ART WIKI 37,788 on view

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ART WIKI

Where to see art and when to visit.

Collections: Art Institute of Chicago, Cooper Hewitt, Smithsonian Design Museum, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Minneapolis Institute of Art, Musée du Louvre, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery (Smithsonian), Pushkin State Museum of Fine Arts, Rijksmuseum, Smithsonian American Art Museum, SMK — National Gallery of Denmark, State Hermitage Museum, State Russian Museum, The Cleveland Museum of Art, The Metropolitan Museum of Art, The Museum of Modern Art, Tretyakov Gallery, Victoria and Albert Museum, Whitney Museum of American Art, Yale Center for British Art, Yale University Art Gallery, State Catalogue of the Museum Fund of Russia (274 museums), Europeana (19 museums), Wikidata (44 museums), Paris Musées (12 museums), Joconde, the French Ministry of Culture's museum database (495 museums), and the Catalogo generale dei Beni Culturali of Italy's Ministry of Culture (25 museums). Images belong to their rights holders.

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Pen and ink

60,822 works from 131 museums44 on view now Clear all

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Technique

All
Graphite137,439
Pen and ink60,822
Watercolour58,381
Ink51,491
Chalk39,881
Gouache9,482
Charcoal8,850
Pastel4,205
Oil2,434
Silverpoint430
Mixed media297

Grotteschi, Pinturicchio

PinturicchioGrotteschiNational Gallery of Art

Studies: Newborn Baby's Head, Mervyn Peake, undated

Mervyn PeakeStudies: Newborn Baby's HeadundatedYale Center for British Art

Venus, Cupid, and Mars, Giovanni Francesco Barbieri, called Guercino, 1633/1634

Giovanni Francesco Barbieri, called GuercinoVenus, Cupid, and Mars1633/1634National Gallery of Art

Untitled, Donald Judd, 1971

Donald JuddUntitled1971The Museum of Modern Art

Sheet with putti and several figures, Félicien Rops

Félicien RopsSheet with putti and several figuresThe Metropolitan Museum of Art

Untitled, Donald Judd, 1970

Donald JuddUntitled1970The Museum of Modern Art

Study of Patin (recto); Sketch of an Open Book, "Compendium Maleficarum" (verso), Félicien Rops

Félicien RopsStudy of Patin (recto); Sketch of an Open Book, "Compendium Maleficarum" (verso)The Metropolitan Museum of Art

Sketchbook, Paul Delvaux, (c. 1939-44)

Paul DelvauxSketchbook(c. 1939-44)The Museum of Modern Art

Untitled, Donald Judd, 1965

Donald JuddUntitled1965The Museum of Modern Art

Study of a man pushing a plow, Félicien Rops, ca. 1870

Félicien RopsStudy of a man pushing a plowca. 1870The Metropolitan Museum of Art

Studies of Female Nude, Hands, and Male Torso (recto); Landscape (verso), Félicien Rops

Félicien RopsStudies of Female Nude, Hands, and Male Torso (recto); Landscape (verso)The Metropolitan Museum of Art

Sketchbook, Paul Delvaux, (c. 1939-44)

Paul DelvauxSketchbook(c. 1939-44)The Museum of Modern Art

Seven Miles a Second, David Wojnarowicz, 1988

David WojnarowiczSeven Miles a Second1988The Museum of Modern Art

A Plumed Saddle-Horse, Inigo Jones, ca. 1640

Inigo JonesA Plumed Saddle-Horseca. 1640Yale Center for British Art

Head of a Boy, Inigo Jones, undated

Inigo JonesHead of a BoyundatedYale Center for British Art

Seated Nude Boy Seen from the Back, Giovanni Francesco Barbieri, called Guercino

Giovanni Francesco Barbieri, called GuercinoSeated Nude Boy Seen from the BackNational Gallery of Art

Personification of Justice, Guercino, c. 1640

Giovanni Francesco Barbieri, called GuercinoPersonification of Justicec. 1640National Gallery of Art

Dredging a Canal, Jacob van Ruisdael, 17th century

Jacob Isaacksz. van RuisdaelDredging a Canal17th centuryThe Metropolitan Museum of Art

The Return of the Prodigal Son, Giovanni Francesco Barbieri, called Guercino, c. 1640

Giovanni Francesco Barbieri, called GuercinoThe Return of the Prodigal Sonc. 1640National Gallery of Art

The Rest on the Flight into Egypt, Giovanni Francesco Barbieri, called Guercino, c. 1626

Giovanni Francesco Barbieri, called GuercinoThe Rest on the Flight into Egyptc. 1626National Gallery of Art

