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ART WIKI

Onde ver arte e quando abre o museu.

Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (16 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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Pintura britânica

4931 obras de 111 museus651 expostas agoraLimpar tudo

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Técnica
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  • Óleo2180
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Miss Anne Ryan, John Everett MillaisJohn Everett MillaisMiss Anne RyanNational Gallery
The Sleeping Congregation, William Hogarth, 1728William HogarthThe Sleeping Congregation1728G307Instituto de Artes de Minneapolis
Le Roué à Oxford dit autrefois Débat sur la chiromancie, Hogarth, William, XVIIIe siècle (1700 - 1800)William HogarthLe Roué à Oxford dit autrefois Débat sur la chiromancieXVIIIe siècle (1700 - 1800)Museu do Louvre
The Wedding of Stephen Beckingham and Mary Cox, William Hogarth, 1729William HogarthThe Wedding of Stephen Beckingham and Mary Cox1729Sala 630Museu Metropolitano de Arte
Vue de Hampstead Heath, effet d’orage ou L’Étang de Branch Hill à Hampstead, Constable, John, 1e quart du XIXe siècle (vers 1822)John ConstableVue de Hampstead Heath, effet d’orage ou L’Étang de Branch Hill à Hampstead1e quart du XIXe siècle (vers 1822)Museu do Louvre
Sir Henry Thompson, Bt, John Everett Millais, 1881John Everett MillaisSir Henry Thompson, Bt1881National Gallery
Christ in the House of His Parents, John Everett Millais, 1849John Everett MillaisChrist in the House of His Parents1849National Gallery
Self-portrait, John Everett Millais, 1880John Everett MillaisSelf-portrait1880Galleria degli Uffizi
Salisbury Cathedral from the Bishop's Grounds, John Constable, ca. 1825John ConstableSalisbury Cathedral from the Bishop's Groundsca. 1825Sala 808Museu Metropolitano de Arte
The Glebe Farm, à Langham (Suffolk)., Constable, John, 2e quart du XIXe siècle (1840)John ConstableThe Glebe Farm, à Langham (Suffolk).2e quart du XIXe siècle (1840)Museu do Louvre
The Watermill, John ConstableJohn ConstableThe WatermillMuseu Nacional de Belas-Artes da Suécia
Cloud Study: Stormy Sunset, John Constable, 1821-1822John ConstableCloud Study: Stormy Sunset1821-1822Galeria Nacional de Arte
A Maid Offering a Basket of Fruit to a Cavalier, John Everett Millais, 1849John Everett MillaisA Maid Offering a Basket of Fruit to a Cavalier1849National Gallery
American Collectors (Fred and Marcia Weisman), David Hockney, 1968David HockneyAmerican Collectors (Fred and Marcia Weisman)1968Sala 294Art Institute of Chicago
Wivenhoe Park, Essex, John Constable, 1816John ConstableWivenhoe Park, Essex1816Sala 57 · Edifício Oeste, piso principalGaleria Nacional de Arte
The White Horse, John Constable, 1818-1819John ConstableThe White Horse1818-1819Sala 57 · Edifício Oeste, piso principalGaleria Nacional de Arte
The Order of Release, John Everett Millais, 1850sJohn Everett MillaisThe Order of Release1850sNational Gallery
Meadow, Alfred Sisley, 1875Alfred SisleyMeadow1875Sala 87 · Edifício Oeste, piso principalGaleria Nacional de Arte
Vue de Salisbury, Constable, John, 1e quart du XIXe siècle (1820)John ConstableVue de Salisbury1e quart du XIXe siècle (1820)Salle 713, Aile Denon, Niveau 1Museu do Louvre
Écluse sur la rivière Stour à Flatford Mill (Suffolk), Constable, John, 1e quart du XIXe siècle (vers 1812)John ConstableÉcluse sur la rivière Stour à Flatford Mill (Suffolk)1e quart du XIXe siècle (vers 1812)Museu do Louvre
Marriage A-la-Mode: 1. The Marriage Settlement, William Hogarth, 1743William HogarthMarriage A-la-Mode: 1. The Marriage Settlement1743Sala 34National Gallery
