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Collections: Art Institute of Chicago, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Minneapolis Institute of Art, Musée du Louvre, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery (Smithsonian), Pushkin State Museum of Fine Arts, Rijksmuseum, Smithsonian American Art Museum, SMK — National Gallery of Denmark, State Hermitage Museum, State Russian Museum, The Cleveland Museum of Art, The Metropolitan Museum of Art, The Museum of Modern Art, Tretyakov Gallery, Victoria and Albert Museum, Whitney Museum of American Art, State Catalogue of the Museum Fund of Russia (274 museums), Europeana (19 museums), Wikidata (6 museums), Paris Musées (12 museums), and Joconde, the French Ministry of Culture's museum database (495 museums). Images belong to their rights holders.

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Tempera

38,812 works from 308 museums777 on view nowClear all

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Technique
  • All
  • Oil273,937
  • Tempera38,812
  • Ink12,897
  • Watercolour12,161
  • Gouache8,423
  • Acrylic3,744
  • Pastel1,566
  • Mixed media1,420
  • Fresco792
  • Encaustic91
Saint Romuald, Pseudo-Palmeruccio, possibly ca. 1320–30Pseudo-PalmeruccioSaint Romualdpossibly ca. 1320–30Gallery 537The Metropolitan Museum of Art
When to Relax?, Roland Dorcély, 1958Roland DorcélyWhen to Relax?1958The Museum of Modern Art
Portrait de jeune homme, Veneziano Domenico, 1440,1442Veneziano DomenicoPortrait de jeune homme1440,1442Musée des Beaux-Arts de Chambéry
Madonna from Scene "The Annunciation", Luca Baudo, 1500sLuca BaudoMadonna from Scene "The Annunciation"1500sState Hermitage Museum
Triptyque à volets mobiles : Panneau central : La Crucifixion ; dans le gâble, Le Couronnement de la Vierge ; Volet gauche : de haut en bas, l'Ange de l'Annonciation ; La Vierge de Miséricorde ; Sainte Marguerite, sainte Catherine et une sainte (Lucie ?) ; Volet droit : de haut en bas, La Vierge de l'Annonciation ; La Nativité ; Trois saints martyrs, Maître de 1333, Début du XIVe siècle (1333)Maître de 1333Triptyque à volets mobiles : Panneau central : La Crucifixion ; dans le gâble, Le Couronnement de la Vierge ; Volet gauche : de haut en bas, l'Ange de l'Annonciation ; La Vierge de Miséricorde ; Sainte Marguerite, sainte Catherine et une sainte (Lucie ?) ; Volet droit : de haut en bas, La Vierge de l'Annonciation ; La Nativité ; Trois saints martyrsearly 14th century (1333)Salle 709, Aile Denon, Niveau 1Musée du Louvre
Чудо Георгия о змие, с житием в 14 клеймах / Георгий в житии, first half of the 14th centuryЧудо Георгия о змие, с житием в 14 клеймах / Георгий в житииfirst half of the 14th centuryMikhaylovskiy dvorets, Zal 2. Ikony Drevnego Pskova i NovgorodaState Russian Museum
portrait de momie, époque romaine ; Sévères (voir catalogue Louvre Portraits funéraires de l'Egypte romaine) (attribution d'après style) (200 - 250)portrait de momie200–250Musée du Louvre
Seven Leaves from a Manuscript of the Gandavyuha-sutra (Scripture of the Supreme Array), 1000s-1100sSeven Leaves from a Manuscript of the Gandavyuha-sutra (Scripture of the Supreme Array)1000s-1100sThe Cleveland Museum of Art
The Battle of Zama, Anghiari Master, c. 1470Anghiari MasterThe Battle of Zamac. 1470G340Minneapolis Institute of Art
Predella Panel from an Altarpiece: St. Catherine of Siena Invested with the Dominican Habit, Giovanni di Paolo, 1460sGiovanni di PaoloPredella Panel from an Altarpiece: St. Catherine of Siena Invested with the Dominican Habit1460s117A Italian RenaissanceThe Cleveland Museum of Art
Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602–4Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier1602–4The Cleveland Museum of Art
