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Collections: Art Institute of Chicago, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Minneapolis Institute of Art, Musée du Louvre, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery (Smithsonian), Pushkin State Museum of Fine Arts, Rijksmuseum, Smithsonian American Art Museum, SMK — National Gallery of Denmark, State Hermitage Museum, State Russian Museum, The Cleveland Museum of Art, The Metropolitan Museum of Art, The Museum of Modern Art, Tretyakov Gallery, Victoria and Albert Museum, Whitney Museum of American Art, State Catalogue of the Museum Fund of Russia (274 museums), Europeana (19 museums), Wikidata (6 museums), Paris Musées (12 museums), and Joconde, the French Ministry of Culture's museum database (495 museums). Images belong to their rights holders.

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Another of the social causes of the migrants' leaving was that at times they did not feel safe, or it was not the best thing to be found on the streets late at night. They were arrested on the slightest provocation, Jacob Lawrence, 1940-41Jacob LawrenceAnother of the social causes of the migrants' leaving was that at times they did not feel safe, or it was not the best thing to be found on the streets late at night. They were arrested on the slightest provocation1940-41The Museum of Modern Art
One of the main forms of social and recreational activities in which the migrants indulged occurred in the church, Jacob Lawrence, 1940-41Jacob LawrenceOne of the main forms of social and recreational activities in which the migrants indulged occurred in the church1940-41The Museum of Modern Art
Saint Jerome in the Wilderness, Follower of Pietro Perugino, c. 1490/1500anonymousSaint Jerome in the Wildernessc. 1490/1500Gallery 20 · West Building, Main FloorNational Gallery of Art
They were very poor, Jacob Lawrence, 1940-41Jacob LawrenceThey were very poor1940-41The Museum of Modern Art
Virgin and Child Enthroned with Four Saints, Saints John the Baptist, Antony Abbot, Elizabeth of Hungary, a female saint, anonymous, c. 1350 - c. 1399anonymousVirgin and Child Enthroned with Four Saints, Saints John the Baptist, Antony Abbot, Elizabeth of Hungary, a female saintc. 1350 - c. 1399Rijksmuseum
The railroad stations were at times so over-packed with people leaving that special guards had to be called in to keep order, Jacob Lawrence, 1940-41Jacob LawrenceThe railroad stations were at times so over-packed with people leaving that special guards had to be called in to keep order1940-41The Museum of Modern Art
In every home people who had not gone North met and tried to decide if they should go North or not, Jacob Lawrence, 1940-41Jacob LawrenceIn every home people who had not gone North met and tried to decide if they should go North or not1940-41The Museum of Modern Art
Joueur de mandoline, Anonyme, XVIIIe siècle (1700 - 1800)anonymousJoueur de mandoline18th century (1700–1800)Musée du Louvre
Race riots were very numerous all over the North because of the antagonism that was caused between the Negro and white workers. Many of these riots occurred because the Negro was used as a strike breaker in many of the Northern industries, Jacob Lawrence, 1940-41Jacob LawrenceRace riots were very numerous all over the North because of the antagonism that was caused between the Negro and white workers. Many of these riots occurred because the Negro was used as a strike breaker in many of the Northern industries1940-41The Museum of Modern Art
And people all over the South began to discuss this great movement, Jacob Lawrence, 1940-41Jacob LawrenceAnd people all over the South began to discuss this great movement1940-41The Museum of Modern Art
They also worked in large numbers on the railroad, Jacob Lawrence, 1940-41Jacob LawrenceThey also worked in large numbers on the railroad1940-41The Museum of Modern Art
The Negro was the largest source of labor to be found after all others had been exhausted, Jacob Lawrence, 1940-41Jacob LawrenceThe Negro was the largest source of labor to be found after all others had been exhausted1940-41The Museum of Modern Art
Although the Negro was used to lynching, he found this an opportune time for him to leave where one had occurred, Jacob Lawrence, 1940-41Jacob LawrenceAlthough the Negro was used to lynching, he found this an opportune time for him to leave where one had occurred1940-41The Museum of Modern Art
Saint Luke, Simone Martini, early 1330sSimone MartiniSaint Lukeearly 1330sJ. Paul Getty Museum
Pietà, Carlo Crivelli, 1476Carlo CrivelliPietà1476Gallery 606The Metropolitan Museum of Art
Madonna and Child, Carlo Crivelli, ca. 1480Carlo CrivelliMadonna and Childca. 1480Gallery 606The Metropolitan Museum of Art
An Apostle, Carlo Crivelli, ca. 1471–73Carlo CrivelliAn Apostleca. 1471–73Gallery 954The Metropolitan Museum of Art
Office of the Tax Administration (Biccherna) of Siena, anonymous, 1451 - 1452anonymousOffice of the Tax Administration (Biccherna) of Siena1451 - 1452Rijksmuseum
Maria met kind, anonymous, c. 1375 - c. 1400anonymousMaria met kindc. 1375 - c. 1400Room 0.2Rijksmuseum
In the North the Negro had better educational facilities, Jacob Lawrence, 1940-41Jacob LawrenceIn the North the Negro had better educational facilities1940-41The Museum of Modern Art
Saint Siméon Stylite, Anonyme, 1e moitié du XVIIe siècle (vers 1600 - 1650)anonymousSaint Siméon Stylitefirst half of the 17th century (c. 1600–1650)Musée du Louvre
The migrants arrived in great numbers, Jacob Lawrence, 1940-41Jacob LawrenceThe migrants arrived in great numbers1940-41The Museum of Modern Art
