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Собрания: Гарвардские художественные музеи, Государственный музей изобразительных искусств имени А. С. Пушкина, Государственный музей искусств, Йельский центр британского искусства, Лувр, Метрополитен-музей, Миннеаполисский институт искусства, Музей американского искусства Уитни, Музей Виктории и Альберта, Музей Гетти, Музей современного искусства, Музей Хиршхорн и сад скульптур, Национальная галерея искусства, Национальная портретная галерея, Рейксмюсеум, Русский музей, Смитсоновский музей американского искусства, Смитсоновский музей дизайна Купер Хьюитт, Третьяковская галерея, Художественная галерея Йельского университета, Художественный музей Кливленда, Чикагский институт искусств, Эрмитаж, Getty Villa, National Museum of Asian Art, Госкаталог Музейного фонда России (274 музея), Европеана (19 музеев), Викиданные (44 музея), Парижские музеи (12 музеев), Жоконда, база музеев Министерства культуры Франции (495 музеев) и Генеральный каталог культурного наследия Министерства культуры Италии (25 музеев). Изображения принадлежат правообладателям.

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Hadrian's Villa: The Piazza d'Oro (Piazza of Gold) (Veduta degli Avanzi della Circonferenza delle antiche Fabbriche di una delle Piazze della Villa Adriana oggidi chiamata Piazza d'oro), Джованни Баттиста Пиранези, ок. 1776Джованни Баттиста ПиранезиHadrian's Villa: The Piazza d'Oro (Piazza of Gold) (Veduta degli Avanzi della Circonferenza delle antiche Fabbriche di una delle Piazze della Villa Adriana oggidi chiamata Piazza d'oro)ок. 1776Метрополитен-музей
The Arch of Septimius Severus, with the Church of S. Martina on the right (Arco di Settimio Severo), from "Vedute di Roma", Джованни Баттиста Пиранези, ок. 1759Джованни Баттиста ПиранезиThe Arch of Septimius Severus, with the Church of S. Martina on the right (Arco di Settimio Severo), from "Vedute di Roma"ок. 1759Метрополитен-музей
The Sawhorse, from "Carceri d'invenzione" (Imaginary Prisons), Джованни Баттиста Пиранези, ок. 1749–1750Джованни Баттиста ПиранезиThe Sawhorse, from "Carceri d'invenzione" (Imaginary Prisons)ок. 1749–1750Метрополитен-музей
Plate 22: Rear View of the Temple of Pola in Istria. 1. Rear View of another temple. (Rovescio del Tempio di Pola di Istria. 1. Rovescio di un Altro Tempio.), from "Alcune Vedute di Archi Trionfali ed altri monumenti inalzati da Romani parte di quali se veggono in Roma e parte per l'Italia" (Some Views of Triumphal Arches and other monuments erected by the Romans, some of which are in Rome and some elsewhere in Italy), Джованни Баттиста Пиранези, ок. 1748Джованни Баттиста ПиранезиPlate 22: Rear View of the Temple of Pola in Istria. 1. Rear View of another temple. (Rovescio del Tempio di Pola di Istria. 1. Rovescio di un Altro Tempio.), from "Alcune Vedute di Archi Trionfali ed altri monumenti inalzati da Romani parte di quali se veggono in Roma e parte per l'Italia" (Some Views of Triumphal Arches and other monuments erected by the Romans, some of which are in Rome and some elsewhere in Italy)ок. 1748Метрополитен-музей
Plate 14: Senatorial Bridge, today called the Ponte Rotto (Broken Bridge). 1. Temple of Vesta. 2. Temple of Fortuna Virilis. 3. Part of the ancient Palatine. (Ponte Senatorio oggi detto Ponte rotto), from "Antichità Romane de' Tempi della Repubblica, e de' primi Imperatori", Джованни Баттиста Пиранези, ок. 1748Джованни Баттиста ПиранезиPlate 14: Senatorial Bridge, today called the Ponte Rotto (Broken Bridge). 1. Temple of Vesta. 2. Temple of Fortuna Virilis. 3. Part of the ancient Palatine. (Ponte Senatorio oggi detto Ponte rotto), from "Antichità Romane de' Tempi della Repubblica, e de' primi Imperatori"ок. 1748Метрополитен-музей
