
May one see it?
London, United Kingdom
The owner is known. Whether it is on view today, the museum does not say, and we were not trained to guess.
The Hay Wain – originally titled Landscape: Noon – is a painting by John Constable, completed in 1821, which depicts a rural scene on the River Stour between the English counties of Suffolk and Essex. It hangs in the National Gallery in London and is regarded as "Constable's most famous image" and one of the greatest and most popular English paintings. It is considered as one of the quintessential paintings from the Romantic movement of arts and literature.
Painted in oils on canvas, the work depicts as its central feature three horses pulling what appears to be a wood wain or large farm waggon across the river. Willy Lott's Cottage, also the subject of an eponymous painting by Constable, is visible on the far-left. The scene takes place near Flatford Mill in Suffolk, though since the Stour forms the border of two counties, the left bank is in Suffolk and the landscape on the right bank is in Essex.
The Hay Wain is one of a series of paintings by Constable called the "six-footers", large-scale canvasses which he painted for the annual summer exhibitions at the Royal Academy. As with all of the paintings in this series, Constable produced a full-scale oil sketch for the work; this is now in the Victoria and Albert Museum in London. Another small oil-sketch, the first in his experimentation with extending of the composition of the painting to the right, is now in the collection of the Yale Center for British Art. Constable originally exhibited the finished work with the title Landscape: Noon, suggesting that he envisaged it as belonging to the classical landscape tradition of representing the cycles of nature.
The painting measures 130.2 cm × 185.4 cm (51+1⁄4 in × 73 in).
1821
“The Hay Wain” at the Royal Academy
The picture, shown as “Landscape: Noon”, found no buyer, but it was seen by the painter Théodore Géricault and the writer Charles Nodier. According to Delacroix, Géricault went back to France quite stunned and invited Constable to Paris, while Nodier urged French artists to look to nature rather than to trips to Rome.
1821
“I should paint my own places best”
In a letter to his friend John Fisher in 1821 Constable wrote that he should paint his own places best, and that painting is but another word for feeling. The Dedham Vale around his home came to be known as “Constable Country”.
1821
Son born: Charles Golding Constable
23 October 1821
To Fisher: “I have done a good deal of skying”
Constable wrote to Fisher that he had done a good deal of skying and was determined to conquer all the difficulties that remained. He made cloud studies, noting the weather, direction of light and time of day on the back, and held the sky to be the key note of a landscape, drawing on the meteorologist Luke Howard’s classification of clouds.
1822/1823
Daughter born: Isabel Constable