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  1. 藏品/
  2. 维多利亚和阿尔伯特博物馆/
  3. Watercolour
Watercolour, Beatrix Potter, circa 1880
Beatrix Potter肖像Beatrix Potter1866–1943

Watercolour

circa 1880 · Watercolour · 31.5 × 23.5 cm

可否一睹真容?

眼下不见客

维多利亚和阿尔伯特博物馆

倫敦, 英国

仍属馆藏,只是目前没有展出。

核实
13天前
此状态始于
2026年9月25日
出处
博物馆
在地图上看博物馆页面

作品信息

circa 1880
18661943
馆藏编号
BP.896

与此同时,在Beatrix Potter的生活中

完整生平
  1. childhood

    A schoolroom turned menagerie

    The schoolroom of Beatrix and Bertram housed mice, rabbits, a hedgehog, bats, frogs and a newt named Isaac Newton, alongside collections of butterflies and other insects; the animals even went on long holidays, and the children watched them closely and drew them endlessly. Among the favourites were two rabbits — one of them, Peter, Beatrix walked on a lead, took with her on trains and dressed in a blue jacket, and later wrote her first tale about him.

  2. 1866–1881

    Summers at Dalguise

    For most of the first fifteen summers of her life Beatrix stayed at Dalguise, an estate on the River Tay in Perthshire, Scotland, where she and her brother enjoyed great freedom to sketch and explore. Her first sketchbook from those holidays, kept at the age of eight and dated 1875, is held by the Victoria & Albert Museum.

  3. in youth

    The Royal Academy and John Everett Millais

    In her teens Beatrix was a regular visitor to London’s art galleries, especially enjoying the Royal Academy’s summer and winter exhibitions; her journal shows the growth of her taste and critical eye. She was also influenced by her father’s friend, the painter Sir John Everett Millais, who recognised her gift of observation.

  4. 1881–1897

    A journal in a cipher of her own

    From 1881 Beatrix kept a journal in a simple substitution cipher of her own devising — in tiny handwriting, serving as both sketchbook and literary experiment, in which she described society, her impressions of art and the life around her. The entries stop in 1897, when her energies were absorbed in scientific study and in efforts to publish her drawings.

Beatrix Potter的更多作品

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同馆近邻:维多利亚和阿尔伯特博物馆

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  • 1882

    The Lake District and Hardwicke Rawnsley

    When Dalguise was no longer available, the Potters spent their first summer in the Lake District in 1882, at Wray Castle near Lake Windermere; sixteen-year-old Beatrix fell in love with its beauty and resolved to live there one day. There she met Hardwicke Rawnsley, the vicar of Wray and later founding secretary of the National Trust, whose views on the countryside left a lasting mark on her.

  • 画面内容

    Jug静物画

    已收入目录

    素描与水彩水彩印象派19 世纪大不列顛島

    出处

    • 维多利亚和阿尔伯特博物馆
    • 图片: 维多利亚和阿尔伯特博物馆 — © Victoria and Albert Museum, London
    drawing, Beatrix Potter, late 19th century - early 20th century

    drawing

    late 19th century - early 20th century · 未展出 · 维多利亚和阿尔伯特博物馆

    Pink and white tulips, Beatrix Potter, late 19th century-early 20th century

    Pink and white tulips

    late 19th century-early 20th century · 未展出 · 维多利亚和阿尔伯特博物馆

    Watercolour, Beatrix Potter, late 19th century - early 20th century

    Watercolour

    late 19th century - early 20th century · 未展出 · 维多利亚和阿尔伯特博物馆

    Watercolour, Beatrix Potter, late 19th century - early 20th century

    Watercolour

    late 19th century - early 20th century · 未展出 · 维多利亚和阿尔伯特博物馆

    Watercolour, Beatrix Potter, late 19th century - early 20th century

    Watercolour

    late 19th century - early 20th century · 未展出 · 维多利亚和阿尔伯特博物馆

    Watercolour, Beatrix Potter, late 19th century - early 20th century

    Watercolour

    late 19th century - early 20th century · 未展出 · 维多利亚和阿尔伯特博物馆

    Watercolour, Beatrix Potter, late 19th century - early 20th century

    Watercolour

    late 19th century - early 20th century · 未展出 · 维多利亚和阿尔伯特博物馆

    Watercolour, Beatrix Potter, late 19th century - early 20th century

    Watercolour

    late 19th century - early 20th century · 未展出 · 维多利亚和阿尔伯特博物馆

    Bird of Paradise, Hashimoto Chitaka, 2026

    Hashimoto Chitaka

    Bird of Paradise, 2026

    Torsion 2, Taruma Shoko, 2025

    Taruma Shoko

    Torsion 2, 2025

    Fu, Someya Satoshi, 2025

    Someya Satoshi

    Fu, 2025

    Bow Before the Curtain Falls, 2024

    Bow Before the Curtain Falls, 2024

    Summer, 2024

    Summer, 2024

    Red Flow, Ishizuka Genta, 2024

    Ishizuka Genta

    Red Flow, 2024

    3D replica of Michelangelo's Prisoner (4117-1854), Factum Arte, 2024

    Factum Arte

    3D replica of Michelangelo's Prisoner (4117-1854), 2024

    Sculpture, ‘Co-Existence – the Man and the Monkey’, Zhao Lin, 2024

    Zhao Lin

    Sculpture, ‘Co-Existence – the Man and the Monkey’, 2024

    Study for "The Danaïdes", John Singer Sargent, 1922-1925

    John Singer Sargent

    Study for "The Danaïdes", 1922-1925

    未展出 · 国家美术馆

    Fruit, Jug, and a Glass, Jean Siméon Chardin, c. 1726/1728

    Jean-Baptiste-Siméon Chardin

    Fruit, Jug, and a Glass, c. 1726/1728

    国家美术馆

    Marigolds and Tangerines, Félix Vallotton, 1924

    Félix Edouard Vallotton

    Marigolds and Tangerines, 1924

    未展出 · 国家美术馆

    Kitchen Scene, Diego Velázquez, 1618/20

    Diego Velázquez

    Kitchen Scene, 1618/20

    芝加哥藝術博物館

    My Gems, William Michael Harnett, 1888

    William Michael Harnett

    My Gems, 1888

    未展出 · 国家美术馆

    Still Life with Fruit and Wine Jug, Adolphe Joseph Thomas Monticelli, 1874

    Adolphe Joseph Thomas Monticelli

    Still Life with Fruit and Wine Jug, 1874

    未展出 · 芝加哥藝術博物館

    At the Fountain, Cesare Agostino Detti, 1887

    Cesare Agostino Detti

    At the Fountain, 1887

    未展出 · 芝加哥藝術博物館

    A Mother Feeding her Child (The Happy Mother), Willem van Mieris, 1707

    Willem van Mieris

    A Mother Feeding her Child (The Happy Mother), 1707

    未展出 · 芝加哥藝術博物館