A member of a circle of avant-garde artists active in Cologne, Davringhausen painted this apocalyptic vision of a burning village in 1914 as a premonition of the violence and destructiveness of the First World War. Tiny black figures, some apparently carrying and shooting guns, are engulfed in a vortex of burning, collapsing buildings, perhaps alluding to the potential obliteration of cities and countries, even the social structures of Western Civilization. Through a masterful merging of expressionist emotion with Cubist and Futurist formal devices, Der Krieg (War) made a significant contribution to the theme of apocalyptic war scenes painted by the German Expressionists.