The Annunciation, 1380sThe Annunciation1380s109 Gothic Painting and SculptureThe Cleveland Museum of Art
Portrait of Mary Esch, Frank Gaard, 1996Frank GaardPortrait of Mary Esch1996Minneapolis Institute of Art
Virgin and Child with a Goldfinch, Neroccio de' Landi, c. 1490Neroccio de' LandiVirgin and Child with a Goldfinchc. 1490110A Italian GothicThe Cleveland Museum of Art
La Vierge et l'Enfant entourés de quatre anges et quatre saints (à gauche, sainte Marie-Madeleine et saint Nicolas de Bari, à droite sainte Élisabeth de Hongrie et saint Pierre) ; au premier plan, Ève couchée avec le serpent., Giuliano di Simone da Lucca, 4e quart du XIVe siècle (1375 - 1400)Giuliano di Simone da LuccaLa Vierge et l'Enfant entourés de quatre anges et quatre saints (à gauche, sainte Marie-Madeleine et saint Nicolas de Bari, à droite sainte Élisabeth de Hongrie et saint Pierre) ; au premier plan, Ève couchée avec le serpent.last quarter of the 14th century (1375–1400)Musée du Louvre
La Crucifixion ; Polyptyque de la Manne, Manne Maitre De La, 15e siècleMaitre De La ManneLa Crucifixion ; Polyptyque de la ManneMusée de la Chartreuse
Tuti-Nama (Tales of a Parrot), c. 1560Tuti-Nama (Tales of a Parrot)c. 1560The Cleveland Museum of Art
Ecce Agnus Dei, Giovanni di Paolo, c. 1455Giovanni di PaoloEcce Agnus Deic. 1455Art Institute of Chicago
Joakim og Annas gensyn uden for Jerusalems Gyldne Port, Filippino Lippi, 1497Filippino LippiJoakim og Annas gensyn uden for Jerusalems Gyldne Port1497Sal 201BSMK
Saint Bernard of Clairvaux, Workshop of Fra Filippo Lippi, ca. 1447–1469Workshop of Fra Filippo LippiSaint Bernard of Clairvauxca. 1447–1469Gallery 954The Metropolitan Museum of Art
La Vierge et l'Enfant sur un trône entourés de quatre saints (à gauche, une sainte non identifiée et saint Paul, à droite, saint Pierre [ou saint Barthélémy ?] et saint Dominique) ; à la partie inférieure, deux donateurs agenouillés, Maître de Monte Oliveto, 1e moitié du XIVe siècle (1300 - 1350)Maître de Monte OlivetoLa Vierge et l'Enfant sur un trône entourés de quatre saints (à gauche, une sainte non identifiée et saint Paul, à droite, saint Pierre [ou saint Barthélémy ?] et saint Dominique) ; à la partie inférieure, deux donateurs agenouillésfirst half of the 14th century (1300–1350)Musée du Louvre
Madonna and Child Enthroned with Two Donors, Goodhart Ducciesque Master, ca. 1315–30Goodhart MasterMadonna and Child Enthroned with Two Donorsca. 1315–30Gallery 952The Metropolitan Museum of Art
Triptyque de Spiridon, Florida Maître des, 1450-1475Florida Maître desTriptyque de Spiridon1450-1475Musée Hyacinthe-Rigaud
Saint John the Baptist Entering the Wilderness, Giovanni di Paolo, c. 1455Giovanni di PaoloSaint John the Baptist Entering the Wildernessc. 1455Art Institute of Chicago
Panel from a Triptych: The Archangel Michael, Fra Filippo Lippi, 1458Fra Filippo LippiPanel from a Triptych: The Archangel Michael1458117A Italian RenaissanceThe Cleveland Museum of Art
Panel from a Triptych: St. Anthony Abbot, Fra Filippo Lippi, 1458Fra Filippo LippiPanel from a Triptych: St. Anthony Abbot1458117A Italian RenaissanceThe Cleveland Museum of Art
Virgin and Child with Angels, Fra Filippo Lippi, c. 1460Fra Filippo LippiVirgin and Child with Angelsc. 1460117A Italian RenaissanceThe Cleveland Museum of Art
Le Triomphe de Vénus vénérée par six amoureux légendaires (Achille, Tristan, Lancelot, Samson, Pâris et Troïle), Maître de Charles de Duras, XIVe siècle (1300 - 1400)Maître de Charles de DurasLe Triomphe de Vénus vénérée par six amoureux légendaires (Achille, Tristan, Lancelot, Samson, Pâris et Troïle)14th century (1300–1400)Musée du Louvre
Male Saint, Workshop of Fra Filippo Lippi, ca. 1447–1469Workshop of Fra Filippo LippiMale Saintca. 1447–1469Gallery 954The Metropolitan Museum of Art
