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  1. Collection/
  2. The Museum of Modern Art/
  3. Study for Homestead
Study for Homestead, Thomas Hart Benton, 1928-1930
Thomas Hart Benton, portraitThomas Hart BentonAmerican, 1889–1975

Study for Homestead

1928-1930 · Drawing

May one see it?

Not receiving at present

The Museum of Modern Art

New York, United States

It belongs to the collection, but is not on display at present.

Checked
8 days ago
Source
The museum
On the mapMuseum page

Particulars

1928-1930
18891975
Accession number
1537.1968

In the catalog

Drawings & watercolorsWatercolourModernism20th century

Sources

  • The Museum of Modern Art
  • Image: The Museum of Modern Art — © the artist or rights holder

Meanwhile, in the life of Thomas Hart Benton

The whole life
  1. 1926

    Birth of his son, Thomas

    A son is born, Thomas Piacenza Benton (1926–2010). From the age of three to nine the boy attends the City and Country School in New York in exchange for his father's teaching art there; Benton will later include the school's founder, Caroline Pratt, in one of the panels of “America Today”.

  2. 1926–1935

    Employed by: Art Students League of New York

  3. late 1920s – early 1930s

    Jackson Pollock among his students

    Among Benton's students at the Art Students League of New York is Jackson Pollock, the future founder of Abstract Expressionism. Pollock often said that Benton's traditional teaching gave him something to rebel against.

  4. 1929–1974

    92 lithographs, 1929–1974

    From 1929 to 1974 Benton produces 92 lithographs in editions ranging from 2 to 500; the signed, limited-edition lithographs are sold at five dollars each through the Associated American Artists Galleries in New York.

  5. early 1930s

    A summer touring the West with Glen Rounds

    Spends a summer touring the Western United States with his student Glen Rounds, who will become a prolific author and illustrator of children's books.

  6. 1932

    A breakthrough: the commission for the Indiana murals

    He breaks through to the mainstream: a relative unknown, he wins the commission to paint murals of Indiana life that the state has planned for the 1933 Century of Progress Exhibition in Chicago. The success brings him fame in the following years.

More by Thomas Hart Benton

All works
Martha's Vineyard, Thomas Hart Benton, c. 1925

Martha's Vineyard

c. 1925 · National Gallery of Art

Homestead, Thomas Hart Benton, 1938

Homestead

1938 · The Museum of Modern Art

Cotton Pickers, Thomas Hart Benton, 1945

Cotton Pickers

1945 · Art Institute of Chicago

The Station, Thomas Hart Benton, 1929

The Station

1929 · Not on view · National Gallery of Art

Plowing it Under, Thomas Hart Benton, 1934

Plowing it Under

1934 · Not on view · National Gallery of Art

Going West, Thomas Hart Benton, 1934

Going West

1934 · Not on view · National Gallery of Art

Homestead, Thomas Hart Benton, 1934

Homestead

1934 · Not on view · The Museum of Modern Art

Mine Strike from The American Scene, no. 2, Thomas Hart Benton, 1936

Mine Strike from The American Scene, no. 2

1936 · Not on view · The Museum of Modern Art

Neighbors at The Museum of Modern Art

Museum page
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Vincent van Gogh, Saint Rémy, June-July 1889

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Vincent van Gogh, Saint Rémy, June 1889

Vincent van Gogh

The Starry Night, Saint Rémy, June 1889

Goat Skull and Bottle, Pablo Picasso, Vallauris, 1951 (cast 1954)

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Pablo Picasso, Vallauris, 1950 (cast 1952)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950