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首页地图目录
  1. 藏品/
  2. 現代藝術博物館/
  3. African Sculpture
African Sculpture, Walker Evans, 1935
Walker Evans肖像Walker Evans美国, 1903–1975

African Sculpture

1935 · Photograph

可否一睹真容?

可以,正在迎客

現代藝術博物館

纽约, 美國

展厅MoMA, Floor 5, 520

正对公众展出。由谁担保,见下文。

核实
9天前
出处
博物馆
在地图上看博物馆页面

作品信息

1935 · 32岁
19031975
馆藏编号
384.1941

与此同时,在Walker Evans的生活中

完整生平
  1. May – June 1933

    An assignment in Cuba

    In May and June 1933 Evans takes photographs in Cuba on assignment for Lippincott, the publisher of Carleton Beals' “The Crime of Cuba”, a “strident account” of the dictatorship of Gerardo Machado. He documents street life, the presence of police, beggars and dockworkers in rags, and other waterfront scenes; 31 of his photographs will appear in Beals' book.

  2. May – June 1933

    Drinking with Hemingway in Cuba

    In Cuba Evans drinks nightly with Ernest Hemingway, who lends him money to extend his two-week stay by an additional week. Fearing that his photographs might be deemed critical of the government and confiscated, he leaves 46 prints with Hemingway, and helps him acquire photos from newspaper archives documenting the political violence Hemingway describes in “To Have and Have Not” (1937).

  3. June 1935

    A miners' settlement and a staff post at the RA

    In 1935 Evans spends two months on a fixed-term photographic campaign in West Virginia and Pennsylvania; in June he accepts a job from the U.S. Department of the Interior to photograph a government-built resettlement community of unemployed coal miners in West Virginia. He quickly parlays this temporary employment into a full-time position as an “information specialist” in the Resettlement Administration (later the Farm Security Administration) and from October 1935 on does photographic work for it, primarily in the Southern United States.

  4. summer 1936

    Hale County with James Agee, on assignment for Fortune

    In the summer of 1936, while on leave from the FSA, Evans and the writer James Agee are sent by Fortune to Hale County, Alabama, for a story the magazine subsequently opts not to run.

Walker Evans的更多作品

全部作品

同一展厅 · MoMA, Floor 5, 520, 現代藝術博物館

博物馆页面

已收入目录

摄影银盐明胶印相现代主义20 世纪

出处

  • 現代藝術博物館
  • 图片: 現代藝術博物館 — © the artist or rights holder
Painted Sign on Fence, Cedar Point, Ohio, Walker Evans, 1930s

Painted Sign on Fence, Cedar Point, Ohio

1930s · 未展出 · 国家美术馆

Coney Island, New York, Walker Evans, 1928 or 1929

Coney Island, New York

1928 or 1929 · 未展出 · 国家美术馆

Manhattan, Walker Evans, c. 1928

Manhattan

c. 1928 · 未展出 · 国家美术馆

New York City, Walker Evans, 1928-1929

New York City

1928-1929 · 未展出 · 国家美术馆

Coney Island, New York, Walker Evans, 1928 or 1929

Coney Island, New York

1928 or 1929 · 未展出 · 国家美术馆

Untitled, Walker Evans, c. 1928

Untitled

c. 1928 · 未展出 · 現代藝術博物館

Untitled, Walker Evans, c. 1928

Untitled

c. 1928 · 未展出 · 現代藝術博物館

Untitled, Walker Evans, c. 1928

Untitled

c. 1928 · 未展出 · 現代藝術博物館

Face in Profile (plate, page 21) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950

The Kitchen, Pablo Picasso, Paris, November 1948

Pablo Picasso

The Kitchen, Paris, November 1948

Bird-Head (Oiseau-tête), Max Ernst, 1934-35

Max Ernst

Bird-Head (Oiseau-tête), 1934-35

Spoon Woman, Alberto Giacometti, 1926-27 (cast 1976)

Alberto Giacometti

Spoon Woman, 1926-27 (cast 1976)

Grand Jazz Band (New Orleans), Jean Dubuffet, December 1944

Jean Dubuffet

Grand Jazz Band (New Orleans), December 1944

Disks in Echelon, Barbara Hepworth, 1935

Barbara Hepworth

Disks in Echelon, 1935