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  3. Short Takes
Short Takes, R. B. Kitaj, 1969-1970
RR. B. KitajAmerican, 1932–2007

Short Takes

1969-1970 · Portfolio

Particulars

1969-1970
19322007
Accession number
1996.23.49

More by R. B. Kitaj

All works

Neighbors at National Gallery of Art

Museum page

On the same theme · Literary and theatrical themes

All works on the theme

May one see it?

Not receiving at present

National Gallery of Art

Washington, D.C., United States

It belongs to the collection, but is not on display at present.

Checked
3 days ago
In this state since
Aug 19, 2026
Source
The museum
On the mapMuseum page

What it shows

Literary and theatrical themesRunyon, Damon

In the catalog

PrintsScreenprintPost-war art20th centuryBritish

Sources

  • National Gallery of Art
  • Image: National Gallery of Art — © the artist or rights holder
The Ohio Gang, R. B. Kitaj, 1964

The Ohio Gang

1964 · The Museum of Modern Art

Zittende naakte vrouw, Ronald B. Kitaj, 1958 - 2007

Zittende naakte vrouw

1958 - 2007 · Rijksmuseum

Untitled: cover for "Times Literary Supplement", R. B. Kitaj, (1963)

Untitled: cover for "Times Literary Supplement"

(1963) · Not on view · The Museum of Modern Art

Boys and Girls!, R. B. Kitaj, 1964

Boys and Girls!

1964 · Not on view · National Gallery of Art

Americans Abroad; Biggar, Lanarkshire (frontispiece) from the portfolio Mahler Becomes Politics, Beisbol, R. B. Kitaj, 1964-67

Americans Abroad; Biggar, Lanarkshire (frontispiece) from the portfolio Mahler Becomes Politics, Beisbol

1964-67 · Not on view · The Museum of Modern Art

Good God, Where is the King? from The Institute of Contemporary Arts Portfolio, R. B. Kitaj, 1964

Good God, Where is the King? from The Institute of Contemporary Arts Portfolio

1964 · Not on view · The Museum of Modern Art

Disciple of Bernstein and Kautsky, R. B. Kitaj, 1964

Disciple of Bernstein and Kautsky

1964 · Not on view · The Museum of Modern Art

What is a Comparison? from the portfolio Mahler Becomes Politics, Beisbol, R. B. Kitaj, 1964

What is a Comparison? from the portfolio Mahler Becomes Politics, Beisbol

1964 · Not on view · The Museum of Modern Art

Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Ginevra de' Benci [obverse], c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Girl in White, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Farmhouse in Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888

Pierrot and Harlequin, After Pablo Picasso, 1920

Pablo Picasso

Pierrot and Harlequin, 1920

Not on view · National Gallery of Art

Canto III, Verse 201, William Blake after Mary Ann Flaxman, 1803

William Blake

Canto III, Verse 201, 1803

Not on view · National Gallery of Art

Time's Triple Bow [recto], William Blake, c. 1804/1807

William Blake

Time's Triple Bow [recto], c. 1804/1807

Not on view · National Gallery of Art

Illustration for Canto V, James Neagle after Thomas Stothard, published 1788

William Blake

Illustration for Canto V, published 1788

Not on view · National Gallery of Art

Christian with the Shield of Faith, Taking Leave of His Companions, William Blake, 1824-1827

William Blake

Christian with the Shield of Faith, Taking Leave of His Companions, 1824-1827

Not on view · National Gallery of Art

A Man Seen from Behind, Rising on Clouds, William Blake, probably c. 1794

William Blake

A Man Seen from Behind, Rising on Clouds, probably c. 1794

Not on view · National Gallery of Art

An Ascending Spiral of Figures [recto], William Blake, probably c. 1820

William Blake

An Ascending Spiral of Figures [recto], probably c. 1820

Not on view · National Gallery of Art

Canto I, William Sharp after Thomas Stothard, 1787-1788

William Blake

Canto I, 1787-1788

Not on view · National Gallery of Art