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艺术家
Grosz, George

美国, 德国 · 1893–1959

Grosz, George

乔治·格罗兹，原名格奥尔格·埃伦弗里德·格罗斯，德国艺术家，以其描绘20世纪20年代柏林生活的漫画绘画而闻名。

347件已收入目录
2件此刻在展
8家机构收藏
3个国家

在哪里看Grosz, George

纽约 · 2件展出中

作品生平地图

全部在展 · 2 馆藏中未知

1

第页，共 4 页

The Poet Max Herrmann-Neisse, George Grosz, 1927

The Poet Max Herrmann-Neisse

1927 · 現代藝術博物館

Self-Portrait with a Model, George Grosz, 1928

Self-Portrait with a Model

1928 · 現代藝術博物館

A Woman Walking to the Left, George Grosz

A Woman Walking to the Left

未展出 · 国家美术馆

In The Drawing Room [The Art Critics], George Grosz, late 1920s

In The Drawing Room [The Art Critics]

late 1920s · 未展出 · 国家美术馆

Two Men Watching a Couple (Zwei Männer in Betrachtung eines Paares), George Grosz, 1911

Two Men Watching a Couple (Zwei Männer in Betrachtung eines Paares)

1911 · 未展出 · 現代藝術博物館

Studies of a Male Nude, George Grosz, 1912

Studies of a Male Nude

1912 · 未展出 · 国家美术馆

The End of the Road (Out of Fear of Starvation) [Das Ende des Weges (Aus Nahrungssorgen)], George Grosz, 1913

The End of the Road (Out of Fear of Starvation) [Das Ende des Weges (Aus Nahrungssorgen)]

1913 · 未展出 · 現代藝術博物館

The Spider (Die Spinne), George Grosz, 1914

The Spider (Die Spinne)

1914 · 未展出 · 国家美术馆

The Spider (Die Spinne), George Grosz, 1914

The Spider (Die Spinne)

1914 · 未展出 · 国家美术馆

Den of Iniquity (Lasterhöhle), George Grosz, 1914

Den of Iniquity (Lasterhöhle)

1914 · 未展出 · 現代藝術博物館

Spider (Die Spinne), George Grosz, 1914

Spider (Die Spinne)

1914 · 未展出 · 現代藝術博物館

Suburb (Vorstadt), George Grosz, 1915/1916

Suburb (Vorstadt)

1915/1916 · 未展出 · 国家美术馆

Attack (Attentat), George Grosz, 1915

Attack (Attentat)

1915 · 未展出 · 国家美术馆

Moonlight Night (Mondnacht), George Grosz, 1915-1916

Moonlight Night (Mondnacht)

1915-1916 · 未展出 · 国家美术馆

Outskirts (Peripherie) from The First George Grosz Portfolio (Erste George Grosz-Mappe), George Grosz, 1915–16, published 1916–17

Outskirts (Peripherie) from The First George Grosz Portfolio (Erste George Grosz-Mappe)

1915–16, published 1916–17 · 未展出 · 現代藝術博物館

Melancholie (plate, folio 31) from Ecce Homo, George Grosz, 1922–23 (original executed in 1915)

Melancholie (plate, folio 31) from Ecce Homo

1922–23 (original executed in 1915) · 未展出 · 現代藝術博物館

Attack (Attentat), George Grosz, 1915

Attack (Attentat)

1915 · 未展出 · 現代藝術博物館

Suburb (Vorstadt) from The First George Grosz Portfolio (Erste George Grosz-Mappe), George Grosz, 1915–16, published 1916–17

Suburb (Vorstadt) from The First George Grosz Portfolio (Erste George Grosz-Mappe)

1915–16, published 1916–17 · 未展出 · 現代藝術博物館

Eheszene (plate, folio 77) from Ecce Homo, George Grosz, 1922–23 (original executed in 1915)

Eheszene (plate, folio 77) from Ecce Homo

1922–23 (original executed in 1915) · 未展出 · 現代藝術博物館

Moonlit Night (Mondnacht) from The First George Grosz Portfolio (Erste George Grosz-Mappe), George Grosz, 1915–16, published 1916–17

Moonlit Night (Mondnacht) from The First George Grosz Portfolio (Erste George Grosz-Mappe)

