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Collections: Art Institute of Chicago, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Minneapolis Institute of Art, Musée du Louvre, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery (Smithsonian), Pushkin State Museum of Fine Arts, Rijksmuseum, Smithsonian American Art Museum, SMK — National Gallery of Denmark, State Hermitage Museum, State Russian Museum, The Cleveland Museum of Art, The Metropolitan Museum of Art, The Museum of Modern Art, Tretyakov Gallery, Victoria and Albert Museum, Whitney Museum of American Art, State Catalogue of the Museum Fund of Russia (274 museums), Europeana (19 museums), Wikidata (16 museums), Paris Musées (12 museums), and Joconde, the French Ministry of Culture's museum database (495 museums). Images belong to their rights holders.

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38,766 works from 299 museums775 on view nowClear all

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  • Oil264,012
  • Tempera38,766
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  • Gouache8,229
  • Acrylic3,666
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Text, Folio 176 (recto), Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 176 (recto), Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)The Cleveland Museum of Art
Text, Folio 151 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 151 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)The Cleveland Museum of Art
Virgin and Child Adored by Saints Mary Magdalene and Nicolas of Bari;  Christ Crucified with the Virgin and Saint John the Evangelist, Sano di Pietro, 1400sSano di PietroVirgin and Child Adored by Saints Mary Magdalene and Nicolas of Bari; Christ Crucified with the Virgin and Saint John the Evangelist1400sThe Cleveland Museum of Art
A Prince Performs Austerities (recto); Shiva and His Followers Return to Mount Kailash (verso), from a Romance of Chandrabhanu and Lavanyavati of Upendra Bhanja (1670–1740), 1700sA Prince Performs Austerities (recto); Shiva and His Followers Return to Mount Kailash (verso), from a Romance of Chandrabhanu and Lavanyavati of Upendra Bhanja (1670–1740)1700sThe Cleveland Museum of Art
Madonna and Child, Francesco Botticini, c. 1475–80Francesco BotticiniMadonna and Childc. 1475–80The Cleveland Museum of Art
The Parrot Addresses Khujasta at the Beginning of the Thirtieth Night, from a Tuti-nama (Tales of a Parrot), c. 1560The Parrot Addresses Khujasta at the Beginning of the Thirtieth Night, from a Tuti-nama (Tales of a Parrot)c. 1560The Cleveland Museum of Art
Lovers Embracing (Raga Malkaus), c. 1760Lovers Embracing (Raga Malkaus)c. 1760The Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560The Cleveland Museum of Art
Text, folio 168 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, folio 168 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)The Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560The Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560The Cleveland Museum of Art
The Parrot Addresses Khujasta at the Beginning of the Sixth Night, from a Tuti-nama (Tales of a Parrot), Dasavanta, c. 1560DasavantaThe Parrot Addresses Khujasta at the Beginning of the Sixth Night, from a Tuti-nama (Tales of a Parrot)c. 1560The Cleveland Museum of Art
Text, Folio 104 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 104 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)The Cleveland Museum of Art
Historisk billede. Danmarksbillede i ni afsnit, Stig Brøgger, 1975Stig BrøggerHistorisk billede. Danmarksbillede i ni afsnit1975SMK
Tarquinius Priscus Entering Rome, Jacopo del Sellaio, c. 1470Jacopo del SellaioTarquinius Priscus Entering Romec. 1470117A Italian RenaissanceThe Cleveland Museum of Art
Girls Spraying Each Other at Holi, c. 1640–50Girls Spraying Each Other at Holic. 1640–50The Cleveland Museum of Art
The Parrot Addresses Khujasta at the Beginning of the Twentieth Night, from a Tuti-nama (Tales of a Parrot), c. 1560The Parrot Addresses Khujasta at the Beginning of the Twentieth Night, from a Tuti-nama (Tales of a Parrot)c. 1560The Cleveland Museum of Art
A Royal Woman in a Pavilion: Desavarari Ragini of Dipak, from a Ragamala, c. 1695A Royal Woman in a Pavilion: Desavarari Ragini of Dipak, from a Ragamalac. 1695The Cleveland Museum of Art
Man Seated in a European Chair Smoking a Margila Pipe, from a Kalighat album, c. 1880Man Seated in a European Chair Smoking a Margila Pipe, from a Kalighat albumc. 1880The Cleveland Museum of Art
