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  1. Collection/
  2. National Gallery of Art/
  3. Martha's Vineyard
Martha's Vineyard, Thomas Hart Benton, c. 1925
Thomas Hart Benton, portraitThomas Hart BentonÉtats-Unis, 1889–1975

Martha's Vineyard

c. 1925 · Painting

Peut-on la contempler ?

Oui, elle reçoit

National Gallery of Art

Washington, États-Unis

Salle106E · Bâtiment est, rez-de-chaussée

Présentée au public. Qui s’en porte garant est indiqué ci-dessous.

Vérifié
avant-hier
Dans cet état depuis
19 août 2026
Source
Le musée
Sur la cartePage du musée

Notice

c. 1925
18891975
Numéro d’inventaire
2016.22.20

Ce qu’elle montre

LandscapeChilmark

Au catalogue

PeinturesHuilePeinture américaineModernismeXXe siècleAmerican

Sources

  • National Gallery of Art
  • Image : National Gallery of Art — © the artist or rights holder

Pendant ce temps, chez Thomas Hart Benton

La vie entière
  1. early 1920s

    An “enemy of modernism”: the turn to Regionalism

    Back in New York, he declares himself an “enemy of modernism” and begins the naturalistic, representational work known as Regionalism. He tours America making sketches and ink wash drawings of what he sees, returning to them again and again as reference for future paintings.

  2. 1926

    Birth of his son, Thomas

    A son is born, Thomas Piacenza Benton (1926–2010). From the age of three to nine the boy attends the City and Country School in New York in exchange for his father's teaching art there; Benton will later include the school's founder, Caroline Pratt, in one of the panels of “America Today”.

  3. 1926–1935

    Employed by: Art Students League of New York

  4. late 1920s – early 1930s

    Jackson Pollock among his students

    Among Benton's students at the Art Students League of New York is Jackson Pollock, the future founder of Abstract Expressionism. Pollock often said that Benton's traditional teaching gave him something to rebel against.

Autres œuvres : Thomas Hart Benton

Toutes les œuvres
Homestead, Thomas Hart Benton, 1938

Homestead

1938 · Museum of Modern Art

Cotton Pickers, Thomas Hart Benton, 1945

Cotton Pickers

1945 · Art Institute of Chicago

Study for Homestead, Thomas Hart Benton, 1928-1930

Study for Homestead

1928-1930 · Non exposée · Museum of Modern Art

The Station, Thomas Hart Benton, 1929

The Station

1929 · Non exposée · National Gallery of Art

Plowing it Under, Thomas Hart Benton, 1934

Plowing it Under

1934 · Non exposée · National Gallery of Art

Going West, Thomas Hart Benton, 1934

Going West

1934 · Non exposée · National Gallery of Art

Homestead, Thomas Hart Benton, 1934

Homestead

1934 · Non exposée · Museum of Modern Art

Mine Strike from The American Scene, no. 2, Thomas Hart Benton, 1936

Mine Strike from The American Scene, no. 2

1936 · Non exposée · Museum of Modern Art

Sous le même toit : National Gallery of Art

Page du musée
Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Portrait de Ginevra de' Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Jeune Fille en blanc, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Ferme en Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888