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Collections: Art Institute of Chicago, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Minneapolis Institute of Art, Musée du Louvre, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery (Smithsonian), Pushkin State Museum of Fine Arts, Rijksmuseum, Smithsonian American Art Museum, SMK — National Gallery of Denmark, State Hermitage Museum, State Russian Museum, The Cleveland Museum of Art, The Metropolitan Museum of Art, The Museum of Modern Art, Tretyakov Gallery, Victoria and Albert Museum, Whitney Museum of American Art, State Catalogue of the Museum Fund of Russia (274 museums), Europeana (19 museums), Wikidata (6 museums), Paris Musées (12 museums), and Joconde, the French Ministry of Culture's museum database (495 museums). Images belong to their rights holders.

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Tempera

38,812 works from 308 museums777 on view nowClear all

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Technique
  • All
  • Oil273,937
  • Tempera38,812
  • Ink12,897
  • Watercolour12,161
  • Gouache8,423
  • Acrylic3,744
  • Pastel1,566
  • Mixed media1,420
  • Fresco792
  • Encaustic91
Yasoda with Krishna Churning Butter, c. 1890Yasoda with Krishna Churning Butterc. 1890The Cleveland Museum of Art
Kabir and Two Followers on a Terrace (recto); Calligraphy (verso), c. 1610–1620Kabir and Two Followers on a Terrace (recto); Calligraphy (verso)c. 1610–1620The Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560The Cleveland Museum of Art
Text, Folio 40 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 40 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)The Cleveland Museum of Art
Text, Folio 16 (recto), from a Kalpa-sutra, c. 1475–1500Text, Folio 16 (recto), from a Kalpa-sutrac. 1475–1500The Cleveland Museum of Art
A group of women in ecstasy before Madhava, folio 4 from a Madhavanala-Kamakandala, c. 1720A group of women in ecstasy before Madhava, folio 4 from a Madhavanala-Kamakandalac. 1720The Cleveland Museum of Art
Vishnu on Ananta, the Endless Serpent, c. 1700Vishnu on Ananta, the Endless Serpentc. 1700The Cleveland Museum of Art
Repenting his conduct, ‘Ubaid falls at the feet of his parents, from a Tuti-nama (Tales of a Parrot): Forty-second Night, c. 1560Repenting his conduct, ‘Ubaid falls at the feet of his parents, from a Tuti-nama (Tales of a Parrot): Forty-second Nightc. 1560The Cleveland Museum of Art
Seven Heroes or Warriors Killing Abhimanya, Son of Arjuna, c. 1890Seven Heroes or Warriors Killing Abhimanya, Son of Arjunac. 1890The Cleveland Museum of Art
Text, Folio 63 (recto), from a Kalpa-sutra, c. 1475–1500Text, Folio 63 (recto), from a Kalpa-sutrac. 1475–1500The Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, Basavana, c. 1560BasavanaPage from Tales of a Parrot (Tuti-nama): text pagec. 1560The Cleveland Museum of Art
Krishna Lifting Mount Govardhan, from a Persian translation of the Bhagavata Purana, c. 1625, 1700sKrishna Lifting Mount Govardhan, from a Persian translation of the Bhagavata Purana, c. 16251700sThe Cleveland Museum of Art
Text, folio 3 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, folio 3 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)The Cleveland Museum of Art
Text, Folio 132 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 132 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)The Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560The Cleveland Museum of Art
Text, Folio 93 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 93 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)The Cleveland Museum of Art
Text, folio 155 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, folio 155 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)The Cleveland Museum of Art
Krishna celebrates Holi, c. 1770Krishna celebrates Holic. 1770The Cleveland Museum of Art
Maharana Jagat Singh Attending the Raslila, Jai Ram, 1736Jai RamMaharana Jagat Singh Attending the Raslila1736The Cleveland Museum of Art
Text, folio 2 (verso) from a Parshvanatha Charitra (Life and Stories of Lord Parshva) of Bhavadeva-suri, c. 1275–1300Text, folio 2 (verso) from a Parshvanatha Charitra (Life and Stories of Lord Parshva) of Bhavadeva-suric. 1275–1300The Cleveland Museum of Art
