ART WIKI36,250 on view
MapCollectionArtistsMuseumsExhibitionsJournal
Sign in

ART WIKI

Where to see art and when to visit.

Collections: Art Institute of Chicago, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Minneapolis Institute of Art, Musée du Louvre, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery (Smithsonian), Pushkin State Museum of Fine Arts, Rijksmuseum, Smithsonian American Art Museum, SMK — National Gallery of Denmark, State Hermitage Museum, State Russian Museum, The Cleveland Museum of Art, The Metropolitan Museum of Art, The Museum of Modern Art, Tretyakov Gallery, Victoria and Albert Museum, Whitney Museum of American Art, State Catalogue of the Museum Fund of Russia (274 museums), Europeana (19 museums), Wikidata (16 museums), Paris Musées (12 museums), and Joconde, the French Ministry of Culture's museum database (495 museums). Images belong to their rights holders.

Sections

  • Map
  • Search
  • Collection
  • Masterpieces
  • Stolen and lost
  • Embed artwork status
  • On view now
  • Artists

More

  • Museums & galleries
  • Exhibitions
  • Journal
  • Where the data comes from
  • Privacy & cookies
  • About
  • Terms of use
Attendants' round
HomeMapBrowse

Browse

Tempera

38,766 works from 299 museums775 on view nowClear all

/
Technique
  • All
  • Oil264,012
  • Tempera38,766
  • Ink12,845
  • Watercolour12,084
  • Gouache8,229
  • Acrylic3,666
  • Pastel1,529
  • Mixed media1,374
  • Fresco783
  • Encaustic91
King Vikrama summons Madhava, folio 15 from a Madhavanala-Kamakandala, c. 1720King Vikrama summons Madhava, folio 15 from a Madhavanala-Kamakandalac. 1720The Cleveland Museum of Art
Draupadi Rescued from Abduction, from a Mahabharata, c. 1615Draupadi Rescued from Abduction, from a Mahabharatac. 1615The Cleveland Museum of Art
Folio from a Kalpa-sutra and Story of Kalakacharya of Devachandra: Text (recto); Brahmanshanti Yaksha (verso), Devachandra, 1279DevachandraFolio from a Kalpa-sutra and Story of Kalakacharya of Devachandra: Text (recto); Brahmanshanti Yaksha (verso)1279The Cleveland Museum of Art
Leaf from a Kalighat album: Hanuman attacks Indrajit holding an apparition of Sita by the hair (recto); Goddesses Lakshmi and Sarasvati (verso), c. 1890Leaf from a Kalighat album: Hanuman attacks Indrajit holding an apparition of Sita by the hair (recto); Goddesses Lakshmi and Sarasvati (verso)c. 1890The Cleveland Museum of Art
Text, Folio 70 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 70 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)The Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560The Cleveland Museum of Art
The wolf and the jackal, serving as viziers, instigate the lion who pursues the Brahman up a tree, from a Tuti-nama (Tales of a Parrot): Twenty-first Night, c. 1560The wolf and the jackal, serving as viziers, instigate the lion who pursues the Brahman up a tree, from a Tuti-nama (Tales of a Parrot): Twenty-first Nightc. 1560The Cleveland Museum of Art
The Brahman comes upon a lion who has a deer and a gazelle as his viziers, from a Tuti-nama (Tales of a Parrot): Twenty-first Night, c. 1560The Brahman comes upon a lion who has a deer and a gazelle as his viziers, from a Tuti-nama (Tales of a Parrot): Twenty-first Nightc. 1560The Cleveland Museum of Art
Akrura Drives Krishna and Balarama to Mathura, from the “Isarda Bhagavata Purana”, c. 1560–70Akrura Drives Krishna and Balarama to Mathura, from the “Isarda Bhagavata Purana”c. 1560–70The Cleveland Museum of Art
Bottom Cover for a Buddhist Manuscript (verso), c. 1700Bottom Cover for a Buddhist Manuscript (verso)c. 1700The Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560The Cleveland Museum of Art
Text, Folio 13 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 13 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)The Cleveland Museum of Art
Text, Folio 14 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 14 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)The Cleveland Museum of Art
Text, Folio 58 (recto), from a Kalpa-sutra, c. 1475–1500Text, Folio 58 (recto), from a Kalpa-sutrac. 1475–1500The Cleveland Museum of Art
The Raja of Ujjain, who is traveling in the guise of a yogi, meets two brothers who ask him to equitably partition their father’s possession, from a Tuti-nama (Tales of a Parrot): Forty-sixth Night, c. 1560The Raja of Ujjain, who is traveling in the guise of a yogi, meets two brothers who ask him to equitably partition their father’s possession, from a Tuti-nama (Tales of a Parrot): Forty-sixth Nightc. 1560The Cleveland Museum of Art
Balarama and Krishna, c. 1890Balarama and Krishnac. 1890The Cleveland Museum of Art
Text, Folio 5 (recto), from a Kalpa-sutra, c. 1475–1500Text, Folio 5 (recto), from a Kalpa-sutrac. 1475–1500The Cleveland Museum of Art
Text, Folio 87 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 87 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)The Cleveland Museum of Art