Text, Folio 135 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 135 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)The Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560The Cleveland Museum of Art
Scene with Male and Female, Jamini Roy, c. 1960Roy JaminiScene with Male and Femalec. 1960The Cleveland Museum of Art
Text, folio 160 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, folio 160 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)The Cleveland Museum of Art
The Magi Follow the Star (folio 34 recto), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, Payag, 1602–4PayagThe Magi Follow the Star (folio 34 recto), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier1602–4The Cleveland Museum of Art
Text, Folio 128 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 128 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)The Cleveland Museum of Art
Selvportræt, Erik Thommesen, 1938Erik ThommesenSelvportræt1938SMK
Historisk billede. Danmarksbillede i ni afsnit, Stig Brøgger, 1975Stig BrøggerHistorisk billede. Danmarksbillede i ni afsnit1975SMK
Illuminated Folio (recto) from a Gulistan (Rose Garden) of Sa'di (c. 1213–1291), Sultan 'Ali al-Mashadi, c. 1475–1500; border:  c. 1550Sultan 'Ali al-MashadiIlluminated Folio (recto) from a Gulistan (Rose Garden) of Sa'di (c. 1213–1291)c. 1475–1500; border: c. 1550The Cleveland Museum of Art
The Marriage at Cana (folio 58 verso), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602–4The Marriage at Cana (folio 58 verso), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier1602–4The Cleveland Museum of Art
Jagannatha Trio (verso), c. 1890Jagannatha Trio (verso)c. 1890The Cleveland Museum of Art
Text, Folio 20 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 20 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)The Cleveland Museum of Art
Text, Folio 73 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 73 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)The Cleveland Museum of Art
Text, folio 52 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, folio 52 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)The Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560The Cleveland Museum of Art
Text, Folio 95 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 95 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)The Cleveland Museum of Art
Mary ascends the stairs to the temple, from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602–4Mary ascends the stairs to the temple, from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier1602–4The Cleveland Museum of Art
Text, Folio 124 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 124 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)The Cleveland Museum of Art
Madonna med Barnet, Ubekendt, 1496-1505UbekendtMadonna med Barnet1496-1505SMK
Shurpanakha demands vengeance, from the "Shangri" Ramayana, c. 1700Shurpanakha demands vengeance, from the "Shangri" Ramayanac. 1700The Cleveland Museum of Art
Genealogical text, folio 167 (verso) from a Kalpa-sutra and Story of Kalakacharya, 1278Genealogical text, folio 167 (verso) from a Kalpa-sutra and Story of Kalakacharya1278The Cleveland Museum of Art
A prince riding a composite elephant, c. 1590A prince riding a composite elephantc. 1590The Cleveland Museum of Art
A couple seated against two pillows engaged in sex, from an erotic series, c. 1700–1710A couple seated against two pillows engaged in sex, from an erotic seriesc. 1700–1710The Cleveland Museum of Art
Bijan killing the wild boars of Irman, from a Shah-nama (Book of Kings) of Firdausi (Persian, about 934–1020) (verso), c. 1610Bijan killing the wild boars of Irman, from a Shah-nama (Book of Kings) of Firdausi (Persian, about 934–1020) (verso)c. 1610The Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560The Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560The Cleveland Museum of Art
Text, Folio 4 (verso), from a Kalpa-sutra, c. 1475–1500Text, Folio 4 (verso), from a Kalpa-sutrac. 1475–1500The Cleveland Museum of Art
Text, Folio 26 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 26 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)The Cleveland Museum of Art
Jesus being portrayed by King Abgar’s painter (folio 143 recto), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602–4Jesus being portrayed by King Abgar’s painter (folio 143 recto), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier1602–4The Cleveland Museum of Art
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