The Triumphal Arch, from "Grotteschi" (Grotesques), Джованни Баттиста Пиранези, ок. 1748Джованни Баттиста ПиранезиThe Triumphal Arch, from "Grotteschi" (Grotesques)ок. 1748Метрополитен-музей
Avanzi del Tempio detto di Apollo nella Villa Adriana vicino a Tivoli (Hadrian's Villa. Remains of the Smaller Palace [Formerly called the Temple of Apollo]), Джованни Баттиста Пиранези, ок. 1768Джованни Баттиста ПиранезиAvanzi del Tempio detto di Apollo nella Villa Adriana vicino a Tivoli (Hadrian's Villa. Remains of the Smaller Palace [Formerly called the Temple of Apollo])ок. 1768Метрополитен-музей
Title page from "Roman Antiquity of the Time of the Republic and the First Emperors" (Antichità Romane de' Tempi della Repubblica, e de' primi Imperatori), Джованни Баттиста Пиранези, ок. 1748Джованни Баттиста ПиранезиTitle page from "Roman Antiquity of the Time of the Republic and the First Emperors" (Antichità Romane de' Tempi della Repubblica, e de' primi Imperatori)ок. 1748Метрополитен-музей
The Pyramid of Gaius Cestius, from Vedute di Roma (Roman Views), Джованни Баттиста Пиранези, ок. 1756Джованни Баттиста ПиранезиThe Pyramid of Gaius Cestius, from Vedute di Roma (Roman Views)ок. 1756Метрополитен-музей
A sedan chair, a coach, a commode, a side table and two clocks (Deux ch. à porteurs v. de côté, une commode, une console, deux pedules, un meuble indét), from Diverse Maniere d'adornare i cammini ed ogni altra parte degli edifizi...(Different Ways of ornamenting chimneypieces and all other parts of houses), Джованни Баттиста Пиранези, ок. 1769Джованни Баттиста ПиранезиA sedan chair, a coach, a commode, a side table and two clocks (Deux ch. à porteurs v. de côté, une commode, une console, deux pedules, un meuble indét), from Diverse Maniere d'adornare i cammini ed ogni altra parte degli edifizi...(Different Ways of ornamenting chimneypieces and all other parts of houses)ок. 1769Метрополитен-музей
Remains of a covered portico, or a cryptoporticus, in a villa of Domitian, five miles outside Rome on the Frascati road, from Vedute di Roma (Roman Views), Джованни Баттиста Пиранези, ок. 1766Джованни Баттиста ПиранезиRemains of a covered portico, or a cryptoporticus, in a villa of Domitian, five miles outside Rome on the Frascati road, from Vedute di Roma (Roman Views)ок. 1766Метрополитен-музей
Various Lamps and a vase encusted with cameos, from "Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi disegnati ed incisi dal Cav. Gio. Batt. Piranesi" (Vases, candelabra, grave stones, sarcophagi, tripods, lamps and ornaments designed and etched by Cavaliere Giovanni Battista Piranesi), Джованни Баттиста Пиранези, ок. 1778Джованни Баттиста ПиранезиVarious Lamps and a vase encusted with cameos, from "Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi disegnati ed incisi dal Cav. Gio. Batt. Piranesi" (Vases, candelabra, grave stones, sarcophagi, tripods, lamps and ornaments designed and etched by Cavaliere Giovanni Battista Piranesi)ок. 1778Метрополитен-музей
