Dancer Bending Forward, Hilaire Germain Edgar Degas, 1874/79
Edgar Degas, portraitEdgar DegasFrench, 1834–1917

Dancer Bending Forward

1874/79 · Drawing and Watercolor

Can I see it?

Not on view at present

Where is “Dancer Bending Forward” now? Collection: Art Institute of Chicago, Chicago. Not on view at present. Checked September 29, 2026.

Art Institute of Chicago

Chicago, United States

It belongs to the collection, but is not on display at present.

Checked
In this state since
Source
The museum

Details

Accession number
1933.1230

What it shows

In the catalog

Sources

In the life of Edgar Degas

The whole life
  1. early 1870s

    Meets Durand-Ruel

    Degas met the dealer Durand-Ruel, later the most prominent of the trusted dealers with whom he planned his strategy at auctions.

  2. 1870s

    From “de Gas” back to plain “Degas”

    The archives disproved the legend of an ancient noble line: the artist's paternal ancestors were bakers, and the name “de Gas” was invented by his father, who commissioned a false genealogy. In the 1870s Edgar returned to the plain spelling, Degas.

  3. October 1872 – March 1873 · Residence

    New Orleans

  4. 1873–1874

    His brother's debts: he sells his house and collection

    After his father's death Degas learned that his brother René had run up enormous business debts. To save the family's reputation he sold his house and an inherited art collection and for the first time in his life depended on sales of his own work.

  5. 1874

    The first Impressionist exhibition

    Disenchanted with the Salon, Degas joined a group of young artists organizing an independent exhibiting society. He took a leading role in organizing the eight shows of 1874–1886 and exhibited in all but one, despite constant conflicts with the group.

  6. 13 February 1874

    Goncourt notes Degas's laundresses and dancers

    Edmond de Goncourt wrote in his diary that Degas had chosen laundresses and dancers as his chief modern subjects, finding in their fabrics an occasion for light and delicate tones. After visiting the studio he called Degas the man who best caught the soul of modern life.

All works

On view at Art Institute of Chicago

Museum page

On the same theme · Century of Progress

All works on the theme