Walker Evans美国, 1903–1975A Child's Grave, Hale County, Alabama
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《A Child's Grave, Hale County, Alabama》现在在哪里？ 收藏方: 芝加哥藝術博物館, 芝加哥. 目前未展出. 核实 2026年9月29日.
芝加哥, 美國
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- 核实
- 此状态始于
- 出处
- 博物馆
关于作品
Walker Evans perfected a dispassionate documentary approach to photography that was concise yet often poetic. Among his best known pictures are those he made on a 1936 trip to Hale County, Alabama, with writer James Agee, to record the lives of three impoverished tenant farmer families during the Depression. Evans’s photographs and Agee’s lengthy text were eventually published as the 1941 book Let Us Now Praise Famous Men. Agee devoted a short chapter to a local graveyard, noting the improvised nature of markers on the poorest of the burial sites, including pine boards, glasses, and old crockery. Evans photographed several such graves (a different image than this was included in the book); in this picture, he dramatically cropped the print from a full negative in order to echo the horizontal shape of the grave itself, underscoring with little flourish the poignant nature of his subject.
芝加哥藝術博物館CC BY 4.0
作品信息
- 馆藏编号
- 1987.235
画面内容
已收入目录
出处
- 芝加哥藝術博物館
- 图片： 芝加哥藝術博物館 — © the artist or rights holder
Walker Evans当时的生活
完整生平1935
A miners' settlement and a staff post at the RA
In 1935 Evans spends two months on a fixed-term photographic campaign in West Virginia and Pennsylvania; in June he accepts a job from the U.S. Department of the Interior to photograph a government-built resettlement community of unemployed coal miners in West Virginia. He quickly parlays this temporary employment into a full-time position as an “information specialist” in the Resettlement Administration (later the Farm Security Administration) and from October 1935 on does photographic work for it, primarily in the Southern United States.
summer 1936
Hale County with James Agee, on assignment for Fortune
In the summer of 1936, while on leave from the FSA, Evans and the writer James Agee are sent by Fortune to Hale County, Alabama, for a story the magazine subsequently opts not to run.
1938
“Walker Evans: American Photographs” at MoMA
The Museum of Modern Art in New York holds “Walker Evans: American Photographs”, the museum's first exhibition devoted to the work of a single photographer; the catalogue includes an essay by Lincoln Kirstein, whom Evans befriended in his early days in New York.
until 1938
The end of his FSA work
Evans continues to work for the Farm Security Administration until 1938.
1938–1939
Working with and mentoring Helen Levitt
In 1938 and 1939 Evans works with and mentors Helen Levitt.
