The Goosegirl, Paula Modersohn-Becker, 1899
Paula Modersohn-Becker肖像Paula Modersohn-Becker德国, 1876–1907

The Goosegirl

1899 · Print

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《The Goosegirl》现在在哪里? 收藏方: 芝加哥藝術博物館, 芝加哥. 目前未展出. 核实 2026年9月29日.

芝加哥藝術博物館

芝加哥, 美國

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出处
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作品信息

馆藏编号
2006.71

已收入目录

出处

Paula Modersohn-Becker当时的生活

完整生平
  1. 1898

    Moving to Worpswede: a pupil of Mackensen

    With her parents’ consent Paula decides to go to Worpswede: it was meant to be a short holiday trip, two weeks of drawing with Fritz Mackensen — who agreed to teach her thanks to her father’s influence — and then, in the autumn, a post as a governess in Paris. But already in September 1898 Paula settles in Worpswede for a long time.

  2. 1899

    The first trip to Paris

    On the eve of 1900 Paula leaves for Paris, the centre of European art she had dreamed of since her Berlin studies; Clara Westhoff had gone there at the end of 1899, hoping to study with Auguste Rodin. In Germany salon art still dominated, while Paris was more open to the new.

  3. 1899

    A savage review at the Bremen Kunsthalle

    In December 1899 two paintings Paula exhibits at the Bremen Kunsthalle are sharply criticised in a “hysterical” attack by the art critic Arthur Fitger and have to be removed during the exhibition; he was later regarded as more outraged by the inclusion of women artists in the show than by anything in the works themselves. Meanwhile her own artistic interests were shifting noticeably toward Paris, and in Worpswede, rooted in romanticised traditions of landscape, she felt increasingly alienated.

  4. 1900

    At Vollard’s: Cézanne, who struck her like a thunderstorm

    Together with Clara Westhoff Paula goes to exhibitions and galleries; Clara later recalled a visit to Ambroise Vollard, where the then unknown Paul Cézanne made an indelible impression on Paula. In a letter to Clara, Paula compared the effect of his painting to a thunderstorm.

  5. 1900

    Rainer Maria Rilke in Worpswede: “a true friend”

    At about this time Paula meets the poet Rainer Maria Rilke: he took Clara Westhoff and Paula for sisters and in his diary called them the fair and the dark artists; Clara he regarded as an artist, but Paula was for him “a true friend”, and he dedicated poems to her that were later published in his “Book of Images”. Other accounts place the start of their friendship in 1898.

  6. 12 September 1900

    Engagement to Otto Modersohn

    While Paula recovers from her Paris life, Otto Modersohn sometimes keeps her company; feelings grow between them, and on 12 September 1900, three months after Helene’s death, they announce their engagement.

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