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  3. The Flight into Egypt
The Flight into Egypt, Albrecht Dürer, c. 1503–5
Albrecht Dürer, PorträtAlbrecht DürerDeutschland, 1471–1528

The Flight into Egypt

c. 1503–5 · Print

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Cleveland Museum of Art

Cleveland, Vereinigte Staaten

Es gehört zur Sammlung, ist derzeit aber nicht ausgestellt.

Geprüft
vor 3 Tagen
Unverändert seit
19. Aug. 2026
Quelle
Das Museum
Auf der KarteMuseumsseite

Über das Werk

Although Dürer’s woodcut depicts a later event in the biblical narrative, the composition is similar to the scene from the Mirror of Holiness, "Mary and Joseph Travel to Bethlehem" CMA 2005.145.24.b—even to the inclusion of an ox. Mary, Joseph, and the infant Jesus fled Jerusalem for Egypt after Joseph was warned in a dream that Jesus’s life was in danger. The dense, dark forest through which the Holy Family travels seems to close threateningly around them. While the Indian artist envisioned a “pack beast” as a camel, Dürer invented a Middle Eastern landscape by incorporating a palm tree and other curious vegetation.

Cleveland Museum of Art

Angaben

c. 1503–5
14711528
Inventarnummer
1959.99.14

Im Katalog

DruckgrafikHolzschnittRenaissance16. JahrhundertGermany, early 16th Century

Quellen

  • Cleveland Museum of Art
  • Bild: Cleveland Museum of Art — Museum open access

Derweil im Leben von Albrecht Dürer

Das ganze Leben
  1. 1501–1502

    In the circle of Nuremberg's humanists

    Through his lifelong friend Willibald Pirckheimer, Dürer entered the circle of Nuremberg's humanists. He engraved illustrations for Conrad Celtis's editions of Hrotsvitha (1501) and of his Four Books of Love (1502), and decorated 14 books in Pirckheimer's library with drawings.

  2. 1502

    Death of his father

    Albrecht Dürer the Elder died, and his son took on the care of his mother and his two younger brothers, Endres and Hans.

  3. 1504 · Wirkungsort

    Lutherstadt Wittenberg

  4. 1505

    Second journey to Italy

    Dürer set off for Italy again — perhaps not only to earn money but also to stop Marcantonio Raimondi from copying his prints. His stay in Venice is known from ten surviving letters to Pirckheimer.

  5. 1505–1507

    To Bologna for the secrets of perspective

    Dürer travelled to the university city of Bologna, hoping to learn the secrets of geometric perspective from its scholars. He then meant to visit Mantegna in Padua but received news of his death, which he greatly regretted afterwards.

  6. 1505–1507

    Friendship with Giovanni Bellini

    Dürer considered Giovanni Bellini “the best in painting”, the only Venetian master with whom he became friends. The Madonna of the Siskin may have been painted at Bellini's request.

Mehr von Albrecht Dürer

Alle Werke
Virgin and Child with Saint Anne, Albrecht Dürer, probably 1519

Virgin and Child with Saint Anne

probably 1519 · Metropolitan Museum of Art

Female Nude Seen from Behind, Albrecht Dürer, early 17th century

Female Nude Seen from Behind

early 17th century · Metropolitan Museum of Art

Madonna and Child [obverse], Albrecht Dürer, c. 1496/1499

Haller Madonna

c. 1496/1499 · National Gallery of Art

Lot and His Daughters [reverse], Albrecht Dürer, c. 1496/1499

Lot and His Daughters [reverse]

c. 1496/1499 · National Gallery of Art

The Martyrdom of Saint Catherine, Albrecht Dürer, ca. 1498

The Martyrdom of Saint Catherine

ca. 1498 · Metropolitan Museum of Art

Nemesis (The Great Fortune), Albrecht Dürer, c. 1501/1502

Nemesis (The Great Fortune)

c. 1501/1502 · Cleveland Museum of Art

Large Horse, Albrecht Dürer, 1505

Large Horse

1505 · Cleveland Museum of Art

The Lamentation, Albrecht Dürer, 1507

The Lamentation

1507 · Cleveland Museum of Art

Nachbarn im Haus: Cleveland Museum of Art

Museumsseite
The Red Kerchief, Claude Monet, c. 1868–73

Claude Monet

The Red Kerchief, c. 1868–73

Melencolia I, Albrecht Dürer, 1514

Albrecht Dürer

Melencolia I, 1514

The Virgin and Child with the Pear, Albrecht Dürer, 1511

Albrecht Dürer

The Virgin and Child with the Pear, 1511

The Nativity, Albrecht Dürer, probably c. 1509/1510

Albrecht Dürer

The Nativity, probably c. 1509/1510

The Virgin and Child on a Crescent with a Starry Crown, Albrecht Dürer, 1508

Albrecht Dürer

The Virgin and Child on a Crescent with a Starry Crown, 1508

The Lamentation, Albrecht Dürer, 1507

Albrecht Dürer

The Lamentation, 1507

Large Horse, Albrecht Dürer, 1505

Albrecht Dürer

Large Horse, 1505

Nemesis (The Great Fortune), Albrecht Dürer, c. 1501/1502

Albrecht Dürer

Nemesis (The Great Fortune), c. 1501/1502