Jacqueline Kennedy I, Andy Warhol, 1966
Andy Warholの肖像Andy Warholアメリカ合衆国, 1928–1987

Jacqueline Kennedy I

1966 · Portfolio

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『Jacqueline Kennedy I』は今どこに? 所蔵: ナショナル・ギャラリー, ワシントンD.C. 現在は展示されていません. 確認 2026年9月29日.

ナショナル・ギャラリー

ワシントンD.C., アメリカ合衆国

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美術館

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収蔵番号
1991.239.1.2

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その頃、Andy Warholの人生では

生涯をすべて見る
  1. 1963–1968

    Warhol the filmmaker: hundreds of reels

    From 1963 to 1968 Warhol shot several hundred reels: 472 four-minute portrait Screen Tests, dozens of short films and more than 150 narrative films, only 60 of which were ever released.

  2. 1964

    The Factory on 47th Street

    By 1964 Warhol had moved his studio to 231 East 47th Street, which became known as the Factory; Billy Name covered it in aluminium foil and silver paint. The poet Gerard Malanga helped him with silkscreens and films, and working with assistants became a lasting feature of his method.

  3. spring 1964

    The box sculptures at the Stable Gallery

    At his second Stable Gallery show Warhol turned the room into a warehouse: custom-ordered wooden boxes silkscreened with graphics — Brillo Soap Pads, Heinz Tomato Ketchup, Kellogg's Corn Flakes and others — sold for $200 to $400 depending on size.

  4. 1964

    First “Flowers” at the Leo Castelli Gallery

    In November 1964 the first Flowers series was shown at the Leo Castelli Gallery in New York — the dealer who had turned Warhol down in 1961.

  5. 1965

    Paris: announcing his retirement from painting

    The second Flowers series was shown at Galerie Ileana Sonnabend in Paris; during the trip Warhol announced that he was retiring from painting to focus on film, saying he no longer believed in painting.

  6. 3 June 1968

    The shooting at the Factory

    The writer Valerie Solanas, author of the SCUM Manifesto, who had appeared in his film I, a Man, shot Warhol and the art critic Mario Amaya; Amaya was lightly injured, while Warhol was seriously wounded and spent nearly two months in hospital. Solanas turned herself in to the police a few hours later, saying that Warhol had too much control over her life.

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