
Darf man es sehen?
Öffentlich ausgestellt. Wer dafür bürgt, steht unten.
This crook (yo domolo) commemorates a divine theft: a protohuman called a Nommo stole embers with a similar crook, bringing fire and ironworking to earth. Using yo domolo, the Yona society (“ritual thieves”) reenacts this event following members’ deaths. Blacksmithing and fire are central to Dogon life; blacksmiths also carve. Each yo domolo they make links to a specific clan and can be visually interpreted several ways. This crook’s open “mouth” shows where the Nommo held the stolen embers, while its length echoes their earthbound journey down a rainbow. The zig-zags may be the expanding universe, thieving snakes, or even the keys robbers use.
Cleveland Museum of Art