ART WIKI
Train Stop, Soviet Union, Henri Cartier-Bresson, 1954
Henri Cartier-Bresson, ritrattoHenri Cartier-BressonFrancia, 1908–2004

Train Stop, Soviet Union

1954 · Photograph

Si può vedere?

Non esposta al momento

Dove si trova «Train Stop, Soviet Union» oggi? Collezione: National Gallery of Art, Washington. Non esposta al momento. Verificato 12 ottobre 2026.

National Gallery of Art

Washington, Stati Uniti

Appartiene alla collezione, ma al momento non è esposta.

Verificato
Ultimo cambio di stato
Fonte
Il museo
Sulla mappaPagina del museo
Incorpora

Scheda

Numero di inventario
2012.118.24

Che cosa raffigura

TravelUomoGirlsSoviet Union

In catalogo

FotografieStampa ai sali d’argentoArte del dopoguerraXX secoloFrench

Fonti

Nella vita di Henri Cartier-Bresson

Tutta la vita

  1. 1952

    The book “The Decisive Moment”

    His book “Images à la sauvette” was published, titled “The Decisive Moment” in English: 126 photographs from East and West, a cover drawn by Henri Matisse and a 4,500-word philosophical preface taking as its keynote Cardinal de Retz: “There is nothing in this world that does not have a decisive moment”.

  2. 26 maggio 1953 – 23 agosto 1953

    Exhibition: Postwar European Photography

  3. 1953–1955

    Joan Miró: a portrait and the cover of “The Europeans”

    In 1953 he photographed Joan Miró, and in 1955 his book “The Europeans” appeared with a cover by Miró (the cover of “The Decisive Moment” in 1952 was drawn by Matisse).

  4. 1954

    The first Western photographer in the USSR after Stalin

    In 1954 he became the first foreign photographer to visit the USSR after Stalin’s death and the first Westerner allowed to photograph there freely; his book “The People of Moscow” followed in 1955.

  5. 1955

    His first exhibition in France

    In 1955 he held his first exhibition in France, at the Pavillon de Marsan (Musée des Arts décoratifs, Paris).

Altre opere di Henri Cartier-Bresson

Tutte le opere
Lincoln Kirstein, Henri Cartier-Bresson, 1964

Lincoln Kirstein

1964 · Museum of Modern Art

Rouen, Henri Cartier-Bresson, 1929

Rouen

1929 · Non esposta · Museum of Modern Art

France, Henri Cartier-Bresson, 1929

France

1929 · Non esposta · Museum of Modern Art

Dieppe, France, Henri Cartier-Bresson, 1929

Dieppe, France

1929 · Non esposta · Museum of Modern Art

Rouen, Henri Cartier-Bresson, 1929

Rouen

1929 · Non esposta · Museum of Modern Art

Budapest, Henri Cartier-Bresson, 1931

Budapest

1931 · Non esposta · Museum of Modern Art

Front view of Jalma with her Hand, Montmarte (Jalma de face et sa main, Montmarte), Henri Cartier-Bresson, c. 1931

Front view of Jalma with her Hand, Montmarte (Jalma de face et sa main, Montmarte)

c. 1931 · Non esposta · Museum of Modern Art

Untitled, Henri Cartier-Bresson, c. 1931

Untitled

c. 1931 · Non esposta · Museum of Modern Art

Anche in sala: National Gallery of Art

Pagina del museo
Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Ritratto di Ginevra de' Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Girl in White, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Farmhouse in Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé seduta, 1888

Sullo stesso tema · Travel

Tutte le opere sul tema
"Neige" (Snow); Itinerary [recto], Paul Gauguin, 1884-1888

Paul Gauguin

"Neige" (Snow); Itinerary [recto], 1884-1888

Non esposta · National Gallery of Art

Country Outing (Partie de campagne), Henri de Toulouse-Lautrec, 1897

Henri de Toulouse-Lautrec

Country Outing (Partie de campagne), 1897

Non esposta · National Gallery of Art

Lorenzo & Larry Ferlinghetti, stopover in Fiji on way to Adelaide Arts Festival, Australia March 72, Allen Ginsberg, 1972, printed later

Allen Ginsberg

Lorenzo & Larry Ferlinghetti, stopover in Fiji on way to Adelaide Arts Festival, Australia March 72, 1972, printed later

Non esposta · National Gallery of Art

Joe Richey and New York ladies on Roland Leggiardi-Laura's film crew, waiting at Ministerio de Cultura door, outside Managua, January 23, 1986, Allen Ginsberg, 1986

Allen Ginsberg

Joe Richey and New York ladies on Roland Leggiardi-Laura's film crew, waiting at Ministerio de Cultura door, outside Managua, January 23, 1986, 1986

