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Collections: Art Institute of Chicago, Cooper Hewitt, Smithsonian Design Museum, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Minneapolis Institute of Art, Musée du Louvre, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery (Smithsonian), Pushkin State Museum of Fine Arts, Rijksmuseum, Smithsonian American Art Museum, SMK — National Gallery of Denmark, State Hermitage Museum, State Russian Museum, The Cleveland Museum of Art, The Metropolitan Museum of Art, The Museum of Modern Art, Tretyakov Gallery, Victoria and Albert Museum, Whitney Museum of American Art, Yale Center for British Art, Yale University Art Gallery, State Catalogue of the Museum Fund of Russia (274 museums), Europeana (19 museums), Wikidata (44 museums), Paris Musées (12 museums), Joconde, the French Ministry of Culture's museum database (495 museums), and the Catalogo generale dei Beni Culturali of Italy's Ministry of Culture (74 museums). Images belong to their rights holders.

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Pen and ink

61,422 works from 150 museums48 on view nowClear all

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Technique
  • All
  • Graphite139,729
  • Pen and ink61,422
  • Watercolour59,077
  • Ink52,795
  • Chalk39,883
  • Charcoal9,549
  • Gouache9,482
  • Pastel4,297
  • Oil2,442
  • Silverpoint430
  • Mixed media301
Rosalind in boys clothing, Edwin Austin Abbey, ca. 1890Edwin Austin AbbeyRosalind in boys clothingca. 1890Yale University Art Gallery
People in medieval dress, outside - unidentified illustration, Edwin Austin Abbey, n.d.Edwin Austin AbbeyPeople in medieval dress, outside - unidentified illustrationn.d.Yale University Art Gallery
Beatrice: "Against my will, I am sent to bid you come in to dinner," illustration for Act II, Scene iii, Much Ado About Nothing, Edwin Austin Abbey, 1891Edwin Austin AbbeyBeatrice: "Against my will, I am sent to bid you come in to dinner," illustration for Act II, Scene iii, Much Ado About Nothing1891Yale University Art Gallery
Two Seated Women, Pellegrino TibaldiPellegrino TibaldiTwo Seated WomenNational Gallery of Art
Oliver: "Wilt thou lay hands on me, villain?", illustration for Act I, Scene i, As You Like It, Edwin Austin Abbey, 1891Edwin Austin AbbeyOliver: "Wilt thou lay hands on me, villain?", illustration for Act I, Scene i, As You Like It1891Yale University Art Gallery
Prologue: "Of wains that jolt and rumble by," study for illustration to The Quiet Life, 1889, Edwin Austin Abbey, 1889Edwin Austin AbbeyPrologue: "Of wains that jolt and rumble by," study for illustration to The Quiet Life, 18891889Yale University Art Gallery
"The sad historian of the pensive plain," illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 43, Edwin Austin Abbey, ca. 1890sEdwin Austin Abbey"The sad historian of the pensive plain," illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 43ca. 1890sYale University Art Gallery
Galahad Departs, study for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in 1901), Edwin Austin Abbey, n.d.Edwin Austin AbbeyGalahad Departs, study for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in 1901)n.d.Yale University Art Gallery
"Charles, Charles, how has thou deceived me?," illustration for Oliver Goldsmith's She Stoops to Conquer, Edwin Austin Abbey, 1884Edwin Austin Abbey"Charles, Charles, how has thou deceived me?," illustration for Oliver Goldsmith's She Stoops to Conquer1884Yale University Art Gallery
The bird to others flew, illustration to "A Love Song", Edwin Austin Abbey, 1887Edwin Austin AbbeyThe bird to others flew, illustration to "A Love Song"1887The Metropolitan Museum of Art
The Sunday Walk, illustration to "Sally in Our Alley", Edwin Austin Abbey, ca. 1886Edwin Austin AbbeyThe Sunday Walk, illustration to "Sally in Our Alley"ca. 1886The Metropolitan Museum of Art
The Harvesters, illustration to "The Leather Bottèl", Edwin Austin Abbey, 1887Edwin Austin AbbeyThe Harvesters, illustration to "The Leather Bottèl"1887The Metropolitan Museum of Art
Seated Woman Holding a Shield: A Happy New Year to you from M. G. and E. A. Abbey, Edwin Austin Abbey, 1890–1911Edwin Austin AbbeySeated Woman Holding a Shield: A Happy New Year to you from M. G. and E. A. Abbey1890–1911The Metropolitan Museum of Art
A Hunting Party, Jan van der Straet, called Stradanus, ca. 1555–65StradanusA Hunting Partyca. 1555–65The Metropolitan Museum of Art
Allegory of America, Jan van der Straet, called Stradanus, ca. 1587–89StradanusAllegory of Americaca. 1587–89The Metropolitan Museum of Art
Rocky Shore, Milton Avery, c. 1943Milton AveryRocky Shorec. 1943National Gallery of Art
Shoreline, Milton Avery, c. 1943Milton AveryShorelinec. 1943National Gallery of Art
View of a Town, Milton Avery, 1943Milton AveryView of a Town1943National Gallery of Art
Six Studies of Animal Heads and of a Cartouche, Pellegrino Tibaldi, 1527–96Pellegrino TibaldiSix Studies of Animal Heads and of a Cartouche1527–96The Metropolitan Museum of Art
Studies of the Rocky Shore, Milton Avery, c. 1943Milton AveryStudies of the Rocky Shorec. 1943National Gallery of Art
View from the Rocks, Milton Avery, c. 1943Milton AveryView from the Rocksc. 1943National Gallery of Art