1915–16, published 1916–17 · 未展出 · 現代藝術博物館

Interieur (plate, folio 48) from Ecce Homo, George Grosz, 1922–23 (original executed in 1915)

Interieur (plate, folio 48) from Ecce Homo

1922–23 (original executed in 1915) · 未展出 · 現代藝術博物館

Akrobaten (plate, folio 62) from Ecce Homo, George Grosz, 1922–23 (original executed in 1915)

Akrobaten (plate, folio 62) from Ecce Homo

1922–23 (original executed in 1915) · 未展出 · 現代藝術博物館

Air Attack (Fliegerbombe), George Grosz, 1915

Air Attack (Fliegerbombe)

1915 · 未展出 · 現代藝術博物館

Lady with a Veil (Schleierdame), George Grosz, 1915

Lady with a Veil (Schleierdame)

1915 · 未展出 · 現代藝術博物館

Texas Picture for My Friend Chingachgook (Texasbild für meinen Freund Chingachgook) from The First George Grosz Portfolio (Erste George Grosz-Mappe), George Grosz, 1915–16, published 1916–17

Texas Picture for My Friend Chingachgook (Texasbild für meinen Freund Chingachgook) from The First George Grosz Portfolio (Erste George Grosz-Mappe)

1915–16, published 1916–17 · 未展出 · 現代藝術博物館

People in the Street (Menschen in der Strasse) from The First George Grosz Portfolio (Erste George Grosz-Mappe), George Grosz, 1915–16, published 1916–17

People in the Street (Menschen in der Strasse) from The First George Grosz Portfolio (Erste George Grosz-Mappe)

1915–16, published 1916–17 · 未展出 · 現代藝術博物館

Murder (Mord) from the illustrated book Ecce Homo, George Grosz, 1915–16, published 1922–23

Murder (Mord) from the illustrated book Ecce Homo

1915–16, published 1922–23 · 未展出 · 現代藝術博物館

Ecce Homo, George Grosz, 1915–22, published 1922–23

Ecce Homo

1915–22, published 1922–23 · 未展出 · 現代藝術博物館

Street in the City (Strasse in der Stadt) from The First George Grosz Portfolio (Erste George Grosz-Mappe), George Grosz, 1915–16, published 1916–17

Street in the City (Strasse in der Stadt) from The First George Grosz Portfolio (Erste George Grosz-Mappe)

1915–16, published 1916–17 · 未展出 · 現代藝術博物館

Two Men (Zwei Männer), George Grosz, 1915–16, dated 1916

Two Men (Zwei Männer)

1915–16, dated 1916 · 未展出 · 現代藝術博物館

Memory of New York (Erinnerung an New York) from The First George Grosz Portfolio (Erste George Grosz-Mappe), George Grosz, 1915–16, published 1916–17

Memory of New York (Erinnerung an New York) from The First George Grosz Portfolio (Erste George Grosz-Mappe)

1915–16, published 1916–17 · 未展出 · 現代藝術博物館

At the Canal (Am Canal) from The First George Grosz Portfolio (Erste George Grosz-Mappe), George Grosz, 1915–16, published 1916–17

At the Canal (Am Canal) from The First George Grosz Portfolio (Erste George Grosz-Mappe)

1915–16, published 1916–17 · 未展出 · 現代藝術博物館

Murder in the Ackerstrasse (Mord in der Ackerstrasse), George Grosz, 1916/1917

Murder in the Ackerstrasse (Mord in der Ackerstrasse)

1916/1917 · 未展出 · 国家美术馆

Quergebäude vier Treppen (plate, folio 61) from Ecce Homo, George Grosz, 1922–23 (original executed in 1916)

Quergebäude vier Treppen (plate, folio 61) from Ecce Homo

1922–23 (original executed in 1916) · 未展出 · 現代藝術博物館

Ach, knallige Welt, du seliges Abnormitätenkabinett (plate, folio 86) from Ecce Homo, George Grosz, 1922–23 (original executed in 1916)

Ach, knallige Welt, du seliges Abnormitätenkabinett (plate, folio 86) from Ecce Homo

