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Dónde cuelga la obra maestra y cuándo le dejan pasar.

Colecciones: Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (6 museos), Paris Musées (12 museos) y Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos). Las imágenes pertenecen a sus titulares de derechos.

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  1. Colección/
  2. Galería Belvedere/
  3. Seite 37
Seite 37, Gustav Klimt, 1898
Gustav Klimt, retratoGustav KlimtAustria, 1862–1918

Seite 37

1898 · Sketchbook

Ficha

1898 · a los 36 años
18621918

Mientras tanto, en la vida de Gustav Klimt

La vida entera
  1. 1897

    First president of the Vienna Secession

    The Secession began as a union of fifty founders and Klimt was chosen as its first president: he was sponsored by the influential Carl Moll, and was the eccentric, taciturn leader regarded as steadfast and authentic. In the salon of Carl and Anna Moll he met Viennese society and began painting portraits of its ladies.

  2. from the late 1890s

    Summers on the Attersee

    From the late 1890s Klimt spent every summer with the Flöge family on the Attersee and painted landscapes there — the only genre besides figure painting that seriously interested him. The locals called him the “forest demon”; space in these landscapes is flattened so completely into one plane that he is believed to have painted them through a telescope.

  3. 1897–1917

    Society portraits of Viennese ladies

    Over twenty years Klimt painted nearly twenty society portraits of women, which gave him financial independence; Carl Moll introduced him to many of the sitters, most of them from the Jewish upper bourgeoisie. In the portraits the ladies are hidden in sumptuous clothing, their heads and hands seeming to float detached from reality.

  4. 1898/1899

    Son born: Gustav Ucicky

  5. 1900

    “Philosophy” at the Secession: the scandal

    First shown at the Secession's seventh exhibition, “Philosophy” provoked protests from the public and university professors, and a scandal unprecedented in Vienna brought the exhibition a record 35,000 visitors. Three weeks after the opening the painting went to the World Fair in Paris and won a gold medal.

Más obras de Gustav Klimt

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De la colección: Galería Belvedere

Página del museo
  • 1900–1907

    He returns the advance and keeps the paintings

    The state commission refused to accept the three “Faculty Paintings”; Klimt told the minister he would return the 60,000-krone advance, refused to work for the Austrian state again and kept the pictures. The ministry demanded them, but Klimt did not open the door to the removal men — and the affair ended in his victory.

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    27 sept 2026
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    Dibujos y acuarelasImpresionismoSiglo XIX

    Fuentes

    • Galería Belvedere
    • Imagen: Galería Belvedere — CC BY-SA 4.0
    Mäda Primavesi (1903–2000), Gustav Klimt, 1912–13

    Mäda Primavesi (1903–2000)

    1912–13 · Museo Metropolitano de Arte

    Serena Pulitzer Lederer (1867–1943), Gustav Klimt, 1899

    Serena Pulitzer Lederer (1867–1943)

    1899 · Museo Metropolitano de Arte

    Hope, II, Gustav Klimt, 1907-08

    Esperanza II

    1907-08 · MoMA

    The Park, Gustav Klimt, 1910 or earlier

    The Park

    1910 or earlier · MoMA

    Baby (Cradle), Gustav Klimt, 1917/1918

    Baby (Cradle)

    1917/1918 · Galería Nacional de Arte

    Pear Tree, Gustav Klimt, 1903 (reworked by the artist 1903/1918)

    Pear Tree

    1903 (reworked by the artist 1903/1918) · Harvard Art Museums

    Studie van een in een plaid gewikkelde, rustende vrouw, Gustav Klimt, 1872 - 1918

    Studie van een in een plaid gewikkelde, rustende vrouw

    1872 - 1918 · Rijksmuseum

    Studie für „Bildnis Johanna Staude“, Gustav Klimt

    Studie für „Bildnis Johanna Staude“

    Albertina

    Die Ebene von Auvers, Vincent van Gogh, 1890

    Vincent van Gogh

    Die Ebene von Auvers, 1890

    Stillleben mit fünf Flaschen, Vincent van Gogh, 1884

    Vincent van Gogh

    Stillleben mit fünf Flaschen, 1884

    Eine Allee in Monets Garten in Giverny, Claude Monet, 1902

    Claude Monet

    Eine Allee in Monets Garten in Giverny, 1902

    Der Koch (Le Père Paul), Claude Monet, 1882

    Claude Monet

    Der Koch (Le Père Paul), 1882

    Angler auf der Seine bei Poissy, Claude Monet, 1882

    Claude Monet

    Angler auf der Seine bei Poissy, 1882

    Amalie Zuckerkandl, Gustav Klimt, 1917–1918

    Gustav Klimt

    Amalie Zuckerkandl, 1917–1918

    Dame in Weiß, Gustav Klimt, 1917–1918

    Gustav Klimt

    Dame in Weiß, 1917–1918

    Johanna Staude, Gustav Klimt, 1917–1918

    Gustav Klimt

    Johanna Staude, 1917–1918