Albrecht DürerGerman, 1471–1528The Lamentation
May one see it?
Yes, receiving visitors
The Cleveland Museum of Art
Room101B Prints & DrawingsCleveland, United States
On public display.
Collection: National Gallery of Art, Washington, D.C.
- Checked
- 5 hours ago
- In this state since
- Oct 2, 2026
- Source
- The museum's own collection data
Particulars
- Accession number
- 1943.3.3514
What it shows
In the catalog
Comings and goings
On view · 101B Prints & Drawings
The Cleveland Museum of Art · Oct 2, 2026 — now · Verified
Was on view · 101B Prints & Drawings
National Gallery of Art · Sep 29, 2026 — Oct 2, 2026 · Verified
Was on view · 101B Prints & Drawings
The Cleveland Museum of Art · Sep 29, 2026 — Sep 29, 2026 · Verified
Was on view · 101B Prints & Drawings
National Gallery of Art · Sep 29, 2026 — Sep 29, 2026 · Verified
Was on view · 101B Prints & Drawings
The Cleveland Museum of Art · Sep 28, 2026 — Sep 29, 2026 · Verified
Was on view · 101B Prints & Drawings
National Gallery of Art · Sep 28, 2026 — Sep 28, 2026 · Verified
Was on view · 101B Prints & Drawings
The Cleveland Museum of Art · Sep 27, 2026 — Sep 28, 2026 · Verified
Was on view · 101B Prints & Drawings
National Gallery of Art · Sep 26, 2026 — Sep 27, 2026 · Verified
Was on view · 101B Prints & Drawings
The Cleveland Museum of Art · Aug 19, 2026 — Sep 26, 2026 · Verified
Sources
- The Cleveland Museum of Art: the museum's own open data · fetched 4 days ago
- Image: National Gallery of Art — Museum open access
Meanwhile, in the life of Albrecht Dürer
The whole life1505
Second journey to Italy
Dürer set off for Italy again — perhaps not only to earn money but also to stop Marcantonio Raimondi from copying his prints. His stay in Venice is known from ten surviving letters to Pirckheimer.
1505–1507 · Workplace
Venice
1505–1507
To Bologna for the secrets of perspective
Dürer travelled to the university city of Bologna, hoping to learn the secrets of geometric perspective from its scholars. He then meant to visit Mantegna in Padua but received news of his death, which he greatly regretted afterwards.
1505–1507
Friendship with Giovanni Bellini
Dürer considered Giovanni Bellini “the best in painting”, the only Venetian master with whom he became friends. The Madonna of the Siskin may have been painted at Bellini's request.
1507
Leaving Venice: “Here I am a gentleman”
Dürer left Italy, apparently reluctantly: in one of his last letters to Pirckheimer he remarked, “Here I am a gentleman, while at home I am only a parasite.”
1507–1528 · Workplace
Nuremberg
![Madonna and Child [obverse], Albrecht Dürer, c. 1496/1499](https://api.nga.gov/iiif/878db7e6-10ae-4cae-ba5d-6d6f5c413ae8/full/!2400,2400/0/default.jpg)
![Lot and His Daughters [reverse], Albrecht Dürer, c. 1496/1499](https://api.nga.gov/iiif/7565a449-f82a-414b-9bda-c93f55a51b4d/full/!2400,2400/0/default.jpg)