1922–23 (original executed in 1916) · 未展出 · 現代藝術博物館

Familie (plate, folio 4) from Ecce Homo, George Grosz, 1922–23 (original executed in 1916)

Familie (plate, folio 4) from Ecce Homo

1922–23 (original executed in 1916) · 未展出 · 現代藝術博物館

Mord (plate, folio 16) from Ecce Homo, George Grosz, 1922–23 (original executed in 1916)

Mord (plate, folio 16) from Ecce Homo

1922–23 (original executed in 1916) · 未展出 · 現代藝術博物館

Niederkunft (plate, folio 38) from Ecce Homo, George Grosz, 1922–23 (original executed in 1916)

Niederkunft (plate, folio 38) from Ecce Homo

1922–23 (original executed in 1916) · 未展出 · 現代藝術博物館

Lustmord in der Ackerstraße (plate, folio 40) from Ecce Homo, George Grosz, 1922–23 (original executed in 1916)

Lustmord in der Ackerstraße (plate, folio 40) from Ecce Homo

1922–23 (original executed in 1916) · 未展出 · 現代藝術博物館

The First George Grosz Portfolio (Erste George Grosz-Mappe), George Grosz, 1916–17

The First George Grosz Portfolio (Erste George Grosz-Mappe)

1916–17 · 未展出 · 現代藝術博物館

Apachen (plate, folio 71) from Ecce Homo, George Grosz, 1922–23 (original executed in 1916)

Apachen (plate, folio 71) from Ecce Homo

1922–23 (original executed in 1916) · 未展出 · 現代藝術博物館

Joint (Kaschemme) from The First George Grosz Portfolio (Erste George Grosz-Mappe), George Grosz, 1916, published 1916–17

Joint (Kaschemme) from The First George Grosz Portfolio (Erste George Grosz-Mappe)

1916, published 1916–17 · 未展出 · 現代藝術博物館

Family (Familie) from the illustrated book Ecce Homo, George Grosz, 1916, published 1922–23

Family (Familie) from the illustrated book Ecce Homo

1916, published 1922–23 · 未展出 · 現代藝術博物館

Café (plate, folio 51) from Ecce Homo, George Grosz, 1922–23 (original executed in 1916)

Café (plate, folio 51) from Ecce Homo

1922–23 (original executed in 1916) · 未展出 · 現代藝術博物館

Whisky (plate, folio 15) from Ecce Homo, George Grosz, 1922–23 (original executed in 1917)

Whisky (plate, folio 15) from Ecce Homo

1922–23 (original executed in 1917) · 未展出 · 現代藝術博物館

Franz Jung gewidmet (plate, folio 57) from Ecce Homo, George Grosz, 1922–23 (original executed in 1917)

Franz Jung gewidmet (plate, folio 57) from Ecce Homo

1922–23 (original executed in 1917) · 未展出 · 現代藝術博物館

Des Ende (plate, folio 101) from Ecce Homo, George Grosz, 1922–23 (original executed in 1917)

Des Ende (plate, folio 101) from Ecce Homo

1922–23 (original executed in 1917) · 未展出 · 現代藝術博物館

Explosion, George Grosz, 1917

Explosion

1917 · 未展出 · 現代藝術博物館

Vorstadt (plate, folio 89) from Ecce Homo, George Grosz, 1922–23 (original executed in 1917)

Vorstadt (plate, folio 89) from Ecce Homo

1922–23 (original executed in 1917) · 未展出 · 現代藝術博物館

The Christmas Brothers, George Grosz, 1917

The Christmas Brothers

1917 · 未展出 · 現代藝術博物館

Metropolis (Grossstadt), George Grosz, 1917

Metropolis (Grossstadt)

1917 · 未展出 · 現代藝術博物館

Beauty Contest in the Motzstrasse (Schonheitsabend in der Motzstrasse), George Grosz, 1918

Beauty Contest in the Motzstrasse (Schonheitsabend in der Motzstrasse)

1918 · 未展出 · 国家美术馆

Der besessene Forstadjunkt (plate, folio 30) from Ecce Homo, George Grosz, 1922–23 (original executed in 1918)

Der besessene Forstadjunkt (plate, folio 30) from Ecce Homo

1922–23 (original executed in 1918) · 未展出 · 現代藝術博物館

Grimmiger Mann (plate, folio 6) from Ecce Homo, George Grosz, 1922–23 (original executed in 1918)

