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  1. Collection/
  2. Art Institute of Chicago/
  3. Self-Portrait
Self-Portrait, Thomas Hart Benton, 1907/08
Thomas Hart Benton, portraitThomas Hart BentonÉtats-Unis, 1889–1975

Self-Portrait

1907/08 · Drawing and Watercolor

Peut-on la contempler ?

Elle ne reçoit pas en ce moment

Art Institute of Chicago

Chicago, États-Unis

Elle appartient à la collection, mais n’est pas présentée en ce moment.

Vérifié
il y a 3 jours
Dans cet état depuis
19 août 2026
Source
Le musée
Sur la cartePage du musée

Notice

1907/08 · à 18 ans
18891975
Numéro d’inventaire
RX18296/12

Au catalogue

Dessins et aquarellesPlumeModernismeXXe siècleÉtats-Unis

Sources

  • Art Institute of Chicago
  • Image : Art Institute of Chicago — © the artist or rights holder

Pendant ce temps, chez Thomas Hart Benton

La vie entière
  1. 1905–1906

    His father sends him to Western Military Academy

    Hoping to shape his son for a political career, his father sends him to Western Military Academy. Having grown up in two different cultures, Benton rebels against his father's plans: he wants to develop his interest in art, and his mother supports him.

  2. 1907

    The School of the Art Institute of Chicago

    With his mother's encouragement he enrolls at the School of the Art Institute of Chicago, choosing art over politics; as a teenager he had worked as a cartoonist for the Joplin American newspaper in Joplin, Missouri. His mother supports him financially and emotionally until he marries at 33.

  3. 1909

    Paris: the Académie Julian and a meeting with Rivera

    Moves to Paris to continue his art education at the Académie Julian. There he meets other North American artists, among them the Mexican Diego Rivera and Stanton Macdonald-Wright, an advocate of Synchromism, under whose influence Benton later adopts a Synchromist style.

Autres œuvres : Thomas Hart Benton

Toutes les œuvres
Martha's Vineyard, Thomas Hart Benton, c. 1925

Martha's Vineyard

c. 1925 · National Gallery of Art

Homestead, Thomas Hart Benton, 1938

Homestead

1938 · Museum of Modern Art

Cotton Pickers, Thomas Hart Benton, 1945

Cotton Pickers

1945 · Art Institute of Chicago

Study for Homestead, Thomas Hart Benton, 1928-1930

Study for Homestead

1928-1930 · Non exposée · Museum of Modern Art

The Station, Thomas Hart Benton, 1929

The Station

1929 · Non exposée · National Gallery of Art

Plowing it Under, Thomas Hart Benton, 1934

Plowing it Under

1934 · Non exposée · National Gallery of Art

Going West, Thomas Hart Benton, 1934

Going West

1934 · Non exposée · National Gallery of Art

Homestead, Thomas Hart Benton, 1934

Homestead

1934 · Non exposée · Museum of Modern Art

Sous le même toit : Art Institute of Chicago

Page du musée
The Bedroom, Vincent van Gogh, 1889

Vincent van Gogh

The Bedroom, 1889

A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

Georges Seurat

Un dimanche après-midi à l'Île de la Grande Jatte, 1884–86, border added 1888–89

Paris Street; Rainy Day, Gustave Caillebotte, 1877

Gustave Caillebotte

Rue de Paris, temps de pluie, 1877

Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

Pierre-Auguste Renoir

Les Deux Sœurs, 1881

The Basket of Apples, Paul Cézanne, c. 1893

Paul Cézanne

La Corbeille de pommes, c. 1893

Stacks of Wheat (End of Summer), Claude Monet, 1890–91

Claude Monet

Stacks of Wheat (End of Summer), 1890–91

American Gothic, Grant Wood, 1930

Grant Wood

American Gothic, 1930

Nighthawks, Edward Hopper, 1942

Edward Hopper

Nighthawks, 1942