Shepherds Peering into a Chasm, Giovanni Francesco Barbieri, called Guercino, 1620s

Giovanni Francesco Barbieri, called GuercinoShepherds Peering into a Chasm1620sNational Gallery of Art

Letter to Theo Hanon, from Rops, signed Fély, Félicien Rops

Félicien RopsLetter to Theo Hanon, from Rops, signed FélyThe Metropolitan Museum of Art

Sketchbook, Paul Delvaux, (c. 1939-44)

Paul DelvauxSketchbook(c. 1939-44)The Museum of Modern Art

Landscape with Figures, Follower of Guercino, 18th century

Giovanni Francesco Barbieri, called GuercinoLandscape with Figures18th centuryNational Gallery of Art

Giovanni Francesco Barbieri, called GuercinoCaricature of Two Men Seen in Profileabout 1635J. Paul Getty Museum

Five Classical Heads, Inigo Jones, between 1630 and 1639

Inigo JonesFive Classical Headsbetween 1630 and 1639Yale Center for British Art

Cuisinière Norwegienne (Norwegian Cook), Félicien Rops, 1879

Félicien RopsCuisinière Norwegienne (Norwegian Cook)1879Yale University Art Gallery

Untitled, Donald Judd, 1966-1968

Donald JuddUntitled1966-1968National Gallery of Art

Three Half-Length Figures, Inigo Jones, undated

Inigo JonesThree Half-Length FiguresundatedYale Center for British Art

Untitled, Donald Judd, 1971

Donald JuddUntitled1971The Museum of Modern Art

Study of Head and Shoulders of Woman with Headdress, Félicien Rops

Félicien RopsStudy of Head and Shoulders of Woman with HeaddressThe Metropolitan Museum of Art

Drawing for Untitled 1973 Structure, Donald Judd, 1972

Donald JuddDrawing for Untitled 1973 Structure1972The Museum of Modern Art

Liberté, Egalité, Fraternité, Félicien Rops

Félicien RopsLiberté, Egalité, FraternitéThe Metropolitan Museum of Art

Sketchbook, Paul Delvaux, (c. 1939-44)

Paul DelvauxSketchbook(c. 1939-44)The Museum of Modern Art

The Angel of the Annunciation, Giovanni Francesco Barbieri, called Guercino, c. 1638/1639

Giovanni Francesco Barbieri, called GuercinoThe Angel of the Annunciationc. 1638/1639National Gallery of Art

Hercules Slaying the Hydra, Giovanni Francesco Barbieri, called Guercino, c. 1618

Giovanni Francesco Barbieri, called GuercinoHercules Slaying the Hydrac. 1618National Gallery of Art

Composition 1960 #7, La Monte Young, 1960/1970

La Monte YoungComposition 1960 #71960/1970The Museum of Modern Art

Untitled, Donald Judd, 1965

Donald JuddUntitled1965National Gallery of Art

Putti grouped around a rectangular panel, Félicien Rops

Félicien RopsPutti grouped around a rectangular panelThe Metropolitan Museum of Art

Sketch Sheet, Félicien Rops, 1878

Félicien RopsSketch Sheet1878The Metropolitan Museum of Art

Design for a Temporary Arch Ornamented with Putti and Allegorical Figures of Music and War, Inigo Jones, ca. 1622

Inigo JonesDesign for a Temporary Arch Ornamented with Putti and Allegorical Figures of Music and Warca. 1622Yale Center for British Art

Landscape with a Waterfall, Giovanni Francesco Barbieri, called Guercino

Giovanni Francesco Barbieri, called GuercinoLandscape with a WaterfallNational Gallery of Art

Sketchbook, Paul Delvaux, c. 1939-44

Paul DelvauxSketchbookc. 1939-44The Museum of Modern Art

Untitled, Donald Judd, 1966

Donald JuddUntitled1966The Museum of Modern Art

Figure Study, Félicien Rops

Félicien RopsFigure StudyThe Metropolitan Museum of Art

Sketchbook, Paul Delvaux, (c. 1939-44)

Paul DelvauxSketchbook(c. 1939-44)The Museum of Modern Art

Une Soirée Anseremme, Félicien Rops, 1876

Félicien RopsUne Soirée Anseremme1876The Metropolitan Museum of Art

Landscape with the Taming of a Horse, Giovanni Francesco Barbieri, called Guercino, 1620/1630

Giovanni Francesco Barbieri, called GuercinoLandscape with the Taming of a Horse1620/1630National Gallery of Art

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