Grimmiger Mann (plate, folio 6) from Ecce Homo

1922–23 (original executed in 1918) · 未展出 · 現代藝術博物館

Eva (plate, folio 63) from Ecce Homo, George Grosz, 1922–23 (original executed in 1918)

Eva (plate, folio 63) from Ecce Homo

1922–23 (original executed in 1918) · 未展出 · 現代藝術博物館

Dr. Benn's Nachtcafé (plate, folio 96) from Ecce Homo, George Grosz, 1922–23 (original executed in 1918)

Dr. Benn's Nachtcafé (plate, folio 96) from Ecce Homo

1922–23 (original executed in 1918) · 未展出 · 現代藝術博物館

Schönheitsabend in der Motzstraße (plate, folio 10) from Ecce Homo, George Grosz, 1922–23 (original executed in 1918)

Schönheitsabend in der Motzstraße (plate, folio 10) from Ecce Homo

1922–23 (original executed in 1918) · 未展出 · 現代藝術博物館

Johannisnacht (plate, folio 60) from Ecce Homo, George Grosz, 1922–23 (original executed in 1918)

Johannisnacht (plate, folio 60) from Ecce Homo

1922–23 (original executed in 1918) · 未展出 · 現代藝術博物館

Friedrichstraße (plate, folio 3) from Ecce Homo, George Grosz, 1922–23 (original executed in 1918)

Friedrichstraße (plate, folio 3) from Ecce Homo

1922–23 (original executed in 1918) · 未展出 · 現代藝術博物館

Der Mädchenhändler (plate, folio 50) from Ecce Homo, George Grosz, 1922–23 (original executed in 1918)

Der Mädchenhändler (plate, folio 50) from Ecce Homo

1922–23 (original executed in 1918) · 未展出 · 現代藝術博物館

Fit for Active Service (Kriegsverwendungsfähig), George Grosz, 1918

Fit for Active Service (Kriegsverwendungsfähig)

1918 · 未展出 · 現代藝術博物館

German Doctors Fighting the Blockade (Die Gesundbeter) from the portfolio God with Us (Gott mit uns), George Grosz, 1918, published 1920

German Doctors Fighting the Blockade (Die Gesundbeter) from the portfolio God with Us (Gott mit uns)

1918, published 1920 · 未展出 · 現代藝術博物館

Der absolute Monarchist (plate, folio 43) from Ecce Homo, George Grosz, 1922–23 (original executed in 1918)

Der absolute Monarchist (plate, folio 43) from Ecce Homo

1922–23 (original executed in 1918) · 未展出 · 現代藝術博物館

World of the Bourgeoisie (Bürgerliche Welt) from the illustrated book Ecce Homo, George Grosz, 1918, published 1922–23

World of the Bourgeoisie (Bürgerliche Welt) from the illustrated book Ecce Homo

1918, published 1922–23 · 未展出 · 現代藝術博物館

The Neighbor's Daughter or Spring Fever (Nachbars Lenchen oder Frühlings Erwachen), George Grosz, 1919

The Neighbor's Daughter or Spring Fever (Nachbars Lenchen oder Frühlings Erwachen)

1919 · 未展出 · 国家美术馆

The Convict (Der Zuchthäusler), George Grosz, 1919

The Convict (Der Zuchthäusler)

1919 · 未展出 · 国家美术馆

The End of the Day, George Grosz, c. 1919

The End of the Day

c. 1919 · 未展出 · 現代藝術博物館

Marseille (plate, folio 8) from Ecce Homo, George Grosz, 1922–23 (original executed in 1919)

Marseille (plate, folio 8) from Ecce Homo

1922–23 (original executed in 1919) · 未展出 · 現代藝術博物館

Trio (plate, folio 90) from Ecce Homo, George Grosz, 1922–23 (original executed in 1919)

Trio (plate, folio 90) from Ecce Homo

1922–23 (original executed in 1919) · 未展出 · 現代藝術博物館

Made in Germany (Den macht uns keiner nach) from the portfolio God with Us (Gott mit uns), George Grosz, 1919, published 1920

