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Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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  1. Coleção/
  2. Galeria Nacional de Arte/
  3. Wivenhoe Park, Essex
Wivenhoe Park, Essex, John Constable, 1816

Wivenhoe Park, Essex

1816 · Painting

Sobre a pintura

Wivenhoe Park is a painting of an English landscape park, the estate of the Rebow family, by the English Romantic painter, John Constable (1776–1837).

John Constable was born in Suffolk, and is known principally for his landscape paintings, especially the landscapes of the countryside where he spent his childhood. His paintings are now considered among the most popular and valuable in British art.

Wikipédia · CC BY-SA

Pormenores

1816 · aos 40 anos
17761837
Número de inventário
1942.9.10

Entretanto, na vida de John Constable

A vida inteira
  1. 1816

    A marriage against the bride’s grandfather

    Maria’s grandfather, Dr Rhudde, rector of East Bergholt, opposed the match: he thought the Constables his social inferiors and threatened to disinherit her. Constable’s parents approved but offered no support until he was financially secure; they died soon afterwards, and he inherited a fifth share of the family business.

  2. 1816

    A honeymoon by the sea

    After the wedding at St Martin-in-the-Fields, conducted by Fisher, the couple stayed at Fisher’s vicarage and toured the south coast. The sea at Weymouth and Brighton pushed Constable towards brilliant colour and lively brushwork.

  3. 2 de outubro de 1816

    Married: Maria Bicknell

Mais obras de John Constable

Todas as obras

Na mesma sala · M-057, Galeria Nacional de Arte

Página do museu

Sobre o mesmo tema · Agriculture

Todas as obras sobre o tema
John Constable, retratoJohn ConstableReino Unido, 1776–1837

Será possível contemplá-la?

Sim, recebe visitas

Galeria Nacional de Arte

Washington, D.C., Estados Unidos

Sala57 · Edifício Oeste, piso principal

Exposta ao público. Quem o garante vem indicado abaixo.

Verificado
há 9 dias
Neste estado desde
19 de ago. de 2026
Fonte
O museu
No mapaPágina do museu

O que mostra

AgricultureUnited KingdomEnglandEssexWivenhoe Park

No catálogo

PinturasÓleoPintura britânicaNeoclassicismoRomantismoSéculo XIXBritishRomanticPintura de paisagem

Fontes

  • Galeria Nacional de Arte
  • Imagem: Galeria Nacional de Arte — Museum open access
Stoke-by-Nayland, John Constable, ca. 1810–11

Stoke-by-Nayland

ca. 1810–11 · Museu Metropolitano de Arte

The White Horse, John Constable, 1818-1819

The White Horse

1818-1819 · Galeria Nacional de Arte

La baie de Weymouth à l'approche de l'orage, Constable, John, 1e quart du XIXe siècle (1818 - 1819)

La baie de Weymouth à l'approche de l'orage

1e quart du XIXe siècle (1818 - 1819) · Museu do Louvre

Salisbury Cathedral from Lower Marsh Close, John Constable, 1820

Salisbury Cathedral from Lower Marsh Close

1820 · Galeria Nacional de Arte

Vue de Salisbury, Constable, John, 1e quart du XIXe siècle (1820)

Vue de Salisbury

1e quart du XIXe siècle (1820) · Museu do Louvre

Vallon à Helmingham [Helmingham Dell], Constable, John, 1e quart du XIXe siècle (peint à l'été 1823 (selon Beckett)) (1823)

Vallon à Helmingham [Helmingham Dell]

1e quart du XIXe siècle (peint à l'été 1823 (selon Beckett)) (1823) · Museu do Louvre

Salisbury Cathedral from the Bishop's Grounds, John Constable, ca. 1825

Salisbury Cathedral from the Bishop's Grounds

ca. 1825 · Museu Metropolitano de Arte

Cloud study, John Constable, 1830–35

Cloud study

1830–35 · Museu Metropolitano de Arte

Approach to Venice, Joseph Mallord William Turner, 1844

Joseph Mallord William Turner

Approach to Venice, 1844

Keelmen Heaving in Coals by Moonlight, Joseph Mallord William Turner, 1835

Joseph Mallord William Turner

Keelmen Heaving in Coals by Moonlight, 1835

Venice: The Dogana and San Giorgio Maggiore, Joseph Mallord William Turner, 1834

Joseph Mallord William Turner

Venice: The Dogana and San Giorgio Maggiore, 1834

Rotterdam Ferry-Boat, Joseph Mallord William Turner, 1833

Joseph Mallord William Turner

Rotterdam Ferry-Boat, 1833

Mortlake Terrace, Joseph Mallord William Turner, 1827

Joseph Mallord William Turner

Mortlake Terrace, 1827

The Junction of the Thames and the Medway, Joseph Mallord William Turner, 1807

Joseph Mallord William Turner

The Junction of the Thames and the Medway, 1807

Salisbury Cathedral from Lower Marsh Close, John Constable, 1820

John Constable

Salisbury Cathedral from Lower Marsh Close, 1820

The White Horse, John Constable, 1818-1819

John Constable

The White Horse, 1818-1819

Orchard, Portola Valley, California, Ansel Adams, c. 1940, printed 1980

Ansel Adams

Orchard, Portola Valley, California, c. 1940, printed 1980

Não exposta · Galeria Nacional de Arte

Barn, Cape Cod, Massachusetts, Ansel Adams, c. 1937, printed 1981

Ansel Adams

Barn, Cape Cod, Massachusetts, c. 1937, printed 1981

Não exposta · Galeria Nacional de Arte

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Farmhouse in Provence, 1888

Galeria Nacional de Arte

Flower Beds in Holland, Vincent van Gogh, c. 1883

Vincent van Gogh

Flower Beds in Holland, c. 1883

Não exposta · Galeria Nacional de Arte

The Harvest, Vincent van Gogh, 1888

Vincent van Gogh

The Harvest, 1888

Não exposta · Galeria Nacional de Arte

The Olive Orchard, Vincent van Gogh, 1889

Vincent van Gogh

The Olive Orchard, 1889

Não exposta · Galeria Nacional de Arte

The Windmill, Rembrandt van Rijn, 1641

Rembrandt van Rijn

The Windmill, 1641

Não exposta · Galeria Nacional de Arte

The Mill, Rembrandt van Rijn, 1645/1648

Rembrandt van Rijn

O Moinho, 1645/1648

Não exposta · Galeria Nacional de Arte