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  3. Enemy Airdrome at Mars-la-Tours
Enemy Airdrome at Mars-la-Tours, Edward Steichen, August, 1918
Edward Steichen肖像Edward Steichen美国, 1879–1973

Enemy Airdrome at Mars-la-Tours

August, 1918 · Photograph

可否一睹真容?

眼下不见客

芝加哥藝術博物館

芝加哥, 美國

仍属馆藏,只是目前没有展出。

核实
前天
此状态始于
2026年8月19日
出处
博物馆
在地图上看博物馆页面

关于作品

Edward Steichen was one of the most influential photographers of the 20th century—a pioneering champion of art photography and an innovator in fashion and commercial photography. Lesser known, however, is his important role in World War I, as chief of the Photographic Section of the American Expeditionary Forces (AEF) from 1917 to 1919. Steichen, who had come to regard France as a second homeland after living there from 1906 to 1914, was quick to enlist once the United Statesa officially entered the war in 1917. Though at 38 he was eight years older than the Signal Corps age limit, his experience as a photographer made him a valuable recruit, and he entered active duty in July 1917 as a first lieutenant.

继续阅读

World War I, sometimes called the first “modern” war, was marked by groundbreaking advances in technology, including photography. Steichen intended to be “a photographic reporter, as Mathew Brady had been in the Civil War,” but he quickly abandoned this romantic notion to help implement one of the newest weapons—aerial photography. Taking images from airplanes made it possible not only to observe a wide swath of the battlefield but also to track daily changes on the front lines.

Steichen was assigned to the newly formed Photographic Section, led by Major James Barnes, and together they oversaw the training and outfitting of aerial-photography and surveillance units that proved their usefulness over the course of the war. Steichen also worked to standardize cameras, materials, and formats across the various national armies in order to simplify cooperation among the Allied forces.

This album was assembled by Steichen in 1919 from prints he kept after his military discharge. Many such pictures entered public and private collections; in some cases, they were assembled into albums that chronicled aerial photography during the war. Steichen’s pride in his work for the AEF is made clear in this unique compilation, which he personally captioned and dedicated to a member of a prominent family of art patrons.

To learn more about this album, visit http://archive.artic.edu/steichen/index.html.

芝加哥藝術博物館 · CC BY 4.0

作品信息

August, 1918 · 39岁
18791973
馆藏编号
1977.735a-b

已收入目录

摄影银盐明胶印相现代主义20 世纪美国

出处

  • 芝加哥藝術博物館
  • 图片: 芝加哥藝術博物館 — © the artist or rights holder

Edward Steichen的更多作品

全部作品
Vitality–Yvette Guilbert, Edward Steichen, 1901

Vitality–Yvette Guilbert

1901 · 現代藝術博物館

The Big White Cloud, Edward Steichen, 1903

The Big White Cloud

1903 · 現代藝術博物館

Gertrude Käsebier, Edward Steichen, c. 1907

Gertrude Käsebier

c. 1907 · 現代藝術博物館

My Little Sister, Edward Steichen, 1895

My Little Sister

1895 · 未展出 · 現代藝術博物館

Vrouw met zwarte vaas, Edward Steichen, c. 1896 - in or before 1901

Vrouw met zwarte vaas

c. 1896 - in or before 1901 · 阿姆斯特丹国家博物馆

Portret van een onbekende vrouw, Edward Steichen, c. 1896 - in or before 1901

Portret van een onbekende vrouw

c. 1896 - in or before 1901 · 阿姆斯特丹国家博物馆

Beekje in een bos, Edward Steichen, c. 1896 - in or before 1901

Beekje in een bos

c. 1896 - in or before 1901 · 阿姆斯特丹国家博物馆

Portret van Frits Thaulow, Edward Steichen, c. 1897 - in or before 1902

Portret van Frits Thaulow

c. 1897 - in or before 1902 · 阿姆斯特丹国家博物馆

同馆近邻:芝加哥藝術博物館

博物馆页面
The Bedroom, Vincent van Gogh, 1889

Vincent van Gogh

The Bedroom, 1889

A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

Georges Seurat

大碗岛的星期天下午, 1884–86, border added 1888–89

Paris Street; Rainy Day, Gustave Caillebotte, 1877

Gustave Caillebotte

雨天的巴黎街道, 1877

Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

Pierre-Auguste Renoir

两姐妹, 1881

The Basket of Apples, Paul Cézanne, c. 1893

Paul Cézanne

蘋果籃, c. 1893

Stacks of Wheat (End of Summer), Claude Monet, 1890–91

Claude Monet

Stacks of Wheat (End of Summer), 1890–91

American Gothic, Grant Wood, 1930

Grant Wood

美国哥特式, 1930

Nighthawks, Edward Hopper, 1942

Edward Hopper

夜游者, 1942