Made in Germany (Den macht uns keiner nach) from the portfolio God with Us (Gott mit uns)

1919, published 1920 · 未展出 · 現代藝術博物館

God with Us (Gott mit uns) from the portfolio God with Us (Gott mit uns), George Grosz, 1919, published 1920

God with Us (Gott mit uns) from the portfolio God with Us (Gott mit uns)

1919, published 1920 · 未展出 · 現代藝術博物館

The World Made Safe for Democracy (Die vollendete Demokratie) from the portfolio God with Us (Gott mit uns), George Grosz, 1919, published 1920

The World Made Safe for Democracy (Die vollendete Demokratie) from the portfolio God with Us (Gott mit uns)

1919, published 1920 · 未展出 · 現代藝術博物館

Louise (plate, folio 25) from Ecce Homo, George Grosz, 1922–23 (original executed in 1919)

Louise (plate, folio 25) from Ecce Homo

1922–23 (original executed in 1919) · 未展出 · 現代藝術博物館

Stammtischstudien (plate, folio 13) from Ecce Homo, George Grosz, 1922–23 (original executed in 1919)

Stammtischstudien (plate, folio 13) from Ecce Homo

1922–23 (original executed in 1919) · 未展出 · 現代藝術博物館

Blood Is the Best Sauce (Die Kommunisten fallen - und die Devisen steigen) from the portfolio God with Us (Gott mit uns), George Grosz, 1919, published 1920

Blood Is the Best Sauce (Die Kommunisten fallen - und die Devisen steigen) from the portfolio God with Us (Gott mit uns)

1919, published 1920 · 未展出 · 現代藝術博物館

The Germans to the Front (Für deutsches Recht und deutsche Sitte) from the portfolio God with Us (Gott mit uns), George Grosz, 1919, published 1920

The Germans to the Front (Für deutsches Recht und deutsche Sitte) from the portfolio God with Us (Gott mit uns)

1919, published 1920 · 未展出 · 現代藝術博物館

Ledebour (plate, folio 67) from Ecce Homo, George Grosz, 1922–23 (original executed in 1919)

Ledebour (plate, folio 67) from Ecce Homo

1922–23 (original executed in 1919) · 未展出 · 現代藝術博物館

Ich dien (Feierabend) from the portfolio God with Us (Gott mit uns), George Grosz, 1919, published 1920

Ich dien (Feierabend) from the portfolio God with Us (Gott mit uns)

1919, published 1920 · 未展出 · 現代藝術博物館

Schwere Zeiten (plate, folio 34) from Ecce Homo, George Grosz, 1922–23 (original executed in 1919)

Schwere Zeiten (plate, folio 34) from Ecce Homo

1922–23 (original executed in 1919) · 未展出 · 現代藝術博物館

Hausherr (plate, folio 36) from Ecce Homo, George Grosz, 1922–23 (original executed in 1919)

Hausherr (plate, folio 36) from Ecce Homo

1922–23 (original executed in 1919) · 未展出 · 現代藝術博物館

Nachts (plate, folio 42) from Ecce Homo, George Grosz, 1922–23 (original executed in 1919)

Nachts (plate, folio 42) from Ecce Homo

1922–23 (original executed in 1919) · 未展出 · 現代藝術博物館

Cover from the portfolio God with Us (Gott mit uns), George Grosz, 1919, published 1920

Cover from the portfolio God with Us (Gott mit uns)

1919, published 1920 · 未展出 · 現代藝術博物館

God with Us (Gott mit uns) from the portfolio God with Us (Gott mit uns), George Grosz, 1919, published 1920

God with Us (Gott mit uns) from the portfolio God with Us (Gott mit uns)

1919, published 1920 · 未展出 · 現代藝術博物館

Out of Work (Arbeitslose), George Grosz, 1920/1921

Out of Work (Arbeitslose)

1920/1921 · 未展出 · 国家美术馆

Er hat Hindenburg verspottet (He Made Fun of Hindenburg) from Deutsche Graphiker der Gegenwart (German Printmakers of Our Time), George Grosz, 1920

Er hat Hindenburg verspottet (He Made Fun of Hindenburg) from Deutsche Graphiker der Gegenwart (German Printmakers of Our Time)