The World War had caused a great shortage in Northern industry and also citizens of foreign countries were returning home, Jacob Lawrence, 1940-41Jacob LawrenceThe World War had caused a great shortage in Northern industry and also citizens of foreign countries were returning home1940-41The Museum of Modern Art
And the migrants kept coming, Jacob Lawrence, 1940-41Jacob LawrenceAnd the migrants kept coming1940-41The Museum of Modern Art
The migration gained in momentum, Jacob Lawrence, 1940-41Jacob LawrenceThe migration gained in momentum1940-41The Museum of Modern Art
Madonna and Child Enthroned, Carlo Crivelli, 1472Carlo CrivelliMadonna and Child Enthroned1472Gallery 537The Metropolitan Museum of Art
The Negro press was also influential in urging the people to leave the South, Jacob Lawrence, 1940-41Jacob LawrenceThe Negro press was also influential in urging the people to leave the South1940-41The Museum of Modern Art
The Conversion of Saint Paul, Benozzo GozzoliBenozzo GozzoliThe Conversion of Saint PaulGallery 601The Metropolitan Museum of Art
Living conditions were better in the North, Jacob Lawrence, 1940-41Jacob LawrenceLiving conditions were better in the North1940-41The Museum of Modern Art
Madonna and Child, Follower of Fra Filippo Lippi and Pesellino, c. 1470anonymousMadonna and Childc. 1470Gallery 4 · West Building, Main FloorNational Gallery of Art
Legend of a Knight (end panel of a cassone), anonymous, 1450 - 1474anonymousLegend of a Knight (end panel of a cassone)1450 - 1474Rijksmuseum
Industries attempted to board their labor in quarters that were oftentimes very unhealthy. Labor camps were numerous, Jacob Lawrence, 1940-41Jacob LawrenceIndustries attempted to board their labor in quarters that were oftentimes very unhealthy. Labor camps were numerous1940-41The Museum of Modern Art
In many of the communities the Negro press was read continually because of its attitude and its encouragement of the movement, Jacob Lawrence, 1940-41Jacob LawrenceIn many of the communities the Negro press was read continually because of its attitude and its encouragement of the movement1940-41The Museum of Modern Art
Saint Jean Baptiste, Anonyme, Début du XVIe siècle (après 1500 - 1540)anonymousSaint Jean Baptisteearly 16th century (after 1500–1540)Musée du Louvre
Among one of the last groups to leave the South was the Negro professional who was forced to follow his clientele to make a living, Jacob Lawrence, 1940-41Jacob LawrenceAmong one of the last groups to leave the South was the Negro professional who was forced to follow his clientele to make a living1940-41The Museum of Modern Art
They did not always leave because they were promised work in the North. Many of them left because of Southern conditions, one of them being great floods that ruined the crops, and therefore they were unable to make a living where they were, Jacob Lawrence, 1940-41Jacob LawrenceThey did not always leave because they were promised work in the North. Many of them left because of Southern conditions, one of them being great floods that ruined the crops, and therefore they were unable to make a living where they were1940-41The Museum of Modern Art
Saint Peter and Simon Magus, Benozzo GozzoliBenozzo GozzoliSaint Peter and Simon MagusGallery 601The Metropolitan Museum of Art
Tête de vieillard (Nicodème ?), Hans Baldung, 1530 versHans Baldung GrienTête de vieillard (Nicodème ?)Musée des Beaux-Arts et d'Archéologie de Besançon
Le Triomphe de saint Thomas d'Aquin, Gozzoli, Benozzo, 3e quart du XVe siècle (1450 - 1475)Benozzo GozzoliLe Triomphe de saint Thomas d'Aquinthird quarter of the 15th century (1450–1475)Salle 708, Aile Denon, Niveau 1Musée du Louvre
Saint Jerome in the Wilderness, Follower of Andrea Mantegna, c. 1475anonymousSaint Jerome in the Wildernessc. 1475National Gallery of Art
Horatius Cocles Defending the Sublician Bridge, anonymous, c. 1450anonymousHoratius Cocles Defending the Sublician Bridgec. 1450Room 0.5 · Renaissance in ItalyRijksmuseum
Madonna and Child, Marco Zoppo or Imitator, c. 1467/1468anonymousMadonna and Childc. 1467/1468Gallery 13 · West Building, Main FloorNational Gallery of Art
Child labor and a lack of education was one of the other reasons for people wishing to leave their homes, Jacob Lawrence, 1940-41Jacob LawrenceChild labor and a lack of education was one of the other reasons for people wishing to leave their homes1940-41The Museum of Modern Art
One of the largest race riots occurred in East St. Louis, Jacob Lawrence, 1940-41Jacob LawrenceOne of the largest race riots occurred in East St. Louis1940-41The Museum of Modern Art
Vierge de Tendresse (Oumilénié), Anonyme, XIXe siècle (vers 1800 - 1900)anonymousVierge de Tendresse (Oumilénié)19th century (c. 1800–1900)Musée du Louvre
They also made it very difficult for migrants leaving the South. They often went to railroad stations and arrested the Negroes wholesale, which in turn made them miss their train, Jacob Lawrence, 1940-41Jacob LawrenceThey also made it very difficult for migrants leaving the South. They often went to railroad stations and arrested the Negroes wholesale, which in turn made them miss their train1940-41The Museum of Modern Art
The labor agent who had been sent South by Northern industry was a very familiar person in the Negro counties, Jacob Lawrence, 1940-41Jacob LawrenceThe labor agent who had been sent South by Northern industry was a very familiar person in the Negro counties1940-41The Museum of Modern Art
They arrived in great numbers into Chicago, the gateway of the West, Jacob Lawrence, 1940-41Jacob LawrenceThey arrived in great numbers into Chicago, the gateway of the West1940-41The Museum of Modern Art
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