Plate 16: The Bridge at Rimini built by the Emperors Augustus and Tiberius (Ponte di Rimino fabbricato da Augusto e da Tiberio Imperatori), from "Antichità Romane fuori di Roma", Джованни Баттиста Пиранези, ок. 1748Джованни Баттиста ПиранезиPlate 16: The Bridge at Rimini built by the Emperors Augustus and Tiberius (Ponte di Rimino fabbricato da Augusto e da Tiberio Imperatori), from "Antichità Romane fuori di Roma"ок. 1748Метрополитен-музей
Stairways adorned by magnificient architecture... (Gruppo di Scale ornato di magnifica Architettura...), from "Prima Parte di Architettura, e Prospettive", Джованни Баттиста Пиранези, ок. 1750Джованни Баттиста ПиранезиStairways adorned by magnificient architecture... (Gruppo di Scale ornato di magnifica Architettura...), from "Prima Parte di Architettura, e Prospettive"ок. 1750Метрополитен-музей
Frontispiece to "Roman Antiquities outside Rome drawn and etched by Giambat'ta Piranesi, Venetian Architect Part Two" (ANTCHITÀ ROMANE FUORI DI ROMA DISEGNATE ED INCISE DA GIAMBAT'TA PIRANESI, ARCHITETTO VENEZIANO, PARTE SECONDA), Джованни Баттиста Пиранези, ок. 1748Джованни Баттиста ПиранезиFrontispiece to "Roman Antiquities outside Rome drawn and etched by Giambat'ta Piranesi, Venetian Architect Part Two" (ANTCHITÀ ROMANE FUORI DI ROMA DISEGNATE ED INCISE DA GIAMBAT'TA PIRANESI, ARCHITETTO VENEZIANO, PARTE SECONDA)ок. 1748Метрополитен-музей
The Pier with Chains, from "Carceri d'invenzione" (Imaginary Prisons), Джованни Баттиста Пиранези, ок. 1749–1750Джованни Баттиста ПиранезиThe Pier with Chains, from "Carceri d'invenzione" (Imaginary Prisons)ок. 1749–1750Метрополитен-музей
Plate 25: Amphitheater of Verona (Anfiteatro di Verona), from "Alcune Vedute di Archi Trionfali ed altri monumenti inalzati da Romani parte di quali se veggono in Roma e parte per l'Italia" (Some Views of Triumphal Arches and other monuments erected by the Romans, some of which are in Rome and some elsewhere in Italy), Джованни Баттиста Пиранези, ок. 1748Джованни Баттиста ПиранезиPlate 25: Amphitheater of Verona (Anfiteatro di Verona), from "Alcune Vedute di Archi Trionfali ed altri monumenti inalzati da Romani parte di quali se veggono in Roma e parte per l'Italia" (Some Views of Triumphal Arches and other monuments erected by the Romans, some of which are in Rome and some elsewhere in Italy)ок. 1748Метрополитен-музей
Plate 17: The Arch of Rimini built by Augustus (Arco di Rimino fabbricato da Augusto), from "Alcune Vedute di Archi Trionfali ed altri monumenti inalzati da Romani parte di quali se veggono in Roma e parte per l'Italia", Джованни Баттиста Пиранези, ок. 1748Джованни Баттиста ПиранезиPlate 17: The Arch of Rimini built by Augustus (Arco di Rimino fabbricato da Augusto), from "Alcune Vedute di Archi Trionfali ed altri monumenti inalzati da Romani parte di quali se veggono in Roma e parte per l'Italia"ок. 1748Метрополитен-музей
Plate 19: Part of the ancient Appian Way about three miles outside Porta S. Sebastiano, from "Alcune Vedute di Archi Trionfali ed altri monumenti inalzati da Romani parte de quali se veggono in Roma e parte per l'Italia" (Some Views of Triumphal Arches and other monuments erected by the Romans, some of which are in Rome and some elsewhere in Italy), Джованни Баттиста Пиранези, ок. 1748Джованни Баттиста ПиранезиPlate 19: Part of the ancient Appian Way about three miles outside Porta S. Sebastiano, from "Alcune Vedute di Archi Trionfali ed altri monumenti inalzati da Romani parte de quali se veggono in Roma e parte per l'Italia" (Some Views of Triumphal Arches and other monuments erected by the Romans, some of which are in Rome and some elsewhere in Italy)ок. 1748Метрополитен-музей
