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  3. David and Goliath (verso)
David and Goliath (verso), Claude Lorrain, c. 1645
Claude Lorrain, portraitClaude LorrainFrench, 1600–1682

David and Goliath (verso)

c. 1645 · Drawing

May one see it?

Not receiving at present

The Cleveland Museum of Art

Cleveland, United States

It belongs to the collection, but is not on display at present.

Checked
3 days ago
In this state since
Aug 19, 2026
Source
The museum
On the mapMuseum page

About the work

This drawing represents a view of the famous Acqua Acetosa, a mineral spring that until the 19th century provided the favored drinking water of Romans who believed in its healing powers. Although topographically accurate, the sheet is not a plein-air study but a vision of an imagined Arcadian world carefully rendered by Gellée, one of the most original painters of the 17th century. The French-born artist spent his career painting and drawing the Roman Campagna and the Neopolitan coastline. Sublimely beautiful pen-and-ink and wash drawings such as the example here reveal the artist's highly poetic response to the natural world and his unparalleled sensitivity to light.

The Cleveland Museum of Art

Particulars

c. 1645
16001682
Accession number
1928.15.b

In the catalog

Drawings & watercolorsChalkBaroque17th centuryFrance

Sources

  • The Cleveland Museum of Art
  • Image: The Cleveland Museum of Art — Museum open access

More by Claude Lorrain

All works
Pastoral Landscape, Claude Gellée, 1638

Pastoral Landscape

1638 · Minneapolis Institute of Art

The Trojan Women Setting Fire to Their Fleet, Claude Lorrain, ca. 1643

The Trojan Women Setting Fire to Their Fleet

ca. 1643 · The Metropolitan Museum of Art

Le Port de Gênes, vu de la mer, Gellée, Claude, 2e quart du XVIIe siècle (vers 1627 - 1629)

Le Port de Gênes, vu de la mer

second quarter of the 17th century (c. 1627–1629) · Musée du Louvre

Landscape with Merchants, Claude Lorrain, c. 1629

Landscape with Merchants

c. 1629 · National Gallery of Art

Siège de la Rochelle par Louis XIII, Gellée, Claude, 2e quart du XVIIe siècle (vers 1630 - 1635)

Siège de la Rochelle par Louis XIII

second quarter of the 17th century (c. 1630–1635) · Musée du Louvre

Paysage avec pâtre et troupeau, Gellée, Claude, 2e quart du XVIIe siècle (vers 1630 - 1635)

Paysage avec pâtre et troupeau

second quarter of the 17th century (c. 1630–1635) · Musée du Louvre

Marine. Soleil couchant, Gellée, Claude, 2e quart du XVIIe siècle (vers 1630 - 1635)

Marine. Soleil couchant

second quarter of the 17th century (c. 1630–1635) · Musée du Louvre

Le Pas de Suse forcé par Louis XIII, Gellée, Claude, 2e quart du XVIIe siècle (vers 1630 - 1635)

Le Pas de Suse forcé par Louis XIII

second quarter of the 17th century (c. 1630–1635) · Musée du Louvre

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Museum page
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Melencolia I, 1514

The Virgin and Child with the Pear, Albrecht Dürer, 1511

Albrecht Dürer

The Virgin and Child with the Pear, 1511

The Nativity, Albrecht Dürer, probably c. 1509/1510

Albrecht Dürer

The Nativity, probably c. 1509/1510

The Virgin and Child on a Crescent with a Starry Crown, Albrecht Dürer, 1508

Albrecht Dürer

The Virgin and Child on a Crescent with a Starry Crown, 1508

The Lamentation, Albrecht Dürer, 1507

Albrecht Dürer

The Lamentation, 1507

Large Horse, Albrecht Dürer, 1505

Albrecht Dürer

Large Horse, 1505

Nemesis (The Great Fortune), Albrecht Dürer, c. 1501/1502

Albrecht Dürer

Nemesis (The Great Fortune), c. 1501/1502