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  3. The Bedroom
The Bedroom, Vincent van Gogh, 1889
Vincent van Gogh肖像Vincent van Gogh荷兰, 1853–1890

The Bedroom

1889 · Oil on canvas

可否一睹真容?

可以,正在迎客

芝加哥藝術博物館

芝加哥, 美國

展厅展厅 241

正对公众展出。由谁担保,见下文。

核实
前天
此状态始于
2026年8月16日
出处
博物馆自己的馆藏数据
在地图上看博物馆页面

关于这幅画

Vincent van Gogh so highly esteemed his bedroom painting that he made three distinct versions: the first, now in the collection of the Van Gogh Museum, Amsterdam; the second, belonging to the Art Institute of Chicago, painted a year later on the same scale and almost identical; and a third, smaller canvas in the collection of the Musée d’Orsay, Paris, which he made as a gift for his mother and sister. Van Gogh conceived the first Bedroom in October 1888, a month after he moved into his “Yellow House” in Arles, France. This moment marked the first time the artist had a home of his own, and he had immediately and enthusiastically set about decorating, painting a suite of canvases to fill the walls. Completely exhausted from the effort, he spent two-and-a-half days in bed and was then inspired to create a painting of his bedroom.

继续阅读

As he wrote to his brother Theo, “It amused me enormously doing this bare interior. With a simplicity à la Seurat. In flat tints, but coarsely brushed in full impasto, the walls pale lilac, the floor in a broken and faded red, the chairs and the bed chrome yellow, the pillows and the sheet very pale lemon green, the bedspread blood-red, the dressing-table orange, the washbasin blue, the window green. I had wished to express utter repose with all these very different tones.” Although the picture symbolized relaxation and peace to the artist, to our eyes the canvas seems to teem with nervous energy, instability, and turmoil, an effect heightened by the sharply receding perspective.

芝加哥藝術博物館 · CC BY 4.0

作品信息

1889 · 36岁
18531890

画面内容

InteriorBasinBlue (color)椅ChairsDoors法国Green (color)MirrorPitcherRed (color)桌子视窗Domestic scenesCentury of ProgressWorld's fairsChicago World's FairsBedsBedrooms

已收入目录

绘画荷兰绘画印象派19 世纪后印象派19世纪Saint-Rémy-de-Provence

出处

  • 芝加哥藝術博物館:博物馆的开放数据 · 8天前获取
  • 图片: Wikimedia Commons — Public domain (PD-Art)

与此同时,在Vincent van Gogh的生活中

完整生平
  1. February 1888

    To Arles, dreaming of a “Studio of the South”

    The public still neither accepted nor bought his paintings, and in February 1888 Van Gogh left for Arles in the south of France to found a “Studio of the South”, a brotherhood of like-minded artists in which he gave Gauguin the leading role. Theo backed the plan with money.

  2. 23 October 1888

    Gauguin arrives in Arles

    After much pleading Gauguin arrived in Arles, and in November the two painted together: Gauguin portrayed Van Gogh in “The Painter of Sunflowers”, and their first joint outing was to the Alyscamps. At Gauguin's suggestion Vincent painted from memory, producing “Memory of the Garden at Etten”.

  3. 23 December 1888

    The severed ear

    After an altercation on the evening of 23 December, Van Gogh, seemingly hearing voices, severed his left ear, wholly or in part, with a razor and delivered it, wrapped in paper, to a woman at a brothel. Next morning a policeman found him unconscious; in hospital he was diagnosed with “acute mania with generalised delirium”.

  4. May 1889

    Voluntarily into the Saint-Paul asylum

    Van Gogh left Arles and voluntarily entered the Saint-Paul-de-Mausole asylum, a former monastery in Saint-Rémy-de-Provence, accompanied by the Protestant clergyman Frédéric Salles. Of his two cells with barred windows one became a studio, and the clinic and its garden became the main subjects of his paintings.

  5. 27 July 1890

    A fatal wound: a revolver shot

    Out painting, Van Gogh shot himself in the chest with a revolver he had bought to scare off birds while working outdoors; the bullet passed below his heart, and he made his own way back to his room at the inn. Theo arrived the next day and stayed with him to the end; according to Theo, Vincent's last words were: “The sadness will last forever.”

  6. 1890年7月29日

    Died

Vincent van Gogh的更多作品

全部作品
Self-Portrait with a Straw Hat (obverse: The Potato Peeler), Vincent van Gogh, 1887

Self-Portrait with a Straw Hat (obverse: The Potato Peeler)

1887 · 大都會藝術博物館

Self-portrait, Vincent van Gogh, 1887

Self-portrait

1887 · 阿姆斯特丹国家博物馆

Madame Roulin and Her Baby, Vincent van Gogh, 1888

Madame Roulin and Her Baby

1888 · 大都會藝術博物館

Wheat Field with Cypresses, Vincent van Gogh, 1889

Wheat Field with Cypresses

1889 · 大都會藝術博物館

Olive Trees, Vincent van Gogh, 1889

Olive Trees

1889 · 明尼阿波利斯美術館

Irises, Vincent van Gogh, 1890

Irises

1890 · 大都會藝術博物館

Het Singel bij de Lutherse Kerk te Amsterdam, Vincent van Gogh, 1885

Het Singel bij de Lutherse Kerk te Amsterdam

1885 · 阿姆斯特丹国家博物馆

The Potato Peeler (reverse: Self-Portrait with a Straw Hat), Vincent van Gogh, 1885

The Potato Peeler (reverse: Self-Portrait with a Straw Hat)

1885 · 大都會藝術博物館

同馆近邻:芝加哥藝術博物館

博物馆页面
A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

Georges Seurat

大碗岛的星期天下午, 1884–86, border added 1888–89

Paris Street; Rainy Day, Gustave Caillebotte, 1877

Gustave Caillebotte

雨天的巴黎街道, 1877

Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

Pierre-Auguste Renoir

两姐妹, 1881

The Basket of Apples, Paul Cézanne, c. 1893

Paul Cézanne

蘋果籃, c. 1893

Stacks of Wheat (End of Summer), Claude Monet, 1890–91

Claude Monet

Stacks of Wheat (End of Summer), 1890–91

American Gothic, Grant Wood, 1930

Grant Wood

美国哥特式, 1930

Nighthawks, Edward Hopper, 1942

Edward Hopper

夜游者, 1942

At the Moulin Rouge, Henri de Toulouse-Lautrec, 1892/95

Henri de Toulouse-Lautrec

在紅磨坊, 1892/95