Saint George and the Dragon

c. 1506 · Drawing

May one see it?

Not receiving at present

National Gallery of Art

Washington, D.C., United States

It belongs to the collection, but is not on display at present.

Checked: 9 days ago
In this state since: Aug 19, 2026
Source: The museum

On the map Museum page

Particulars

Accession number: 1982.42.1

What it shows

Saints Dragon George

In the catalog

Drawings & watercolors Ink Renaissance 16th century Marchigian

Sources

National Gallery of Art
Image: National Gallery of Art — Museum open access

Meanwhile, in the life of Raphael

The whole life

c. 1503 – c. 1504 · Workplace
Siena
late 1504
Meets Leonardo and Michelangelo
Having moved to Florence, Raphael met Leonardo da Vinci, Michelangelo and Bartolomeo della Porta and closely studied Leonardo's sfumato. His first Florentine commission, portraits of Agnolo Doni and his wife, was painted under the clear impression of the “Mona Lisa”.
1504
Friendship with Baldassare Castiglione
In Urbino Raphael met the philosopher, writer and patron Count Baldassare Castiglione; they formed a firm friendship and correspondence, including the famous letters about the fresco “The Triumph of Galatea”.
October 1504
To Florence, to study
The mother of the next Duke of Urbino gave Raphael a letter of recommendation to the Gonfaloniere of Florence: “The bearer of this will be found to be Raphael, painter of Urbino, who, being greatly gifted in his profession has determined to spend some time in Florence to study.” She called him “a sensible and well-mannered young man”.
1507
Meets Donato Bramante
Raphael met the architect Donato Bramante, by an unproven account his relative. Bramante became his adviser and patron and later recommended him to Pope Julius II as the best candidate for work in the Vatican.
1508
Moves to Rome at the invitation of Julius II
The new pope, Julius II, invited Raphael to Rome, perhaps at the suggestion of his architect Bramante, a distant relative of the artist. Unlike Michelangelo, kept waiting for months after his summons, Raphael was immediately commissioned to fresco what was to become the pope's private library, a far larger commission than any he had had before.