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Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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  2. Instituto de Artes de Minneapolis/
  3. Funerary Relief
Funerary Relief, Roman Empire, late 2nd century–first half of the 3rd century
RRoman EmpireSíria

Funerary Relief

late 2nd century–first half of the 3rd century · Sculpture · 58.42 × 38.1 cm

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Instituto de Artes de Minneapolis

Minneapolis, Estados Unidos

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Neste estado desde
25 de set. de 2026
Fonte
O museu
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Sobre a escultura

Palmyra, an oasis city in the Syrian Desert, was located on a section of the Silk Route, one of the great trade routes connecting Europe and Asia. In about 30 CE, Palmyra came under Roman control as part of the province of Syria and became a wealthy and significant city.

Many of the surviving sculptures from ancient Palmyra are funerary reliefs. Collective underground tombs were laid out in deep burial niches, called loculi, dug deep into the high sidewalls. Each niche was sealed with a stone carved in high relief with a bust of the deceased, sometimes carved against a curtained background. The figure's eyes are prominent, and the features are strictly regular.

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Reliefs like this one, with a background curtain and palm fronds, are found in examples dating from at least the late 2nd century. The rigidly frontal presentation also has a religious meaning, alluding to the experience of ecstatic vision or the participation in the afterlife.

Instituto de Artes de Minneapolis

Pormenores

Número de inventário
2008.28.2

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EsculturaPedraRoma Antiga

Fontes

  • Instituto de Artes de Minneapolis
  • Imagem: Instituto de Artes de Minneapolis — public domain

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Vizinhas de sala: Instituto de Artes de Minneapolis

Página do museu
Olive Trees, Vincent van Gogh, 1889

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Grainstack, Sun in the Mist, Claude Monet, 1891

Claude Monet

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Lucretia, Rembrandt van Rijn, 1666

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Self-Portrait with Dr. Arrieta, Francisco José de Goya y Lucientes, 1820

Francisco de Goya

Self-Portrait with Dr. Arrieta, 1820

Study for Improvisation V, Vassily Kandinsky, 1910

Vasily Kandinsky

Study for Improvisation V, 1910

Tahitian Landscape, Paul Gauguin, 1891

Paul Gauguin

Tahitian Landscape, 1891

Chestnut Trees at Jas de Bouffan, Paul Cézanne, c. 1885–86

Paul Cézanne

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The Union of England and Scotland (Charles I as the Prince of Wales), Peter Paul Rubens, 1633–34

Peter Paul Rubens

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