson, late 18th–early 19th centuryThomas RowlandsonA Military Reviewlate 18th–early 19th centuryThe Metropolitan Museum of Art
Sketch for "Building - Blocks for a Doorway", Vito Acconci, c. 1983/1985Vito AcconciSketch for "Building - Blocks for a Doorway"c. 1983/1985National Gallery of Art
City View with Medieval Gate (perhaps York), Thomas Rowlandson, 1775–1827Thomas RowlandsonCity View with Medieval Gate (perhaps York)1775–1827The Metropolitan Museum of Art
Sketch for "Building - Blocks for a Doorway", Vito Acconci, c. 1983/1985Vito AcconciSketch for "Building - Blocks for a Doorway"c. 1983/1985National Gallery of Art
Head of a soldier in profile, with a sword handle, Baron Dominique Vivant Denon, ca. 1794Dominique Vivant DenonHead of a soldier in profile, with a sword handleca. 1794The Metropolitan Museum of Art
An Irish Howl, Thomas Rowlandson, ca. 1799Thomas RowlandsonAn Irish Howlca. 1799The Metropolitan Museum of Art
Sketch for "Building - Blocks for a Doorway", Vito Acconci, c. 1983/1985Vito AcconciSketch for "Building - Blocks for a Doorway"c. 1983/1985National Gallery of Art
Joe Welch, Ben Shahn, 1954Ben ShahnJoe Welch1954Yale University Art Gallery
Human Skeleton, Posterior View, George Stubbs, 1795 to 1806George StubbsHuman Skeleton, Posterior View1795 to 1806Yale Center for British Art
How to Escape Losing, Thomas Rowlandson, ca. 1791Thomas RowlandsonHow to Escape Losingca. 1791The Metropolitan Museum of Art
Seated Male Nude [recto], Agostino Carracci, 1600/1602Agostino CarracciSeated Male Nude [recto]1600/1602National Gallery of Art
Sketch for "Building - Blocks for a Doorway" (D), Vito Acconci, c. 1983/1985Vito AcconciSketch for "Building - Blocks for a Doorway" (D)c. 1983/1985National Gallery of Art
Head of a Faun in a Concave Roundel, Agostino Carracci, probably c. 1595Agostino CarracciHead of a Faun in a Concave Roundelprobably c. 1595National Gallery of Art
Landscape with Two Washerwomen, Agostino Carracci, 1580sAgostino CarracciLandscape with Two Washerwomen1580sNational Gallery of Art
Saint Paul Preaching, Attributed to Agostino CarracciAgostino CarracciSaint Paul PreachingNational Gallery of Art
A Group of Shepherds, and Other Studies, Agostino Carracci, about 1598–1600Agostino CarracciA Group of Shepherds, and Other Studiesabout 1598–1600J. Paul Getty Museum
Landscape with The Temptation of Christ, Agostino Carracci, 1580sAgostino CarracciLandscape with The Temptation of Christ1580sYale University Art Gallery
Mascherone, Agostino Carracci, secc. XVI/ XVIIAgostino CarracciMascheronesecc. XVI/ XVIIGallerie dell'Accademia
The Q A loaded with the spoils of India and Britain, March 6, 1788, Thomas Rowlandson, ca. 1788Thomas RowlandsonThe Q A loaded with the spoils of India and Britain, March 6, 1788ca. 1788The Metropolitan Museum of Art
Wooded Landscape with Ruins, Thomas Rowlandson, 1780–1827Thomas RowlandsonWooded Landscape with Ruins1780–1827The Metropolitan Museum of Art
A Gaming Table at Devonshire House, Thomas Rowlandson, 1791Thomas RowlandsonA Gaming Table at Devonshire House1791The Metropolitan Museum of Art
Human Skeleton, Anterior View, George Stubbs, 1795 to 1806George StubbsHuman Skeleton, Anterior View1795 to 1806Yale Center for British Art
A Young Woman Sewing [recto], Vivant Denon, c. 1790Dominique Vivant DenonA Young Woman Sewing [recto]c. 1790National Gallery of Art
Caricature of Georges-Auguste Couthon (called Aristide, 1756-1794), President of the Convention in 1793, on the way to the guillotine on July 28, 1794 (10 Thermidor, An II), Baron Dominique Vivant Denon, ca. 1794Dominique Vivant DenonCaricature of Georges-Auguste Couthon (called Aristide, 1756-1794), President of the Convention in 1793, on the way to the guillotine on July 28, 1794 (10 Thermidor, An II)ca. 1794The Metropolitan Museum of Art
Replacements in the Parisian Guard Playing Cards in 1795, Baron Dominique Vivant Denon, ca. 1795Dominique Vivant DenonReplacements in the Parisian Guard Playing Cards in 1795ca. 1795The Metropolitan Museum of Art
Self-Portrait as a Young Man, Baron Dominique Vivant Denon, ca. 1780Dominique Vivant DenonSelf-Portrait as a Young Manca. 1780The Metropolitan Museum of Art
Harbor scene, Thomas Rowlandson, 1775–1827Thomas RowlandsonHarbor scene1775–1827The Metropolitan Museum of Art
Sketch for "Building - Blocks for a Doorway", Vito Acconci, c. 1983/1985Vito AcconciSketch for "Building - Blocks for a Doorway"c. 1983/1985National Gallery of Art
The Head of Jean Féraud (1759–1795), a Deputy at the Convention, Carried on a Pike, May 21, 1795, Baron Dominique Vivant Denon, ca. 1795Dominique Vivant DenonThe Head of Jean Féraud (1759–1795), a Deputy at the Convention, Carried on a Pike, May 21, 1795ca. 1795The Metropolitan Museum of Art
Balancing Acrobat, Ben Shahn, 1940s-1960sBen ShahnBalancing Acrobat1940s-1960sNational Gallery of Art
Sketch for "Building - Blocks for a Doorway" (E), Vito Acconci, c. 1983/1985Vito AcconciSketch for "Building - Blocks for a Doorway" (E)c. 1983/1985National Gallery of Art
Sketch for "Building - Blocks for a Doorway", Vito Acconci, c. 1983/1985Vito AcconciSketch for "Building - Blocks for a Doorway"c. 1983/1985National Gallery of Art
Sketch for "Building - Blocks for a Doorway" (Doorway), Vito Acconci, c. 1983/1985Vito AcconciSketch for "Building - Blocks for a Doorway" (Doorway)c. 1983/1985National Gallery of Art
Tiger Skeleton, Lateral View, George Stubbs, 1795 to 1806George StubbsTiger Skeleton, Lateral View1795 to 1806Yale Center for British Art
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