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  1. Collection/
  2. National Gallery of Art/
  3. Plowing it Under
Plowing it Under, Thomas Hart Benton, 1934
Thomas Hart Benton, portraitThomas Hart BentonÉtats-Unis, 1889–1975

Plowing it Under

1934 · Print

Notice

1934 · à 45 ans
18891975
Numéro d’inventaire
2008.115.15

Pendant ce temps, chez Thomas Hart Benton

La vie entière
  1. 1926–1935

    Employed by: Art Students League of New York

  2. late 1920s – early 1930s

    Jackson Pollock among his students

    Among Benton's students at the Art Students League of New York is Jackson Pollock, the future founder of Abstract Expressionism. Pollock often said that Benton's traditional teaching gave him something to rebel against.

  3. 1932

    A breakthrough: the commission for the Indiana murals

    He breaks through to the mainstream: a relative unknown, he wins the commission to paint murals of Indiana life that the state has planned for the 1933 Century of Progress Exhibition in Chicago. The success brings him fame in the following years.

  4. 1933

    A scandal over the Indiana murals

    The Indiana murals stir controversy: Benton painted everyday people and events from the state's history that some did not want publicized, and critics attack the work for showing members of the Indiana Ku Klux Klan in full regalia. At the Klan's height (membership peaked in 1925) an estimated 30% of adult men in Indiana belonged to it; the panels are now at Indiana University in Bloomington.

  5. 24 December 1934

    On the cover of Time magazine

    Appears on one of the earliest color covers of Time magazine: in the feature “The U.S. Scene” he, together with fellow Midwesterners Grant Wood and John Steuart Curry, is presented as a new hero of American art, and Regionalism is described as a significant art movement.

Autres œuvres : Thomas Hart Benton

Toutes les œuvres

Sous le même toit : National Gallery of Art

Page du musée

Sur le même thème · Agriculture

Toutes les œuvres sur ce thème
  • 1935

    Leaving New York for Missouri

    Having alienated both the left-leaning community of artists with his disregard for politics and the larger New York–Paris art world with what was considered his folksy style, Benton leaves the artistic debates of New York for his native Missouri. Settling in Kansas City and taking a teaching job at the Kansas City Art Institute, he gains greater access to a rapidly changing rural America; a Populist by upbringing, he sympathizes with the working class and the small farmer.

  • Peut-on la contempler ?

    Elle ne reçoit pas en ce moment

    National Gallery of Art

    Washington, États-Unis

    Elle appartient à la collection, mais n’est pas présentée en ce moment.

    Vérifié
    il y a 3 jours
    Dans cet état depuis
    19 août 2026
    Source
    Le musée
    Sur la cartePage du musée

    Ce qu’elle montre

    AgricultureMale figureChevalFarmField

    Au catalogue

    EstampesLithographieModernismeXXe siècleRegionalism

    Sources

    • National Gallery of Art
    • Image : National Gallery of Art — © the artist or rights holder
    Martha's Vineyard, Thomas Hart Benton, c. 1925

    Martha's Vineyard

    c. 1925 · National Gallery of Art

    Homestead, Thomas Hart Benton, 1938

    Homestead

    1938 · Museum of Modern Art

    Cotton Pickers, Thomas Hart Benton, 1945

    Cotton Pickers

    1945 · Art Institute of Chicago

    Study for Homestead, Thomas Hart Benton, 1928-1930

    Study for Homestead

    1928-1930 · Non exposée · Museum of Modern Art

    The Station, Thomas Hart Benton, 1929

    The Station

    1929 · Non exposée · National Gallery of Art

    Going West, Thomas Hart Benton, 1934

    Going West

    1934 · Non exposée · National Gallery of Art

    Homestead, Thomas Hart Benton, 1934

    Homestead

    1934 · Non exposée · Museum of Modern Art

    Mine Strike from The American Scene, no. 2, Thomas Hart Benton, 1936

    Mine Strike from The American Scene, no. 2

    1936 · Non exposée · Museum of Modern Art

    Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

    Leonardo da Vinci

    Portrait de Ginevra de' Benci, c. 1474/1478

    Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

    Leonardo da Vinci

    Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

    Green Wheat Fields, Auvers, Vincent van Gogh, 1890

    Vincent van Gogh

    Green Wheat Fields, Auvers, 1890

    Girl in White, Vincent van Gogh, 1890

    Vincent van Gogh

    Jeune Fille en blanc, 1890

    Roses, Vincent van Gogh, 1890

    Vincent van Gogh

    Roses, 1890

    Self-Portrait, Vincent van Gogh, 1889

    Vincent van Gogh

    Self-Portrait, 1889

    Farmhouse in Provence, Vincent van Gogh, 1888

    Vincent van Gogh

    Ferme en Provence, 1888

    La Mousmé, Vincent van Gogh, 1888

    Vincent van Gogh

    La Mousmé, 1888

    Orchard, Portola Valley, California, Ansel Adams, c. 1940, printed 1980

    Ansel Adams

    Orchard, Portola Valley, California, c. 1940, printed 1980

    Non exposée · National Gallery of Art

    Barn, Cape Cod, Massachusetts, Ansel Adams, c. 1937, printed 1981

    Ansel Adams

    Barn, Cape Cod, Massachusetts, c. 1937, printed 1981

    Non exposée · National Gallery of Art

    Farmhouse in Provence, Vincent van Gogh, 1888

    Vincent van Gogh

    Ferme en Provence, 1888

    National Gallery of Art

    Flower Beds in Holland, Vincent van Gogh, c. 1883

    Vincent van Gogh

    Champs de fleurs en Hollande, c. 1883

    Non exposée · National Gallery of Art

    The Harvest, Vincent van Gogh, 1888

    Vincent van Gogh

    The Harvest, 1888

    Non exposée · National Gallery of Art

    The Olive Orchard, Vincent van Gogh, 1889

    Vincent van Gogh

    The Olive Orchard, 1889

    Non exposée · National Gallery of Art

    The Windmill, Rembrandt van Rijn, 1641

    Rembrandt van Rijn

    The Windmill, 1641

    Non exposée · National Gallery of Art

    The Mill, Rembrandt van Rijn, 1645/1648

    Rembrandt van Rijn

    Le Moulin, 1645/1648

    Non exposée · National Gallery of Art