Two Figures in a Landscape, Milton Avery, 1943Milton AveryTwo Figures in a Landscape1943National Gallery of Art
He went to Tonson, illustration to "The Noble Patron", Edwin Austin Abbey, 1888Edwin Austin AbbeyHe went to Tonson, illustration to "The Noble Patron"1888The Metropolitan Museum of Art
Man in seventeenth-century dress holding a scroll: With every Good Wish from M. G. and E. A. Abbey for 1911, Edwin Austin Abbey, 1911Edwin Austin AbbeyMan in seventeenth-century dress holding a scroll: With every Good Wish from M. G. and E. A. Abbey for 19111911The Metropolitan Museum of Art
Woman in a Grecian Gown Playing a Lyre, Edwin Austin Abbey, 1890–1911Edwin Austin AbbeyWoman in a Grecian Gown Playing a Lyre1890–1911The Metropolitan Museum of Art
The Holy Family with the Infant John the Baptist, Pellegrino Tibaldi, c. 1546Pellegrino TibaldiThe Holy Family with the Infant John the Baptistc. 1546National Gallery of Art
Sally Sketching on the Rocks, Milton Avery, c. 1943Milton AverySally Sketching on the Rocksc. 1943National Gallery of Art
Unidentified illustration, Edwin Austin Abbey, 1878Edwin Austin AbbeyUnidentified illustration1878Yale University Art Gallery
Armado and Moth, from Act III, Scene i, Love's Labour's Lost, Edwin Austin Abbey, 1891Edwin Austin AbbeyArmado and Moth, from Act III, Scene i, Love's Labour's Lost1891Yale University Art Gallery
Sketch for "The Leather Bottel," from Old Songs, Edwin Austin Abbey, 1887Edwin Austin AbbeySketch for "The Leather Bottel," from Old Songs1887Yale University Art Gallery
Shallow: "The Council shall hear it" - Act I, Scene I, Merry Wives of Windsor, Edwin Austin Abbey, 1889Edwin Austin AbbeyShallow: "The Council shall hear it" - Act I, Scene I, Merry Wives of Windsor1889Yale University Art Gallery
The jovial monarch caught Mrs. Russell's hand in his, and proceeded to dance, illustration to "A Castle in Spain: A Novel", Edwin Austin Abbey, 1880–83Edwin Austin AbbeyThe jovial monarch caught Mrs. Russell's hand in his, and proceeded to dance, illustration to "A Castle in Spain: A Novel"1880–83The Metropolitan Museum of Art
Costumed Actor, Edwin Austin Abbey, 1890Edwin Austin AbbeyCostumed Actor1890The Metropolitan Museum of Art
Vermont Landscape, Milton Avery, 1943Milton AveryVermont Landscape1943National Gallery of Art
Man Walking in the Snow Carrying a Covered Basket, Accompanied by a Small Terrier, Edwin Austin Abbey, 1890–1911Edwin Austin AbbeyMan Walking in the Snow Carrying a Covered Basket, Accompanied by a Small Terrier1890–1911The Metropolitan Museum of Art
Why then begin..., illustration to "A Bucolick or Discourse of Neatherds", Edwin Austin Abbey, ca. 1880Edwin Austin AbbeyWhy then begin..., illustration to "A Bucolick or Discourse of Neatherds"ca. 1880The Metropolitan Museum of Art
The Descent of Christ to Limbo (recto); Coats of Arms of Florentine and Sienese Families (verso), Domenico Beccafumi, ca. 1536Domenico BeccafumiThe Descent of Christ to Limbo (recto); Coats of Arms of Florentine and Sienese Families (verso)ca. 1536The Metropolitan Museum of Art
Tritons and Nymphs, Attributed to Pellegrino TibaldiPellegrino TibaldiTritons and NymphsNational Gallery of Art
"Downward they move, a melancholy band Pass from the shore, and darken all the land" - illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 99, Edwin Austin Abbey, ca. 1890sEdwin Austin Abbey"Downward they move, a melancholy band Pass from the shore, and darken all the land" - illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 99ca. 1890sYale University Art Gallery
The Incredulity of Thomas (recto); Study for the Figure of Thomas (verso), Pellegrino Tibaldi, about 1565–1585Pellegrino TibaldiThe Incredulity of Thomas (recto); Study for the Figure of Thomas (verso)about 1565–1585J. Paul Getty Museum
Saint John the Baptist Baptizing the Multitude, Pellegrino Tibaldi, 1554–56Pellegrino TibaldiSaint John the Baptist Baptizing the Multitude1554–56The Metropolitan Museum of Art
Trees Near a Fence, Milton Avery, 1943Milton AveryTrees Near a Fence1943National Gallery of Art
Seated satyr, with enlarged head of same (recto); Head of a woman (verso), Pellegrino Tibaldi, 1527–96Pellegrino TibaldiSeated satyr, with enlarged head of same (recto); Head of a woman (verso)1527–96The Metropolitan Museum of Art
Young Girl Carrying a Basket, Edwin Austin Abbey, 1908Edwin Austin AbbeyYoung Girl Carrying a Basket1908The Metropolitan Museum of Art
"Will had her to the wine," illustration to "Phillada Flouts Me", Edwin Austin Abbey, 1886Edwin Austin Abbey"Will had her to the wine," illustration to "Phillada Flouts Me"1886The Metropolitan Museum of Art
Man Delivering a Holiday Box, Edwin Austin Abbey, 1906Edwin Austin AbbeyMan Delivering a Holiday Box1906The Metropolitan Museum of Art
March Seated in a Landscape, Milton Avery, 1943Milton AveryMarch Seated in a Landscape1943National Gallery of Art
And none knew why he fed them both with his own hands, illustration to "Quince", Edwin Austin Abbey, 1888Edwin Austin AbbeyAnd none knew why he fed them both with his own hands, illustration to "Quince"1888The Metropolitan Museum of Art
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