Cornice and column from the Temple of Fortuna Virilis (Tempio della Fortuna Virile), from "Le Antichità Romane", Джованни Баттиста Пиранези, 1756Джованни Баттиста ПиранезиCornice and column from the Temple of Fortuna Virilis (Tempio della Fortuna Virile), from "Le Antichità Romane"1756Метрополитен-музей
Title Page, from "Carceri d'invenzione" (Imaginary Prisons), Джованни Баттиста Пиранези, ок. 1749–1750Джованни Баттиста ПиранезиTitle Page, from "Carceri d'invenzione" (Imaginary Prisons)ок. 1749–1750Метрополитен-музей
Plan of the Mausoleum of Caecilia Metella, wife of the Triumvir Marcus Crassus..., tome 3, tavola 49 from "Le Antichità Romane" (Roman Antiquities), Джованни Баттиста Пиранези, издание 1756–1757Джованни Баттиста ПиранезиPlan of the Mausoleum of Caecilia Metella, wife of the Triumvir Marcus Crassus..., tome 3, tavola 49 from "Le Antichità Romane" (Roman Antiquities)издание 1756–1757Метрополитен-музей
The Capitol and the steps of S. Maria in Aracoeli (Veduta del Romano Camipidoglio con scalinata che va alla chiesa d'Araceli), Джованни Баттиста Пиранези, ок. 1775Джованни Баттиста ПиранезиThe Capitol and the steps of S. Maria in Aracoeli (Veduta del Romano Camipidoglio con scalinata che va alla chiesa d'Araceli)ок. 1775Метрополитен-музей
View of the Temple of the Temple of the Sibyl at Tivoli, from Vedute di Roma (Roman Views), Джованни Баттиста Пиранези, ок. 1761Джованни Баттиста ПиранезиView of the Temple of the Temple of the Sibyl at Tivoli, from Vedute di Roma (Roman Views)ок. 1761Метрополитен-музей
View of the Basilica of San Sebastiano fuori delle mura [St. Sebastian ouside the Walls] on the Appian Way, from Vedute di Roma (Roman Views), Джованни Баттиста Пиранези, ок. 1750Джованни Баттиста ПиранезиView of the Basilica of San Sebastiano fuori delle mura [St. Sebastian ouside the Walls] on the Appian Way, from Vedute di Roma (Roman Views)ок. 1750Метрополитен-музей
Plate 7: Ancient altar on which sacrifices were performed in antiquity, surrounded by other ruins (Ara antica sopra la quale si facevano anticamente i sagrifizi, con altre ruine all' intorno), from "Part one of architecture and perspectives: drawn and etched by Gio. Batt'a Piranesi, Venetian Architect: dedicated to Nicola Giobbe" (Prima parte di Architetture, e prospettive inventate, ed incise da Gio. Batt'a Piranesi Architetto Veneziano dedicate al Sig. Nicola Giobbe), Джованни Баттиста Пиранези, 1743Джованни Баттиста ПиранезиPlate 7: Ancient altar on which sacrifices were performed in antiquity, surrounded by other ruins (Ara antica sopra la quale si facevano anticamente i sagrifizi, con altre ruine all' intorno), from "Part one of architecture and perspectives: drawn and etched by Gio. Batt'a Piranesi, Venetian Architect: dedicated to Nicola Giobbe" (Prima parte di Architetture, e prospettive inventate, ed incise da Gio. Batt'a Piranesi Architetto Veneziano dedicate al Sig. Nicola Giobbe)1743Метрополитен-музей
Ancient Roman forum surrounded by porticoes, with loggias, some of which communicate with the Imperial Palace and others with the prisons... (Foro antico romano circondata da portici, con logge, alcune delle quali si uniscono al Palazzo Imperiale...), from "Prima Parte di Architettura, e Prospettive", Джованни Баттиста Пиранези, ок. 1750Джованни Баттиста ПиранезиAncient Roman forum surrounded by porticoes, with loggias, some of which communicate with the Imperial Palace and others with the prisons... (Foro antico romano circondata da portici, con logge, alcune delle quali si uniscono al Palazzo Imperiale...), from "Prima Parte di Architettura, e Prospettive"ок. 1750Метрополитен-музей