Paysage avec un champ et une barrière, Constable, John, XIXe siècle (1826)John ConstablePaysage avec un champ et une barrièreXIXe siècle (1826)Museu do Louvre
Mrs Salter, William Hogarth, 1741William HogarthMrs Salter1741National Gallery
Caprice. Verso: Masked Woman with a White Mouse, Aubrey Beardsley, 1894Aubrey BeardsleyCaprice. Verso: Masked Woman with a White Mouse1894National Gallery
Shelves for Dynamite, Lynette Yiadom-Boakye, 2018Lynette Yiadom-BoakyeShelves for Dynamite2018Instituto de Artes de Minneapolis
Yarmouth Jetty, John Constable, 1822John ConstableYarmouth Jetty1822Galeria Nacional de Arte
Hearts are Trumps, John Everett Millais, 1872John Everett MillaisHearts are Trumps1872National Gallery
‘The Moon is Up, and Yet it is not Night’, John Everett Millais, 1890John Everett Millais‘The Moon is Up, and Yet it is not Night’1890National Gallery
Marriage A-la-Mode: 4. The Toilette, William Hogarth, 1743William HogarthMarriage A-la-Mode: 4. The Toilette1743Sala 34National Gallery
A Scene from ‘The Beggar’s Opera’ VI, William Hogarth, 1731William HogarthA Scene from ‘The Beggar’s Opera’ VI1731National Gallery
James Quin, Actor, William Hogarth, 1739William HogarthJames Quin, Actor1739National Gallery
The Ransom, John Everett Millais, 1860–1862John Everett MillaisThe Ransom1860–1862Museum West Pavilion, Gallery W202Museu J. Paul Getty
Printemps. East Bergholt Common (Suffolk), Constable, John, 2e quart du XIXe siècle (1840)John ConstablePrintemps. East Bergholt Common (Suffolk)2e quart du XIXe siècle (1840)Museu do Louvre
Marriage A-la-Mode: 2. The Tête à Tête, William Hogarth, 1743William HogarthMarriage A-la-Mode: 2. The Tête à Tête1743Sala 34National Gallery
Vallon à Helmingham [Helmingham Dell], Constable, John, 1e quart du XIXe siècle (peint à l'été 1823 (selon Beckett)) (1823)John ConstableVallon à Helmingham [Helmingham Dell]1e quart du XIXe siècle (peint à l'été 1823 (selon Beckett)) (1823)Salle 713, Aile Denon, Niveau 1Museu do Louvre
Marriage A-la-Mode: 3. The Inspection, William Hogarth, 1743William HogarthMarriage A-la-Mode: 3. The Inspection1743Sala 34National Gallery
A Scene from The Beggar's Opera, William Hogarth, 1728/1729William HogarthA Scene from The Beggar's Opera1728/1729Galeria Nacional de Arte
Salisbury Cathedral from Lower Marsh Close, John Constable, 1820John ConstableSalisbury Cathedral from Lower Marsh Close1820Sala 57 · Edifício Oeste, piso principalGaleria Nacional de Arte
Serjeant Ralph Thomas, John Everett Millais, 1848John Everett MillaisSerjeant Ralph Thomas1848National Gallery
The Road in the Woods, Alfred Sisley, 1879Alfred SisleyThe Road in the Woods1879Galeria Nacional de Arte
Boulevard Héloïse, Argenteuil, Alfred Sisley, 1872Alfred SisleyBoulevard Héloïse, Argenteuil1872Sala 82 · Edifício Oeste, piso principalGaleria Nacional de Arte
First Snow at Veneux-Nadon, Alfred Sisley, 1878Alfred SisleyFirst Snow at Veneux-Nadon1878Galeria Nacional de Arte
Stoke-by-Nayland, John Constable, ca. 1810–11John ConstableStoke-by-Naylandca. 1810–11Sala 808Museu Metropolitano de Arte
The Vale of Rest, John Everett Millais, 1850sJohn Everett MillaisThe Vale of Rest1850sNational Gallery
The Strode Family, William Hogarth, c. 1738William HogarthThe Strode Familyc. 1738National Gallery
La baie de Weymouth à l'approche de l'orage, Constable, John, 1e quart du XIXe siècle (1818 - 1819)John ConstableLa baie de Weymouth à l'approche de l'orage1e quart du XIXe siècle (1818 - 1819)Salle 713, Aile Denon, Niveau 1Museu do Louvre
L'Arc-en-ciel, Constable, John, XIXe siècle (1800 - 1900)John ConstableL'Arc-en-cielXIXe siècle (1800 - 1900)Museu do Louvre
"Willy Lott's House", Constable, John, 1e moitié du XIXe siècle (1840)John Constable"Willy Lott's House"1e moitié du XIXe siècle (1840)Museu do Louvre
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