Non esposta · National Gallery of Art

Allen Ginsberg, utility man S.S. John Blair first back from Galveston-Dakar Doldrums trip, I handed my camera to the radio-man on the ship's fantail, smoking what? In New York harbor, circa October 30, 1947., Allen Ginsberg, 1947, printed 1990

Allen Ginsberg

Allen Ginsberg, utility man S.S. John Blair first back from Galveston-Dakar Doldrums trip, I handed my camera to the radio-man on the ship's fantail, smoking what? In New York harbor, circa October 30, 1947., 1947, printed 1990

Non esposta · National Gallery of Art

Korean War Vet Ken Babbs, Captain of Ken Kesey's "Trips Festival" bus, co piloting Neal Cassady on Amphetamine at wheel rolling up highway to Millbrook estate near Poughkeepsie N.Y. where Dr. Tim O'Leary's Castalia Foundation was then experimenting with D.M.T. on half hour psychedelic trip useful for psychiatric sessions. Burglar Gordon Liddy, then assistant D.A. in Poughkeepsie raided the Foundation a number of times illegally lacking search warrants during that season, so Castalia folk were jittery on arrival of honking Day-Glo graffit'd "Merry Prankster" Further bus which'd been driven cross-country S.F to N.Y. via Texas before Fall 1964 Presidentiad, "A Vote for Goldwater is a Vote for Fun" logo painted above bus side windows, L.S.D. Kool-Aid in pitcher in icebox. Kesey & Pranksters had met with Jack Kerouac a day before . . ., Allen Ginsberg, 1964, printed 1995

Allen Ginsberg

Korean War Vet Ken Babbs, Captain of Ken Kesey's "Trips Festival" bus, co piloting Neal Cassady on Amphetamine at wheel rolling up highway to Millbrook estate near Poughkeepsie N.Y. where Dr. Tim O'Leary's Castalia Foundation was then experimenting with D.M.T. on half hour psychedelic trip useful for psychiatric sessions. Burglar Gordon Liddy, then assistant D.A. in Poughkeepsie raided the Foundation a number of times illegally lacking search warrants during that season, so Castalia folk were jittery on arrival of honking Day-Glo graffit'd "Merry Prankster" Further bus which'd been driven cross-country S.F to N.Y. via Texas before Fall 1964 Presidentiad, "A Vote for Goldwater is a Vote for Fun" logo painted above bus side windows, L.S.D. Kool-Aid in pitcher in icebox. Kesey & Pranksters had met with Jack Kerouac a day before . . ., 1964, printed 1995

Non esposta · National Gallery of Art

Harry Smith talking to Scotch folk-singer English Professor at University of Mississippi who drove me to visit Ike's Barber Shop in Clarksdale-- Ike had played in Black rhythm & Blues bands around the 40's Country & his shop was legendary social center after he'd returned to his home town-- Harry came to record the rhythm of his barber scissors & razor strapping as we spent the afternoon hanging out & listening to the jukebox by the bar, back of the Barbershop. Later we drove across the Mississippi River & returned to "ole' Miss" at Oxford by midnight, April 19, 1987., Allen Ginsberg, 1987

Allen Ginsberg

Harry Smith talking to Scotch folk-singer English Professor at University of Mississippi who drove me to visit Ike's Barber Shop in Clarksdale-- Ike had played in Black rhythm & Blues bands around the 40's Country & his shop was legendary social center after he'd returned to his home town-- Harry came to record the rhythm of his barber scissors & razor strapping as we spent the afternoon hanging out & listening to the jukebox by the bar, back of the Barbershop. Later we drove across the Mississippi River & returned to "ole' Miss" at Oxford by midnight, April 19, 1987., 1987

Non esposta · National Gallery of Art

Ken Kesey—Merry Pranksters’ day-glo painted “Further” cross-country bus Neal Cassady’d driven S.F. to Manhattan, L.S.D. cool-aid pitcher in icebox for local hitchhikers and Police, here stopped for gas lunch upstate on trip to Timothy Leary’s Millbrook n.y. psychedelic research commune just before election time, “A Vote For Barry Is A Vote for Fun” logo painted large across bustop side, Goldwater the libertarian Republican would-be Presidential candidate Hawk during Vietnam War, summer 1964., Allen Ginsberg, 1964, printed 1995

Allen Ginsberg

Ken Kesey—Merry Pranksters’ day-glo painted “Further” cross-country bus Neal Cassady’d driven S.F. to Manhattan, L.S.D. cool-aid pitcher in icebox for local hitchhikers and Police, here stopped for gas lunch upstate on trip to Timothy Leary’s Millbrook n.y. psychedelic research commune just before election time, “A Vote For Barry Is A Vote for Fun” logo painted large across bustop side, Goldwater the libertarian Republican would-be Presidential candidate Hawk during Vietnam War, summer 1964., 1964, printed 1995

Non esposta · National Gallery of Art