
Albrecht DürerGerman, 1471–1528Saint Jerome Penitent in the Wilderness
Can I see it?
Not on view at present
Where is “Saint Jerome Penitent in the Wilderness” now? Collection: National Gallery of Art, Washington, D.C. Not on view at present. Checked September 29, 2026.
Washington, D.C., United States
It belongs to the collection, but is not on display at present.
- Checked
- In this state since
- Source
- The museum
About the work
This print shows Albrecht Dürer’s interpretation of Saint Jerome in the wilderness. In this image, the saint is a gaunt
penitent who kneels in front of a small crucifix placed on top of a tree stump (a reference to Christ’s cross and the tree of knowledge), while holding a rock in his right hand. Jerome was said to have beat his chest with a rock to alleviate his frequent hallucinations. Dürer included several different plant species, all Northern European in origin, displaying his
dedication to the careful study and depiction of real plants.
National Gallery of Art
Details
- Accession number
- 2011.22.1
What it shows
In the catalog
Display history
Not on view at present
National Gallery of Art · Sep 29, 2026 — now · Verified
Was not on view
The Cleveland Museum of Art · Sep 29, 2026 — Sep 29, 2026 · Verified
Was not on view
National Gallery of Art · Sep 29, 2026 — Sep 29, 2026 · Verified
Was not on view
The Cleveland Museum of Art · Sep 28, 2026 — Sep 29, 2026 · Verified
Was not on view
National Gallery of Art · Sep 28, 2026 — Sep 28, 2026 · Verified
Was not on view
The Cleveland Museum of Art · Sep 27, 2026 — Sep 28, 2026 · Verified
Was not on view
National Gallery of Art · Sep 27, 2026 — Sep 27, 2026 · Verified
Was not on view
Rijksmuseum · Sep 26, 2026 — Sep 27, 2026 · Verified
Was not on view
National Gallery of Art · Sep 26, 2026 — Sep 26, 2026 · Verified
Was not on view
The Cleveland Museum of Art · Sep 25, 2026 — Sep 26, 2026 · Verified
Was not on view
Rijksmuseum · Aug 30, 2026 — Sep 25, 2026 · Verified
Was not on view
The Cleveland Museum of Art · Aug 19, 2026 — Aug 30, 2026 · Verified
Sources
- The Cleveland Museum of Art
- Image: National Gallery of Art — Museum open access
In the life of Albrecht Dürer
The whole lifec. 1492 – 1494
Basel: woodcuts for the printers
In Basel, a centre of printing, Dürer stayed with Georg Schongauer. A woodblock for the title page of the Letters of St Jerome (1492), signed with his name on the back, led to the works of the “Master of the Bergmann Press” being attributed to him; he may also have worked on the woodcuts for Sebastian Brant's Ship of Fools.
July 1494
Marries Agnes Frey
Soon after returning to Nuremberg the 23-year-old Dürer married Agnes Frey, daughter of a prominent brass worker and amateur harpist; the match had been arranged in his absence, and marriage was required to open a workshop of his own. They had no children, and his letters suggest the marriage was not a happy one.
7 July 1494
Married: Agnes Dürer
1494–1495
First journey to Italy
Within three months of the wedding Dürer left alone for Italy, perhaps fleeing an outbreak of plague in Nuremberg. Crossing the Alps he made watercolour landscapes; in Venice he studied its art and judged Giovanni Bellini the best of its painters; Mantegna and Pollaiuolo left their mark on him.
1495
Opens his own workshop
Dürer opened his own workshop in Nuremberg, where over the next ten years he created much of his printmaking. His godfather, the publisher Anton Koberger, helped issue the first series; the city's crafts were governed by the Council rather than guilds, leaving him free to try new techniques and sell his own impressions.

![Madonna and Child [obverse], Albrecht Dürer, c. 1496/1499](https://api.nga.gov/iiif/878db7e6-10ae-4cae-ba5d-6d6f5c413ae8/full/!2400,2400/0/default.jpg)
![Lot and His Daughters [reverse], Albrecht Dürer, c. 1496/1499](https://api.nga.gov/iiif/7565a449-f82a-414b-9bda-c93f55a51b4d/full/!2400,2400/0/default.jpg)





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