John Everett MillaisRoyaume-Uni, 1829–1896Drawing
Peut-on la contempler ?
Elle ne reçoit pas en ce moment
Victoria and Albert Museum
Londres, Royaume-Uni
Elle appartient à la collection, mais n’est pas présentée en ce moment.
- Vérifié
- il y a 9 jours
- Dans cet état depuis
- 25 sept. 2026
- Source
- Les données de collection du musée lui-même
Notice
- Numéro d’inventaire
- E.1090-1920
Sources
- Victoria and Albert Museum: the museum's own open data · obtenue il y a 9 jours
- Image : Victoria and Albert Museum — © Victoria and Albert Museum, London
Pendant ce temps, chez John Everett Millais
La vie entière1855–1857
After his marriage he changes manner: faster and dearer
Marriage changed Millais: to support his growing family he began to paint more quickly and in greater quantity and to sell his pictures dearly, moving away from Pre-Raphaelite principles. Effie became a powerful promoter of his work, and together they secured commissions and widened their circle; he gained great popularity and a fortune (up to £30,000 a year), while William Morris and other critics accused him of selling out.
1857
Ruskin calls “Sir Isumbras” a catastrophe
Ruskin called Sir Isumbras (1857), in which Millais had departed sharply from Pre-Raphaelite technique, not even a failure but a catastrophe.
19 septembre 1857
Son born: George Gray Millais
28 novembre 1858
Daughter born: Effie Gray Millais
13 mai 1860
Son born: Mary Hunt Millais
