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  1. 藏品/
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  3. Attack (Attentat)
Attack (Attentat), George Grosz, 1915
Grosz, George肖像Grosz, George德国, 1893–1959

Attack (Attentat)

1915 · Print

可否一睹真容?

眼下不见客

現代藝術博物館

纽约, 美國

仍属馆藏,只是目前没有展出。

核实
9天前
出处
博物馆
在地图上看博物馆页面

作品信息

1915 · 22岁
18931959
馆藏编号
647.1966

已收入目录

版画石版画现代主义20 世纪

出处

  • 現代藝術博物館
  • 图片: 現代藝術博物館 — © the artist or rights holder

与此同时,在Grosz, George的生活中

完整生平
  1. 1912–1913

    Paris: Daumier and Toulouse-Lautrec

    In Paris Grosz becomes acquainted with the newest art and discovers the graphic work of Daumier and Toulouse-Lautrec.

  2. 1912–1916

    The Berlin College of Arts and Crafts, Orlik's class

    From 1912 Grosz studies at the Berlin College of Arts and Crafts under Emil Orlik, until 1916 or, by other accounts, 1917.

  3. November 1914

    Volunteering to avoid the front

    In November 1914 Grosz volunteers for military service, hoping that by pre-empting conscription he will avoid being sent to the front.

  4. 1915–1917 · 居住

    Steglitz

  5. 1916

    A new name: Georg Groß becomes George Grosz

    To 'de-Germanise' and internationalise his name, Grosz changes its spelling: Georg becomes the English 'George' and the German 'ß' in his surname is replaced by 'sz'. It is a protest against German nationalism and a romantic enthusiasm for America, drawn from the books of James Fenimore Cooper, Bret Harte and Karl May; his friend and collaborator Helmut Herzfeld likewise becomes John Heartfield at the same time.

  6. 1916

    Drawings in the Berlin magazine “The New Youth”

    In mid-1916 Grosz's drawings appear in the Berlin magazine The New Youth; he soon attracts attention, several well-known critics and publicists write about him, and editions of his drawings are published. The main subject he chooses is the life of Berlin, with its immorality and whirl of entertainments and vices.

Grosz, George的更多作品

全部作品
The Poet Max Herrmann-Neisse, George Grosz, 1927

The Poet Max Herrmann-Neisse

1927 · 現代藝術博物館

Self-Portrait with a Model, George Grosz, 1928

Self-Portrait with a Model

1928 · 現代藝術博物館

A Woman Walking to the Left, George Grosz

A Woman Walking to the Left

未展出 · 国家美术馆

In The Drawing Room [The Art Critics], George Grosz, late 1920s

In The Drawing Room [The Art Critics]

late 1920s · 未展出 · 国家美术馆

Two Men Watching a Couple (Zwei Männer in Betrachtung eines Paares), George Grosz, 1911

Two Men Watching a Couple (Zwei Männer in Betrachtung eines Paares)

1911 · 未展出 · 現代藝術博物館

Studies of a Male Nude, George Grosz, 1912

Studies of a Male Nude

1912 · 未展出 · 国家美术馆

The End of the Road (Out of Fear of Starvation) [Das Ende des Weges (Aus Nahrungssorgen)], George Grosz, 1913

The End of the Road (Out of Fear of Starvation) [Das Ende des Weges (Aus Nahrungssorgen)]

1913 · 未展出 · 現代藝術博物館

The Spider (Die Spinne), George Grosz, 1914

The Spider (Die Spinne)

1914 · 未展出 · 国家美术馆

同馆近邻:現代藝術博物館

博物馆页面
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Vincent van Gogh, Saint Rémy, June-July 1889

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Vincent van Gogh, Saint Rémy, June 1889

Vincent van Gogh

星夜, Saint Rémy, June 1889

Goat Skull and Bottle, Pablo Picasso, Vallauris, 1951 (cast 1954)

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Pablo Picasso, Vallauris, 1950 (cast 1952)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950