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Where to see art and when to visit.

Collections: Art Institute of Chicago, Cooper Hewitt, Smithsonian Design Museum, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Minneapolis Institute of Art, Musée du Louvre, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery (Smithsonian), Pushkin State Museum of Fine Arts, Rijksmuseum, Smithsonian American Art Museum, SMK — National Gallery of Denmark, State Hermitage Museum, State Russian Museum, The Cleveland Museum of Art, The Metropolitan Museum of Art, The Museum of Modern Art, Tretyakov Gallery, Victoria and Albert Museum, Whitney Museum of American Art, Yale Center for British Art, Yale University Art Gallery, State Catalogue of the Museum Fund of Russia (274 museums), Europeana (19 museums), Wikidata (44 museums), Paris Musées (12 museums), Joconde, the French Ministry of Culture's museum database (495 museums), and the Catalogo generale dei Beni Culturali of Italy's Ministry of Culture (25 museums). Images belong to their rights holders.

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Pen and ink

60,822 works from 131 museums44 on view nowClear all

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Technique
  • All
  • Graphite137,439
  • Pen and ink60,822
  • Watercolour58,381
  • Ink51,491
  • Chalk39,881
  • Gouache9,482
  • Charcoal8,850
  • Pastel4,205
  • Oil2,434
  • Silverpoint430
  • Mixed media297
Paesaggio con figure, Luigi Vanvitelli, 1715–1730Luigi VanvitelliPaesaggio con figure1715–1730Museum of the Royal Palace of Caserta
Dream of the Rarebit Fiend: Here Comes Washington, Winsor McCay, 1908Winsor McCayDream of the Rarebit Fiend: Here Comes Washington1908National Gallery of Art
View of Dolo, Bernardo Bellotto, ca. 1740–41Bernardo BellottoView of Doloca. 1740–41The Metropolitan Museum of Art
Little Nemo in Slumberland: Climbing the Great North Pole, Winsor McCay, 1907Winsor McCayLittle Nemo in Slumberland: Climbing the Great North Pole1907National Gallery of Art
Dream of the Rarebit Fiend: Bucking Automobile, Winsor McCay, 1907Winsor McCayDream of the Rarebit Fiend: Bucking Automobile1907National Gallery of Art
Studio di statue/ putti, Luigi Vanvitelli, 1770Luigi VanvitelliStudio di statue/ putti1770Museum of the Royal Palace of Caserta
The Grand Canal, with the Fabbriche Nuove on the Left and Campanile of Santi Apostoli on the Right, Bernardo Bellotto, ca. 1736–37Bernardo BellottoThe Grand Canal, with the Fabbriche Nuove on the Left and Campanile of Santi Apostoli on the Rightca. 1736–37The Metropolitan Museum of Art
The Grand Canal from the Carità to the Dogana da Mar, Bernardo Bellotto, ca. 1736–37Bernardo BellottoThe Grand Canal from the Carità to the Dogana da Marca. 1736–37The Metropolitan Museum of Art
Apollo and Daphne, Follower of Giulio RomanoGiulio RomanoApollo and DaphneNational Gallery of Art
River God, Giulio Romano, c. 1528Giulio RomanoRiver Godc. 1528National Gallery of Art
Design for a Church Interior, Luigi Vanvitelli, 1700–73Luigi VanvitelliDesign for a Church Interior1700–73The Metropolitan Museum of Art
Design for a Theater Interior, Luigi Vanvitelli, 1700–1773Luigi VanvitelliDesign for a Theater Interior1700–1773The Metropolitan Museum of Art
A Capriccio of Palaces and a Loggia Facing a Classical Bridge, Bernardo Bellotto, c. 1765Bernardo BellottoA Capriccio of Palaces and a Loggia Facing a Classical Bridgec. 1765National Gallery of Art
La Cappella Battesimale di San Pietro a Roma, Luigi Vanvitelli, 1720–1725Luigi VanvitelliLa Cappella Battesimale di San Pietro a Roma1720–1725Museum of the Royal Palace of Caserta
Il Terenzio Vaticano, Luigi Vanvitelli, 1720 – ca. 1730Luigi VanvitelliIl Terenzio Vaticano1720 – ca. 1730Museum of the Royal Palace of Caserta
Imaginary View of Padua, Bernardo Bellotto, ca. 1740–41Bernardo BellottoImaginary View of Paduaca. 1740–41The Metropolitan Museum of Art
San Simeone Piccolo, Venice, Seen from the Grand Canal, Bernardo Bellotto, 1721–80Bernardo BellottoSan Simeone Piccolo, Venice, Seen from the Grand Canal1721–80The Metropolitan Museum of Art
The Lamps of God, Winsor McCay, 1922Winsor McCayThe Lamps of God1922National Gallery of Art
Scena del "Tito Manlio", Luigi Vanvitelli, 1726 – ca. 1728Luigi VanvitelliScena del "Tito Manlio"1726 – ca. 1728Museum of the Royal Palace of Caserta
The Raising of the Cross, Luca GiordanoLuca GiordanoThe Raising of the CrossNational Gallery of Art
