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  1. Collection/
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  3. No. 12 Special
No. 12 Special, Georgia O'Keeffe, 1916
Georgia O'Keeffe, portraitGeorgia O'KeeffeAmerican, 1887–1986

No. 12 Special

1916 · Drawing

May one see it?

Not receiving at present

The Museum of Modern Art

New York, United States

It belongs to the collection, but is not on display at present.

Checked
8 days ago
Source
The museum's own collection data
On the mapMuseum page

Particulars

1916 · aged 29
18871986
Accession number
200.1995

In the catalog

Drawings & watercolorsCharcoalModernism20th century

Sources

  • The Museum of Modern Art: the museum's own open data · fetched 15 days ago
  • Image: The Museum of Modern Art — © the artist or rights holder

Meanwhile, in the life of Georgia O'Keeffe

The whole life
  1. spring 1914

    Class with Arthur Wesley Dow at Columbia University

    In the spring she took a class with Dow himself at Teachers College, Columbia University; he influenced still further her thinking about how art is made.

  2. early 1916

    O’Keeffe’s drawings reach Stieglitz

    She mailed the charcoal drawings to her friend and former Teachers College classmate Anita Pollitzer, who took them to Stieglitz at his gallery 291 early in the year. He prized their purity and sincerity and said he would like to show them.

  3. April 1916

    Ten of her drawings shown at gallery 291

    In April Stieglitz exhibited ten of her drawings at his gallery 291, which promoted avant-garde American and European artists and photographers.

  4. 1917

    Exhibition of her work organised by Stieglitz

    Stieglitz held an exhibition of her work, and O’Keeffe came to New York to see it. From that visit he began to photograph her — and went on doing so for many years, often in the nude.

  5. 1918

    Stieglitz leaves his family for O’Keeffe

    Within a month Stieglitz took the first of many nude photographs of her at his family’s apartment while his wife was away; his wife came home and gave him an ultimatum, and he left at once and moved in with O’Keeffe. The divorce, delayed by his first wife and her family, took six years — until the wedding in December 1924.

  6. June 1918

    Moves to New York at Stieglitz’s invitation

    Stieglitz invited her to live and work in New York, promising a quiet studio and to underwrite a year of painting; to accept she resigned from teaching at West Texas State. He discouraged her use of watercolour, which was associated with amateur women artists.

More by Georgia O'Keeffe

All works
Abstraction Blue, Georgia O'Keeffe, 1927

Abstraction Blue

1927 · The Museum of Modern Art

Shell No. I, Georgia O'Keeffe, 1928

Shell No. I

1928 · National Gallery of Art

Jack-in-the-Pulpit No. IV, Georgia O'Keeffe, 1930

Jack-in-the-Pulpit No. IV

1930 · National Gallery of Art

Jack-in-Pulpit Abstraction - No. 5, Georgia O'Keeffe, 1930

Jack-in-Pulpit Abstraction - No. 5

1930 · National Gallery of Art

Black Place I, Georgia O'Keeffe, 1945

Black Place I

1945 · Minneapolis Institute of Art

A Black Bird with Snow-Covered Red Hills, Georgia O'Keeffe, 1946

A Black Bird with Snow-Covered Red Hills

1946 · National Gallery of Art

Pedernal -- From the Ranch #1, Georgia O'Keeffe, 1956

Pedernal -- From the Ranch #1

1956 · Minneapolis Institute of Art

Summer Days, Georgia O'Keeffe, 1936

Summer Days

1936 · Whitney Museum of American Art

Neighbors at The Museum of Modern Art

Museum page
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Vincent van Gogh, Saint Rémy, June-July 1889

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Vincent van Gogh, Saint Rémy, June 1889

Vincent van Gogh

The Starry Night, Saint Rémy, June 1889

Goat Skull and Bottle, Pablo Picasso, Vallauris, 1951 (cast 1954)

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Pablo Picasso, Vallauris, 1950 (cast 1952)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950