Ratnasambhava, Akshobhya, Vairochana with attendants, Amitabha, and Amoghasiddhi, Top cover, from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Ratnasambhava, Akshobhya, Vairochana with attendants, Amitabha, and Amoghasiddhi, Top cover, from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)The Cleveland Museum of Art
The prince’s ordeal continues, he is ordered away to be executed for the fifth time, from a Tuti-nama (Tales of a Parrot): Eighth Night, Ghulam 'Ali, c. 1560Ghulam 'AliThe prince’s ordeal continues, he is ordered away to be executed for the fifth time, from a Tuti-nama (Tales of a Parrot): Eighth Nightc. 1560The Cleveland Museum of Art
Initial I: Entwined Beast and Serpent: Leaf from a Bible (2 of 2 Excised Leaves), c. 1225–50Initial I: Entwined Beast and Serpent: Leaf from a Bible (2 of 2 Excised Leaves)c. 1225–50113 French Tapestries & Illuminated ManuscriptsThe Cleveland Museum of Art
Prince Amar Singh (1672–1710) Drives His Own Elephant, Mewar Stipple Master, c. 1695Mewar Stipple MasterPrince Amar Singh (1672–1710) Drives His Own Elephantc. 1695The Cleveland Museum of Art
Shri Raga: An Illustration from a Ragamala Series, c. 1740Shri Raga: An Illustration from a Ragamala Seriesc. 1740The Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560The Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560The Cleveland Museum of Art
Eleven-Headed, Thousand-Armed Bodhisattva of Compassion (Avalokiteshvara), c. 1500Eleven-Headed, Thousand-Armed Bodhisattva of Compassion (Avalokiteshvara)c. 1500The Cleveland Museum of Art
Kedara Ragini, c. 1660–70Kedara Raginic. 1660–70The Cleveland Museum of Art
Text, Folio 61 (verso), from a Kalpa-sutra, c. 1475–1500Text, Folio 61 (verso), from a Kalpa-sutrac. 1475–1500The Cleveland Museum of Art
Text, Folio 129 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 129 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)The Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560The Cleveland Museum of Art
Rama, Sita, and Lakshmana in the forest, c. 1830Rama, Sita, and Lakshmana in the forestc. 1830The Cleveland Museum of Art
Maharana Sangram Singh II (r. 1710–34) Worshipping a Linga Under a Banyan Tree, c. 1712–15Maharana Sangram Singh II (r. 1710–34) Worshipping a Linga Under a Banyan Treec. 1712–15The Cleveland Museum of Art
Leaf Excised from a Psalter: Initial B with King David, c. 1260Leaf Excised from a Psalter: Initial B with King Davidc. 1260The Cleveland Museum of Art
Kali Dancing on Shiva (recto), from a Kalighat album, c. 1890Kali Dancing on Shiva (recto), from a Kalighat albumc. 1890The Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560The Cleveland Museum of Art
Text, Folio 85 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 85 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)The Cleveland Museum of Art
Krishna Abhisarika Nayika, from a Rasikapriya manuscript, c. 1615–25Krishna Abhisarika Nayika, from a Rasikapriya manuscriptc. 1615–25The Cleveland Museum of Art
A Courtier, Possibly Khan Alam, Holding a Spinel and a Deccan Sword, Govardhan, c. 1605–10GovardhanA Courtier, Possibly Khan Alam, Holding a Spinel and a Deccan Swordc. 1605–10The Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, Basavana, c. 1560BasavanaPage from Tales of a Parrot (Tuti-nama): text pagec. 1560The Cleveland Museum of Art
Text, folio 184 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, folio 184 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)The Cleveland Museum of Art
Text, Folio 105 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 105 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)The Cleveland Museum of Art
The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night, Basavana, c. 1560BasavanaThe hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Nightc. 1560The Cleveland Museum of Art
The Parrot Addresses Khujasta at the Beginning of the Eleventh Night, from a Tuti-nama (Tales of a Parrot), Banavari 2, c. 1560Banavari 2The Parrot Addresses Khujasta at the Beginning of the Eleventh Night, from a Tuti-nama (Tales of a Parrot)c. 1560The Cleveland Museum of Art
Landscape with a lotus pool, from a Tuti-nama (Tales of a Parrot): Eighth Night, c. 1560Landscape with a lotus pool, from a Tuti-nama (Tales of a Parrot): Eighth Nightc. 1560The Cleveland Museum of Art
Folio 2, from a Kalpa-sutra and Story of Kalakacharya: Monk Holding a Flower (recto); text (verso), 1287Folio 2, from a Kalpa-sutra and Story of Kalakacharya: Monk Holding a Flower (recto); text (verso)1287The Cleveland Museum of Art
Jesus among the doctors in the Temple, Mir Kalan Khan, c. 1760Mir Kalan KhanJesus among the doctors in the Templec. 1760The Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560The Cleveland Museum of Art
Text, folio 185 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, folio 185 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)The Cleveland Museum of Art
29