Le Charenton Ministériel, Honoré Daumier, 1832
Honoré Daumier, portraitHonoré DaumierFrench, 1808–1879

Le Charenton Ministériel

1832 · Print · 19.37 × 50.64 cm

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Not on view at present

Where is “Le Charenton Ministériel” now? Collection: Minneapolis Institute of Art, Minneapolis. Not on view at present. Checked September 29, 2026.

Minneapolis Institute of Art

Minneapolis, United States

It belongs to the collection, but is not on display at present.

Checked
In this state since
Source
The museum

Details

Accession number
P.13, 699b

In the catalog

Sources

In the life of Honoré Daumier

The whole life
  1. 1829–1831

    First Notable Works in La Silhouette

    Daumier's first significant works appeared in La Silhouette, France's first illustrated satirical weekly, published from December 1829 to January 1831.

  2. 1830

    Invited to Join La Caricature

    After the July Revolution of 1830, Daumier was invited to join the staff of Charles Philipon's new satirical journal La Caricature, working alongside Devéria, Grandville, and Raffet; the literary editor was the young Balzac, who said of his lithographs, "This fellow has Michelangelo in his blood!"

  3. December 1831

    Publication of the Caricature "Gargantua"

    In December 1831 Daumier's caricature of King Louis-Philippe, "Gargantua," was published, bringing him widespread notoriety and criminal prosecution.

  4. February 1832

    Trial for Insulting the King

    In February 1832 Daumier stood trial on charges of "inciting hatred and contempt for the government and insulting the king" and was sentenced to six months in prison and a fine of 500 francs; execution of the sentence was deferred.

  5. August 1832

    Arrest and Imprisonment at Sainte-Pélagie

    In August 1832 Daumier was arrested at his parents' apartment and placed in the Sainte-Pélagie prison to serve his six-month sentence; in prison he remained defiant and continued to draw "to spite the government." His imprisonment brought him considerable fame.

  6. 1834

    Closure of La Caricature; Move to Le Charivari

    In 1834 La Caricature collapsed under the weight of the monarchy's prosecutions and fines; Daumier continued working for Philipon's journal Le Charivari, founded in December 1832, where he published scenes from "The Adventures of Robert Macaire" and other series.

All works

On view at Minneapolis Institute of Art

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