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Collections: Art Institute of Chicago, Cooper Hewitt, Smithsonian Design Museum, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Minneapolis Institute of Art, Musée du Louvre, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery (Smithsonian), Pushkin State Museum of Fine Arts, Rijksmuseum, Smithsonian American Art Museum, SMK — National Gallery of Denmark, State Hermitage Museum, State Russian Museum, The Cleveland Museum of Art, The Metropolitan Museum of Art, The Museum of Modern Art, Tretyakov Gallery, Victoria and Albert Museum, Whitney Museum of American Art, Yale Center for British Art, Yale University Art Gallery, State Catalogue of the Museum Fund of Russia (274 museums), Europeana (19 museums), Wikidata (44 museums), Paris Musées (12 museums), Joconde, the French Ministry of Culture's museum database (495 museums), and the Catalogo generale dei Beni Culturali of Italy's Ministry of Culture (74 museums). Images belong to their rights holders.

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Pen and ink

61,422 works from 150 museums48 on view nowClear all

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  • Graphite139,729
  • Pen and ink61,422
  • Watercolour59,077
  • Ink52,795
  • Chalk39,883
  • Charcoal9,549
  • Gouache9,482
  • Pastel4,297
  • Oil2,442
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  • Mixed media301
Frau hinter Baum (Woman Behind a Tree) [p. 7], Max BeckmannMax BeckmannFrau hinter Baum (Woman Behind a Tree) [p. 7]National Gallery of Art
The Pontine Marshes above Terracina, Edward Lear, ca. 1880Edward LearThe Pontine Marshes above Terracinaca. 1880Yale Center for British Art
Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade', Edward Lear, undatedEdward LearIllustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'undatedYale Center for British Art
Signature, "TH. Nast, Oct. 17, 1901", Thomas Nast, 1901Thomas NastSignature, "TH. Nast, Oct. 17, 1901"1901National Gallery of Art
"It Leads Us To A Challenge." "It was Indeed a Wild and Reckless Sacrifice of Blood and Money to Save One's Country to be Ruled over by one so Ungrateful!", Thomas Nast, 1893Thomas Nast"It Leads Us To A Challenge." "It was Indeed a Wild and Reckless Sacrifice of Blood and Money to Save One's Country to be Ruled over by one so Ungrateful!"1893Yale University Art Gallery
D. B. Hill, Thomas Nast, n.d.Thomas NastD. B. Hilln.d.Yale University Art Gallery
Catania, Edward Lear, 1847Edward LearCatania1847Yale Center for British Art
Notebook Page: Studies for Lipstick (Ascending), on Caterpillar Tracks, “TATLIN”, Claes Oldenburg, 1969Claes OldenburgNotebook Page: Studies for Lipstick (Ascending), on Caterpillar Tracks, “TATLIN”1969Yale University Art Gallery
Death Before Dishonor, Thomas Nast, 1884Thomas NastDeath Before Dishonor1884Yale University Art Gallery
The English-Speaking Race One and Inseparable Unite in Keeping the Trident in It's Own Hands, Thomas Nast, n.d.Thomas NastThe English-Speaking Race One and Inseparable Unite in Keeping the Trident in It's Own Handsn.d.Yale University Art Gallery
War Bulletin. Latest News. Another Brewery Captured by the English Syndicate, Thomas Nast, 1889Thomas NastWar Bulletin. Latest News. Another Brewery Captured by the English Syndicate1889Yale University Art Gallery
Notice. Beware!, Thomas Nast, n.d.Thomas NastNotice. Beware!n.d.Yale University Art Gallery
A Frieze: Men Planting Trees, Women Gathering Blossoms and Watering Flowers, Angelica Kaufmann, undatedAngelica KauffmannA Frieze: Men Planting Trees, Women Gathering Blossoms and Watering FlowersundatedYale Center for British Art
Study for "The Women's Table", Maya Lin, 1993Maya LinStudy for "The Women's Table"1993Yale University Art Gallery
Notebook Page: Stencil Study for Colossal Keepsake Corporation, Claes Oldenburg, 1969Claes OldenburgNotebook Page: Stencil Study for Colossal Keepsake Corporation1969Yale University Art Gallery
Study for Poster Using the Lipstick: “Russia”, Claes Oldenburg, 1970Claes OldenburgStudy for Poster Using the Lipstick: “Russia”1970Yale University Art Gallery
Notebook Page: Studies for Lipstick (Ascending), on Caterpillar Tracks, Claes Oldenburg, 1969Claes OldenburgNotebook Page: Studies for Lipstick (Ascending), on Caterpillar Tracks1969Yale University Art Gallery
The Capo Sant' Angelo, Amalfi, Edward Lear, ca. 1885Edward LearThe Capo Sant' Angelo, Amalfica. 1885Yale Center for British Art