Johannes Døberen, Ambrogio Lorenzetti, 1337-1342Ambrogio LorenzettiJohannes Døberen1337-1342Sal 201ASMK
Virgin and Child, Meester van San Miniato, 1460 - 1480Meester van San MiniatoVirgin and Child1460 - 1480Rijksmuseum
Saints and Scenes from the Life of the Virgin, Master of Monte Oliveto, ca. 1320Maître de Monte OlivetoSaints and Scenes from the Life of the Virginca. 1320Gallery 601The Metropolitan Museum of Art
Virgin and Child with Saints, Ugolino di Nerio, c. 1320Ugolino da SienaVirgin and Child with Saintsc. 1320110A Italian GothicThe Cleveland Museum of Art
Kalpa-sutra manuscript with 24 illuminations, c. 1475–1500Kalpa-sutra manuscript with 24 illuminationsc. 1475–1500The Cleveland Museum of Art
Crucifix, Master of the Bigallo Crucifix, 1230/40Master of the Bigallo CrucifixCrucifix1230/40Gallery 236Art Institute of Chicago
The Coronation of the Virgin, Master of the Washington Coronation, 1324Master of the Washington CoronationThe Coronation of the Virgin1324Gallery 1 · West Building, Main FloorNational Gallery of Art
Воскрешение Лазаря, c. 1497Воскрешение Лазаряc. 1497State Russian Museum
Rustam's seventh course: He kills the White Div, folio 124 from a Shah-nama (Book of Kings) of Firdausi (Persian, about 934–1020), Abd al-Vahhab, 1522–37Abd al-VahhabRustam's seventh course: He kills the White Div, folio 124 from a Shah-nama (Book of Kings) of Firdausi (Persian, about 934–1020)1522–37The Cleveland Museum of Art
Virgin and Child with Two Angels, Sandro Botticelli, c. 1490Sandro BotticelliVirgin and Child with Two Angelsc. 1490Gallery 205Art Institute of Chicago
Angel from Scene 'The Annunciation' (leaf of triptych), Luca Baudo, 1500sLuca BaudoAngel from Scene 'The Annunciation' (leaf of triptych)1500sState Hermitage Museum
The Coronation of the Virgin, and Saints, Giovanni di Tano Fei, 1394Giovanni di Tano FeiThe Coronation of the Virgin, and Saints1394Gallery 601The Metropolitan Museum of Art
Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)The Cleveland Museum of Art
Hunting with falcons in a landscape; verso: Calligraphy of Chaghatai Turkish poems in praise of wine, Sultan Muhammad Nur (Persian, c. 1472–1536) and Mirza Muhammad (probably Persian, active c. 1520s), Abd al-Samad, c. 1558–60; borders added probably 1700sAbd al-SamadHunting with falcons in a landscape; verso: Calligraphy of Chaghatai Turkish poems in praise of wine, Sultan Muhammad Nur (Persian, c. 1472–1536) and Mirza Muhammad (probably Persian, active c. 1520s)c. 1558–60; borders added probably 1700sThe Cleveland Museum of Art
Madonna and Child with an Angels and St Augustine, Pseudo-Pier Francesco Fiorentino, 15th centuryPseudo-Pier Francesco FiorentinoMadonna and Child with an Angels and St Augustine15th centuryState Hermitage Museum
The Triumph of Scipio Africanus, Anghiari Master, c. 1470Anghiari MasterThe Triumph of Scipio Africanusc. 1470G340Minneapolis Institute of Art
Madonna and Child Enthroned, Master of Monte Oliveto, ca. 1315–20Maître de Monte OlivetoMadonna and Child Enthronedca. 1315–20Gallery 601The Metropolitan Museum of Art
Four Icons from a Pair of Doors (Panels), possibly part of a Polyptych: John the Theologian and Prochoros, the Baptism (Epiphany), Harrowing of Hell (Anastasis), and Saint Nicholas, early 15th centuryFour Icons from a Pair of Doors (Panels), possibly part of a Polyptych: John the Theologian and Prochoros, the Baptism (Epiphany), Harrowing of Hell (Anastasis), and Saint Nicholasearly 15th centuryGallery 303The Metropolitan Museum of Art
Madonna and Child, Goodhart Master, 14th centuryGoodhart MasterMadonna and Child14th centuryState Hermitage Museum
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