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Dónde cuelga la obra maestra y cuándo le dejan pasar.

Colecciones: Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (6 museos), Paris Musées (12 museos) y Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos). Las imágenes pertenecen a sus titulares de derechos.

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  1. Colección/
  2. Galería Belvedere/
  3. Seite 86 (Leerseite)
Seite 86 (Leerseite), Gustav Klimt, 1898
Gustav Klimt, retratoGustav KlimtAustria, 1862–1918

Seite 86 (Leerseite)

1898 · Sketchbook

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Galería Belvedere

Viena, Austria

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En este estado desde
27 sept 2026
Fuente
El museo
En el mapaPágina del museo

Ficha

1898 · a los 36 años
18621918

En el catálogo

Dibujos y acuarelasImpresionismoSiglo XIX

Fuentes

  • Galería Belvedere
  • Imagen: Galería Belvedere — CC BY-SA 4.0

Mientras tanto, en la vida de Gustav Klimt

La vida entera
  1. 1897

    First president of the Vienna Secession

    The Secession began as a union of fifty founders and Klimt was chosen as its first president: he was sponsored by the influential Carl Moll, and was the eccentric, taciturn leader regarded as steadfast and authentic. In the salon of Carl and Anna Moll he met Viennese society and began painting portraits of its ladies.

  2. from the late 1890s

    Summers on the Attersee

    From the late 1890s Klimt spent every summer with the Flöge family on the Attersee and painted landscapes there — the only genre besides figure painting that seriously interested him. The locals called him the “forest demon”; space in these landscapes is flattened so completely into one plane that he is believed to have painted them through a telescope.

  3. 1897–1917

    Society portraits of Viennese ladies

    Over twenty years Klimt painted nearly twenty society portraits of women, which gave him financial independence; Carl Moll introduced him to many of the sitters, most of them from the Jewish upper bourgeoisie. In the portraits the ladies are hidden in sumptuous clothing, their heads and hands seeming to float detached from reality.

  4. 1898/1899

    Son born: Gustav Ucicky

  5. 1900

    “Philosophy” at the Secession: the scandal

    First shown at the Secession's seventh exhibition, “Philosophy” provoked protests from the public and university professors, and a scandal unprecedented in Vienna brought the exhibition a record 35,000 visitors. Three weeks after the opening the painting went to the World Fair in Paris and won a gold medal.

  6. 1900–1907

    He returns the advance and keeps the paintings

    The state commission refused to accept the three “Faculty Paintings”; Klimt told the minister he would return the 60,000-krone advance, refused to work for the Austrian state again and kept the pictures. The ministry demanded them, but Klimt did not open the door to the removal men — and the affair ended in his victory.

Más obras de Gustav Klimt

Todas las obras
Mäda Primavesi (1903–2000), Gustav Klimt, 1912–13

Mäda Primavesi (1903–2000)

1912–13 · Museo Metropolitano de Arte

Serena Pulitzer Lederer (1867–1943), Gustav Klimt, 1899

Serena Pulitzer Lederer (1867–1943)

1899 · Museo Metropolitano de Arte

Hope, II, Gustav Klimt, 1907-08

Esperanza II

1907-08 · MoMA

The Park, Gustav Klimt, 1910 or earlier

The Park

1910 or earlier · MoMA

Baby (Cradle), Gustav Klimt, 1917/1918

Baby (Cradle)

1917/1918 · Galería Nacional de Arte

Pear Tree, Gustav Klimt, 1903 (reworked by the artist 1903/1918)

Pear Tree

1903 (reworked by the artist 1903/1918) · Harvard Art Museums

Studie van een in een plaid gewikkelde, rustende vrouw, Gustav Klimt, 1872 - 1918

Studie van een in een plaid gewikkelde, rustende vrouw

1872 - 1918 · Rijksmuseum

Studie für „Bildnis Johanna Staude“, Gustav Klimt

Studie für „Bildnis Johanna Staude“

Albertina