The Painter Rewarded, Luca Giordano, 1634–1705Luca GiordanoThe Painter Rewarded1634–1705The Metropolitan Museum of Art
The Almighty with Angels, Luca Giordano, ca. 1650–69Luca GiordanoThe Almighty with Angelsca. 1650–69The Metropolitan Museum of Art
Fragment of a Composition with a Reclining Semi-Nude Man Surrounded by Soldiers and Other Onlookers in a Landscape, Luca Giordano, 1634–1705Luca GiordanoFragment of a Composition with a Reclining Semi-Nude Man Surrounded by Soldiers and Other Onlookers in a Landscape1634–1705The Metropolitan Museum of Art
The Abduction of Helen, Luca Giordano, 1634–1705Luca GiordanoThe Abduction of Helen1634–1705The Metropolitan Museum of Art
Moses Striking the Rock, Luca Giordano, 1634–1705Luca GiordanoMoses Striking the Rock1634–1705The Metropolitan Museum of Art
Caricature of Charles-Henri Plantade (?), Horace Vernet, 19th centuryVernet, HoraceCaricature of Charles-Henri Plantade (?)19th centuryThe Metropolitan Museum of Art
Recent drawing for the Unterirdisches Theater, Hermann Nitsch, 1977Hermann NitschRecent drawing for the Unterirdisches Theater1977Yale University Art Gallery
Study for a Woman at a Window, Duncan Grant, ca. 1912Duncan GrantStudy for a Woman at a Windowca. 1912Yale Center for British Art
Lovers, Duncan Grant, ca. 1930Duncan GrantLoversca. 1930Yale Center for British Art
Standing Male Nude, Duncan Grant, ca. 1914Duncan GrantStanding Male Nudeca. 1914Yale Center for British Art
Kneeling Woman, Duncan Grant, 1930Duncan GrantKneeling Woman1930Yale Center for British Art
Facciata della chiesa della Misericordia a Macerata, Luigi Vanvitelli, 1744Luigi VanvitelliFacciata della chiesa della Misericordia a Macerata1744Museum of the Royal Palace of Caserta
Transverse Section of the Small Theater in the Palace of Caserta with a View Towards the Royal Box, Luigi Vanvitelli, 1700–1773Luigi VanvitelliTransverse Section of the Small Theater in the Palace of Caserta with a View Towards the Royal Box1700–1773The Metropolitan Museum of Art
Detail study for the façade of Milan cathedral, Luigi Vanvitelli, 1700–1773Luigi VanvitelliDetail study for the façade of Milan cathedral1700–1773The Metropolitan Museum of Art
A Venetian Villa, Bernardo Bellotto, ca. 1741–80Bernardo BellottoA Venetian Villaca. 1741–80The Metropolitan Museum of Art
The Tower of Marghera, Bernardo Bellotto, ca. 1740–41Bernardo BellottoThe Tower of Margheraca. 1740–41The Metropolitan Museum of Art
Early drawing for the Unterirdisches Theater (no. 569), Hermann Nitsch, ca. 1972Hermann NitschEarly drawing for the Unterirdisches Theater (no. 569)ca. 1972Yale University Art Gallery
A Group of Figures Surrounding Two Bird-coops, Bernardo Bellotto, 1742–68Bernardo BellottoA Group of Figures Surrounding Two Bird-coops1742–68The Metropolitan Museum of Art
Two Wicked Words--"They Say", Winsor McCay, 1932Winsor McCayTwo Wicked Words--"They Say"1932National Gallery of Art
Motivi decorativi a medaglioni, Luigi Vanvitelli, 1767–1770Luigi VanvitelliMotivi decorativi a medaglioni1767–1770Museum of the Royal Palace of Caserta
Scena del "Tito Manlio", Luigi Vanvitelli, 1726 – ca. 1728Luigi VanvitelliScena del "Tito Manlio"1726 – ca. 1728Museum of the Royal Palace of Caserta
View of Mestre, Bernardo Bellotto, ca. 1740–41Bernardo BellottoView of Mestreca. 1740–41The Metropolitan Museum of Art
Little Nemo in Slumberland: "I don't like this, one little tiny bit, not one tiny weenie bit", Winsor McCay, 1906Winsor McCayLittle Nemo in Slumberland: "I don't like this, one little tiny bit, not one tiny weenie bit"1906National Gallery of Art
Flight of Meriones, with Dead Coeranos Being Dragged from the Chariot, after Giulio RomanoGiulio RomanoFlight of Meriones, with Dead Coeranos Being Dragged from the ChariotNational Gallery of Art
The Entrance to the Grand Canal, with the Dogana da Mar and Santa Maria della Salute on the Left, Bernardo Bellotto, ca. 1736–37Bernardo BellottoThe Entrance to the Grand Canal, with the Dogana da Mar and Santa Maria della Salute on the Leftca. 1736–37The Metropolitan Museum of Art
A Village on the Brenta, Bernardo Bellotto, ca. 1740–41Bernardo BellottoA Village on the Brentaca. 1740–41The Metropolitan Museum of Art
The Sacrifice of a Goat to Jupiter, Giulio Romano, c. 1527/1528Giulio RomanoThe Sacrifice of a Goat to Jupiterc. 1527/1528National Gallery of Art
Saint Michael, Giulio Romano, c. 1527/1528Giulio RomanoSaint Michaelc. 1527/1528National Gallery of Art
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