Leaf Excised from a Psalter: The Pentecost, c. 1260Leaf Excised from a Psalter: The Pentecostc. 1260The Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560The Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560The Cleveland Museum of Art
Text, Folio 19 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 19 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)The Cleveland Museum of Art
The old man eats of the fruit of the Tree of Life, but drops dead, from a Tuti-nama (Tales of a Parrot): Ninth Night, Lalu, c. 1560LaluThe old man eats of the fruit of the Tree of Life, but drops dead, from a Tuti-nama (Tales of a Parrot): Ninth Nightc. 1560The Cleveland Museum of Art
Krishna and Gopis, mid 1800sKrishna and Gopismid 1800sThe Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560The Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560The Cleveland Museum of Art
Portrait of a kneeling holy man, from the Prince Salim Album, Mir Sayyid Ali, c. 1556–60; border c. 1602Mir Sayyid AliPortrait of a kneeling holy man, from the Prince Salim Albumc. 1556–60; border c. 1602The Cleveland Museum of Art
The Lion's Cave with Sthulabhadra and His Sisters, Folio 60 (verso), from a Kalpa-sutra, c. 1450The Lion's Cave with Sthulabhadra and His Sisters, Folio 60 (verso), from a Kalpa-sutrac. 1450The Cleveland Museum of Art
Leaf Excised from a Psalter: Flight Into Egypt, c. 1260Leaf Excised from a Psalter: Flight Into Egyptc. 1260The Cleveland Museum of Art
Parvati Placing a Wedding Garland on Shiva (recto), from a Kalighat album, c. 1890Parvati Placing a Wedding Garland on Shiva (recto), from a Kalighat albumc. 1890The Cleveland Museum of Art
Text, Folio 114 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 114 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)The Cleveland Museum of Art
Text, Folio 73 (verso), from a Kalpa-sutra, c. 1475–1500Text, Folio 73 (verso), from a Kalpa-sutrac. 1475–1500The Cleveland Museum of Art
Text, folio 162 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, folio 162 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)The Cleveland Museum of Art
A Brahmin gives Krishna the Message or Invitation for the Competition to Rukmini’s Svayamvara, from a Bhagavata Purana, c. 1650–60A Brahmin gives Krishna the Message or Invitation for the Competition to Rukmini’s Svayamvara, from a Bhagavata Puranac. 1650–60The Cleveland Museum of Art
Preaching Amitabha with Avalokiteshvara and Manjushri, folio 186 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Preaching Amitabha with Avalokiteshvara and Manjushri, folio 186 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)The Cleveland Museum of Art
Text, Folio 26 (verso), from a Kalpa-sutra, c. 1475–1500Text, Folio 26 (verso), from a Kalpa-sutrac. 1475–1500The Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560The Cleveland Museum of Art
Text, Folio 60 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 60 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)The Cleveland Museum of Art
Text, Folio 9 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 9 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)The Cleveland Museum of Art
King Bana in his court, from an Usha-Aniruddha, c. 1760–70King Bana in his court, from an Usha-Aniruddhac. 1760–70242B Indian PaintingThe Cleveland Museum of Art
The vizier dissuades the king of Bahilistan from executing the dervish who asks for his daughter’s hand in marriage, from a Tuti-nama (Tales of a Parrot): Seventh Night, c. 1560The vizier dissuades the king of Bahilistan from executing the dervish who asks for his daughter’s hand in marriage, from a Tuti-nama (Tales of a Parrot): Seventh Nightc. 1560The Cleveland Museum of Art
The king of Zabul sees Mahrusa from his palace balcony, from a Tuti-nama (Tales of a Parrot): Thirty-sixth Night, c. 1560The king of Zabul sees Mahrusa from his palace balcony, from a Tuti-nama (Tales of a Parrot): Thirty-sixth Nightc. 1560The Cleveland Museum of Art
Four seated Masters, c. 1450Four seated Mastersc. 1450The Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560The Cleveland Museum of Art
Text, folio 159 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, folio 159 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)The Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560The Cleveland Museum of Art
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