1920 · 未展出 · 国家美术馆

"Under my rule it shall be brought to pass, that potatoes and small-beer shall be con sidered a holiday treat; and woe to him who meets my eye with the audacious front of health. Haggard want, and crouching fear, are my insignia; and in this livery I will clothe ye."("In meinem Gebiet soll's soweit kommen, das Kartoffeln und Dünnbier ein Traktament für Festtage werden, und wehe dem, der mir mit vollen feurigen Backen unter die Augen tritt! Blässe der Armut und sklavische Furcht sind meine Leibf arbe; in diese Livrei will ich euch kleiden."), George Grosz, 1920/1921

"Under my rule it shall be brought to pass, that potatoes and small-beer shall be con sidered a holiday treat; and woe to him who meets my eye with the audacious front of health. Haggard want, and crouching fear, are my insignia; and in this livery I will clothe ye."("In meinem Gebiet soll's soweit kommen, das Kartoffeln und Dünnbier ein Traktament für Festtage werden, und wehe dem, der mir mit vollen feurigen Backen unter die Augen tritt! Blässe der Armut und sklavische Furcht sind meine Leibf arbe; in diese Livrei will ich euch kleiden.")

1920/1921 · 未展出 · 国家美术馆

Inflation from In the Shadows (Im Schatten), George Grosz, c. 1920, published 1921

Inflation from In the Shadows (Im Schatten)

c. 1920, published 1921 · 未展出 · 現代藝術博物館

Die Verantwortlichen (plate, folio 29) from Ecce Homo, George Grosz, 1922–23 (original executed in 1920)

Die Verantwortlichen (plate, folio 29) from Ecce Homo

1922–23 (original executed in 1920) · 未展出 · 現代藝術博物館

Bürgerliche Welt (plate, folio 23) from Ecce Homo, George Grosz, 1922–23 (original executed in 1920)

Bürgerliche Welt (plate, folio 23) from Ecce Homo

1922–23 (original executed in 1920) · 未展出 · 現代藝術博物館

Title page from In the Shadows (Im Schatten), George Grosz, c. 1920, published 1921

Title page from In the Shadows (Im Schatten)

c. 1920, published 1921 · 未展出 · 現代藝術博物館

Matchseller and Patrol from In the Shadows (Im Schatten), George Grosz, c. 1920, published 1921

Matchseller and Patrol from In the Shadows (Im Schatten)

c. 1920, published 1921 · 未展出 · 現代藝術博物館

War Invalid and Workers from In the Shadows (Im Schatten), George Grosz, c. 1920, published 1921

War Invalid and Workers from In the Shadows (Im Schatten)

c. 1920, published 1921 · 未展出 · 現代藝術博物館

Dr. Huelsenbeck am Ende (plate, folio 49) from Ecce Homo, George Grosz, 1922–23 (original executed in 1920)

Dr. Huelsenbeck am Ende (plate, folio 49) from Ecce Homo

1922–23 (original executed in 1920) · 未展出 · 現代藝術博物館

"The Convict" Monteur John Heartfield After Franz Jung's Attempt to Get Him Up on His Feet ("Der Sträfling" Monteur John Heartfield nach Franz Jungs Versuch ihn auf die Beine zu stellen), George Grosz, 1920

"The Convict" Monteur John Heartfield After Franz Jung's Attempt to Get Him Up on His Feet ("Der Sträfling" Monteur John Heartfield nach Franz Jungs Versuch ihn auf die Beine zu stellen)

1920 · 未展出 · 現代藝術博物館

He Made Fun of Hindenburg (Er hat Hindenburg verspottet) (plate 11) from the illustrated book Deutsche Graphiker der Gegenwart (German Printmakers of Our Time), George Grosz, 1920

He Made Fun of Hindenburg (Er hat Hindenburg verspottet) (plate 11) from the illustrated book Deutsche Graphiker der Gegenwart (German Printmakers of Our Time)

1920 · 未展出 · 現代藝術博物館

Gruß aus Sachsen (plate, folio 7) from Ecce Homo, George Grosz, 1922–23 (original executed in 1920)

Gruß aus Sachsen (plate, folio 7) from Ecce Homo

1922–23 (original executed in 1920) · 未展出 · 現代藝術博物館