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AccueilCarteCatalogue
  1. Collection/
  2. Whitney Museum of American Art/
  3. White Calf
White Calf, Thomas Hart Benton, 1945
Thomas Hart Benton, portraitThomas Hart BentonÉtats-Unis, 1889–1975

White Calf

1945 · Print

Peut-on la contempler ?

Elle ne reçoit pas en ce moment

Whitney Museum of American Art

New York, États-Unis

Elle appartient à la collection, mais n’est pas présentée en ce moment.

Vérifié
avant-hier
Source
Le musée
Sur la cartePage du musée

Notice

1945 · à 56 ans
18891975
Numéro d’inventaire
2004.710

Au catalogue

EstampesLithographieArt d’après-guerreXXe siècle

Sources

  • Whitney Museum of American Art
  • Image : Whitney Museum of American Art — © the artist or rights holder

Pendant ce temps, chez Thomas Hart Benton

La vie entière
  1. 1929–1974

    92 lithographs, 1929–1974

    From 1929 to 1974 Benton produces 92 lithographs in editions ranging from 2 to 500; the signed, limited-edition lithographs are sold at five dollars each through the Associated American Artists Galleries in New York.

  2. 1939–1944

    Illustrates Twain and Steinbeck

    Creates illustrations for Mark Twain's “Tom Sawyer” (1939), John Steinbeck's “The Grapes of Wrath” (1940), Twain's “Huckleberry Finn” (1941) and “Life on the Mississippi” (1944).

  3. 1944

    In the film series “Passing Parade”

    Appears in an episode of John Nesbit's Passing Parade titled “Grandpa Called It Art”, which shows several contemporary artists at work; Benton demonstrates his process for the camera, from obtaining a farmer's permission to sketch his farm through making a three-dimensional model of the scene to the final painting.

  4. after 1945

    Regionalism falls from favor

    After the war Regionalism falls from favor, eclipsed by the rise of Abstract Expressionism; Benton remains active for another 30 years, but his work contains less contemporary social commentary and portrays pre-industrial farmlands.

Autres œuvres : Thomas Hart Benton

Toutes les œuvres
Martha's Vineyard, Thomas Hart Benton, c. 1925

Martha's Vineyard

c. 1925 · National Gallery of Art

Homestead, Thomas Hart Benton, 1938

Homestead

1938 · Museum of Modern Art

Cotton Pickers, Thomas Hart Benton, 1945

Cotton Pickers

1945 · Art Institute of Chicago

Study for Homestead, Thomas Hart Benton, 1928-1930

Study for Homestead

1928-1930 · Non exposée · Museum of Modern Art

The Station, Thomas Hart Benton, 1929

The Station

1929 · Non exposée · National Gallery of Art

Plowing it Under, Thomas Hart Benton, 1934

Plowing it Under

1934 · Non exposée · National Gallery of Art

Going West, Thomas Hart Benton, 1934

Going West

1934 · Non exposée · National Gallery of Art

Homestead, Thomas Hart Benton, 1934

Homestead

1934 · Non exposée · Museum of Modern Art

Sous le même toit : Whitney Museum of American Art

Page du musée
Early Sunday Morning, Edward Hopper, 1930

Edward Hopper

Tôt un dimanche matin, 1930

Summer Days, Georgia O'Keeffe, 1936

Georgia O'Keeffe

Summer Days, 1936

Green Coca-Cola Bottles, Andy Warhol, 1962

Andy Warhol

Green Coca-Cola Bottles, 1962

Three Flags, Jasper Johns, 1958

Jasper Johns

Three Flags, 1958

Dempsey and Firpo, George Bellows, 1924

George Bellows

Dempsey and Firpo, 1924

Second Story Sunlight, Edward Hopper, 1960

Edward Hopper

Second Story Sunlight, 1960

My Egypt, Charles Demuth, 1927

Charles Demuth

My Egypt, 1927

The Thinking Ocean, Memo Akten & Katie Hofstadter, 2026

Memo Akten & Katie Hofstadter

The Thinking Ocean, 2026