ART WIKI32,963 on view
MapCollectionArtistsMuseumsExhibitionsJournal
Sign in

ART WIKI

Where the masterpiece hangs, and when they let you in.

Collections: Art Institute of Chicago, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Minneapolis Institute of Art, Musée du Louvre, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery (Smithsonian), Pushkin State Museum of Fine Arts, Rijksmuseum, Smithsonian American Art Museum, SMK — National Gallery of Denmark, State Hermitage Museum, State Russian Museum, The Cleveland Museum of Art, The Metropolitan Museum of Art, The Museum of Modern Art, Tretyakov Gallery, Victoria and Albert Museum, Whitney Museum of American Art, State Catalogue of the Museum Fund of Russia (274 museums), Europeana (19 museums), Wikidata (6 museums), Paris Musées (12 museums), and Joconde, the French Ministry of Culture's museum database (495 museums). Images belong to their rights holders.

Sections

  • Map
  • Search
  • Collection
  • Masterpieces
  • On view now
  • Artists

More

  • Museums & galleries
  • Exhibitions
  • Journal
  • Where the data comes from
  • Privacy & cookies
HomeMapBrowse
  1. Collection/
  2. National Gallery of Art/
  3. Time's Triple Bow [recto]
Time's Triple Bow [recto], William Blake, c. 1804/1807
William Blake, portraitWilliam BlakeBritish, 1757–1827

Time's Triple Bow [recto]

c. 1804/1807 · Drawing

May one see it?

Not receiving at present

National Gallery of Art

Washington, D.C., United States

It belongs to the collection, but is not on display at present.

Checked
3 days ago
In this state since
Aug 19, 2026
Source
The museum
On the mapMuseum page

Particulars

c. 1804/1807
17571827
Accession number
1943.3.9004.a

What it shows

Literary and theatrical themesJerusalem

In the catalog

Drawings & watercolorsGraphiteNeoclassicismRomanticism19th centuryBritishRomantic

Sources

  • National Gallery of Art
  • Image: National Gallery of Art — Museum open access

Meanwhile, in the life of William Blake

The whole life
  1. September 1800 – September 1803 · Workplace

    Felpham

  2. August 1803

    A fight with the soldier Schofield and a trial at Chichester

    In August 1803 Blake was involved in a physical altercation with a soldier, John Schofield, and was charged not only with assault but with uttering seditious and treasonable expressions against the King; Schofield claimed that Blake had exclaimed “Damn the king. The soldiers are all slaves.” Blake was cleared at the Chichester assizes.

  3. September 1803 – October 1803 · Residence

    Broadwick Street

  4. October 1803 – 1820 · Residence

    South Molton Street

  5. 1804

    Returns to London and begins “Jerusalem”

    In 1804 Blake returned to London and began to write and illustrate “Jerusalem: The Emanation of the Giant Albion” (1804–20), his most ambitious work.

  6. 1809

    An exhibition in his brother's shop: nothing sold

    Blake set up an independent exhibition in his brother's haberdashery shop at 27 Broad Street in Soho to market his version of “The Canterbury Pilgrims” along with other works. It was very poorly attended, sold none of the temperas or watercolours, and its only review, in The Examiner, was hostile.

More by William Blake

All works
St. Matthew, William Blake, 1799

St. Matthew

1799 · The Cleveland Museum of Art

The Christ Child Asleep on the Cross, William Blake, 1799-1800

The Christ Child Asleep on the Cross

1799-1800 · Victoria and Albert Museum

Eve Tempted by the Serpent, William Blake, 1799-1800

Eve Tempted by the Serpent

1799-1800 · Victoria and Albert Museum

Our Lady with the Infant Jesus Riding on a Lamb with St John, William Blake, 1800

Our Lady with the Infant Jesus Riding on a Lamb with St John

1800 · Victoria and Albert Museum

War, William Blake, 1805

War

1805 · Harvard Art Museums

The Virgin and Child in Egypt, William Blake, 1810

The Virgin and Child in Egypt

1810 · Victoria and Albert Museum

Christ Blessing, William Blake, c. 1810

Christ Blessing

c. 1810 · Harvard Art Museums

The Circle of the Corrupt Officials; the Devils Tormenting Ciampolo, William Blake, 1827, printed 1968

The Circle of the Corrupt Officials; the Devils Tormenting Ciampolo

1827, printed 1968 · Not on view · National Gallery of Art

Neighbors at National Gallery of Art

Museum page
Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Ginevra de' Benci [obverse], c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Girl in White, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Farmhouse in Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888

On the same theme · Literary and theatrical themes

All works on the theme
Pierrot and Harlequin, After Pablo Picasso, 1920

Pablo Picasso

Pierrot and Harlequin, 1920

Not on view · National Gallery of Art

Canto III, Verse 201, William Blake after Mary Ann Flaxman, 1803

William Blake

Canto III, Verse 201, 1803

Not on view · National Gallery of Art

Illustration for Canto V, James Neagle after Thomas Stothard, published 1788

William Blake

Illustration for Canto V, published 1788

Not on view · National Gallery of Art

Christian with the Shield of Faith, Taking Leave of His Companions, William Blake, 1824-1827

William Blake

Christian with the Shield of Faith, Taking Leave of His Companions, 1824-1827

Not on view · National Gallery of Art

A Man Seen from Behind, Rising on Clouds, William Blake, probably c. 1794

William Blake

A Man Seen from Behind, Rising on Clouds, probably c. 1794

Not on view · National Gallery of Art

An Ascending Spiral of Figures [recto], William Blake, probably c. 1820

William Blake

An Ascending Spiral of Figures [recto], probably c. 1820

Not on view · National Gallery of Art

Canto I, William Sharp after Thomas Stothard, 1787-1788

William Blake

Canto I, 1787-1788

Not on view · National Gallery of Art

Illustration for Canto IV, William Sharp after Thomas Stothard, published 1788

William Blake

Illustration for Canto IV, published 1788

Not on view · National Gallery of Art