Notebook Page: Studies for Lipstick (Ascending), on Caterpillar Tracks, “a.a.gun emplacement”, Claes Oldenburg, 1969Claes OldenburgNotebook Page: Studies for Lipstick (Ascending), on Caterpillar Tracks, “a.a.gun emplacement”1969Yale University Art Gallery
Never Did Care For Christian Enlightenment, Thomas Nast, 1896Thomas NastNever Did Care For Christian Enlightenment1896Yale University Art Gallery
Bismark, the French Republic, and figure of Revolution, Thomas Nast, n.d.Thomas NastBismark, the French Republic, and figure of Revolutionn.d.Yale University Art Gallery
The Capital Ceiling Scandal, Thomas Nast, 1889Thomas NastThe Capital Ceiling Scandal1889Yale University Art Gallery
English Syndicate (British Gold), Thomas Nast, 1889Thomas NastEnglish Syndicate (British Gold)1889Yale University Art Gallery
Free Education, Thomas Nast, 1889Thomas NastFree Education1889Yale University Art Gallery
The Sacred Elephant, Thomas Nast, 1884Thomas NastThe Sacred Elephant1884Yale University Art Gallery
The Dead Sea, 16 and 17 April 1858, Edward Lear, April 16 and 17, 1858Edward LearThe Dead Sea, 16 and 17 April 1858April 16 and 17, 1858Yale Center for British Art
Female Figure Seated Beside an Urn, Angelica Kauffmann, 1800Angelica KauffmannFemale Figure Seated Beside an Urn1800The Metropolitan Museum of Art
Servius Tullius When a Child, Asleep in the Apartment of King Tarquinius Priscus, Angelica Kauffmann, ca. 1785Angelica KauffmannServius Tullius When a Child, Asleep in the Apartment of King Tarquinius Priscusca. 1785The Metropolitan Museum of Art
Agios Prokopios, Corfu, 12 May 1862, Edward Lear, 1862Edward LearAgios Prokopios, Corfu, 12 May 18621862Yale Center for British Art
Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South', Edward Lear, undatedEdward LearIllustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'undatedYale Center for British Art
Notebook Page [no title], Claes Oldenburg, 1969Claes OldenburgNotebook Page [no title]1969Yale University Art Gallery
Wady Feiran, Peninsula of Mt. Sinai, Edward Lear, ca. 1880Edward LearWady Feiran, Peninsula of Mt. Sinaica. 1880Yale Center for British Art
Val di Roppa, Corfu, 22 May 1868, Edward Lear, 1868Edward LearVal di Roppa, Corfu, 22 May 18681868Yale Center for British Art
To the Victors Belong the Spoils, Thomas Nast, 1889Thomas NastTo the Victors Belong the Spoils1889Yale University Art Gallery
Black Polo Pony (N.Y.) Tossing Rider (James G. Blaine) Marked "Trusts", Thomas Nast, 1888Thomas NastBlack Polo Pony (N.Y.) Tossing Rider (James G. Blaine) Marked "Trusts"1888Yale University Art Gallery
Sheet of Sequential Drawings About Music, Thomas Nast, n.d.Thomas NastSheet of Sequential Drawings About Musicn.d.Yale University Art Gallery
What's in a Name?, Thomas Nast, 1886Thomas NastWhat's in a Name?1886Yale University Art Gallery
R. R. Ring. Three-plumed Knight (James G. Blaine) with Lance ("Real Steel"), Spearing Public Money, Thomas Nast, n.d.Thomas NastR. R. Ring. Three-plumed Knight (James G. Blaine) with Lance ("Real Steel"), Spearing Public Moneyn.d.Yale University Art Gallery
Notes toward a Monument for Yale University, Claes Oldenburg, 1969Claes OldenburgNotes toward a Monument for Yale University1969Yale University Art Gallery
Robert (maquette), Chuck Close, 1973Chuck CloseRobert (maquette)1973The Museum of Modern Art
Design for Ceiling: Apollo and the Hours, Angelica Kauffmann, 1760–1807Angelica KauffmannDesign for Ceiling: Apollo and the Hours1760–1807The Metropolitan Museum of Art
Siracusa, 12. June 1847, Edward Lear, 1847Edward LearSiracusa, 12. June 18471847Yale Center for British Art
Corfu, Edward Lear, 1857Edward LearCorfu1857Yale Center for British Art
Tell the Truth, Thomas Nast, n.d.Thomas NastTell the Truthn.d.Yale University Art Gallery
View of Sciacca, Sicily, Edward Lear, May 20, 1847Edward LearView of Sciacca, SicilyMay 20, 1847The Metropolitan Museum of Art
Let Us Have Peace, Thomas Nast, 1889Thomas NastLet Us Have Peace1889Yale University Art Gallery
The Tall Sycamore Swinging the British Lion by the Tail (Senator Voorhees), Thomas Nast, 1882Thomas NastThe Tall Sycamore Swinging the British Lion by the Tail (Senator Voorhees)1882Yale University Art Gallery
Assorted Drawings, Thomas Nast, n.d.Thomas NastAssorted Drawingsn.d.Yale University Art Gallery
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