The Forum Romanum, or Campo Vaccino, from the Capitol, with the Arch of Septimius in the foreground left, Temple of Vespian right, and the Colosseum in the distance (Veduta di Campo Vaccino), Джованни Баттиста Пиранези, ок. 1775Джованни Баттиста ПиранезиThe Forum Romanum, or Campo Vaccino, from the Capitol, with the Arch of Septimius in the foreground left, Temple of Vespian right, and the Colosseum in the distance (Veduta di Campo Vaccino)ок. 1775Метрополитен-музей
Profile of the Temple of Fortuna Virilis (Profilo del Tempio della Fortuna Virile), and section of the temple, from "Le Antichità Romane", Джованни Баттиста Пиранези, 1756Джованни Баттиста ПиранезиProfile of the Temple of Fortuna Virilis (Profilo del Tempio della Fortuna Virile), and section of the temple, from "Le Antichità Romane"1756Метрополитен-музей
Plate 10: The ancient Capitol ascended by approximately one hundred steps [...] (Campidoglio antico a cui si ascendeva per circa cento gradini [...]), from "Part one of architecture and perspectives: drawn and etched by Gio. Batt'a Piranesi, Venetian Architect: dedicated to Nicola Giobbe" (Prima parte di Architetture, e prospettive inventate, ed incise da Gio. Batt'a Piranesi Architetto Veneziano dedicate al Sig. Nicola Giobbe), Джованни Баттиста Пиранези, 1743Джованни Баттиста ПиранезиPlate 10: The ancient Capitol ascended by approximately one hundred steps [...] (Campidoglio antico a cui si ascendeva per circa cento gradini [...]), from "Part one of architecture and perspectives: drawn and etched by Gio. Batt'a Piranesi, Venetian Architect: dedicated to Nicola Giobbe" (Prima parte di Architetture, e prospettive inventate, ed incise da Gio. Batt'a Piranesi Architetto Veneziano dedicate al Sig. Nicola Giobbe)1743Метрополитен-музей
The tomb of Caecilia Metella, from Vedute di Roma (Roman Views), Джованни Баттиста Пиранези, ок. 1762Джованни Баттиста ПиранезиThe tomb of Caecilia Metella, from Vedute di Roma (Roman Views)ок. 1762Метрополитен-музей
Egyptian decoration of the Caffè degli Inglesi: Animals on the cornice, including a bull at the center, from "Diverse Maniere d'adornare i cammini..." (Diverse Ways of ornamenting chimneypieces...), Джованни Баттиста Пиранези, 1769Джованни Баттиста ПиранезиEgyptian decoration of the Caffè degli Inglesi: Animals on the cornice, including a bull at the center, from "Diverse Maniere d'adornare i cammini..." (Diverse Ways of ornamenting chimneypieces...)1769Метрополитен-музей
Ruins of an ancient tomb in front of ruins of an ancient aqueduct (Ruine di Sepolcro antico posto dinanzi ad altre ruine d'un Aquedotto), from "Prima Parte di Architettura, e Prospettive", Джованни Баттиста Пиранези, ок. 1750Джованни Баттиста ПиранезиRuins of an ancient tomb in front of ruins of an ancient aqueduct (Ruine di Sepolcro antico posto dinanzi ad altre ruine d'un Aquedotto), from "Prima Parte di Architettura, e Prospettive"ок. 1750Метрополитен-музей
A view of part of the intended Bridge at Blackfriars, London, Джованни Баттиста Пиранези, ок. 1764Джованни Баттиста ПиранезиA view of part of the intended Bridge at Blackfriars, Londonок. 1764Метрополитен-музей
The Temple of Vespian (Veduta del Tempio di giove Tonante), Джованни Баттиста Пиранези, ок. 1756Джованни Баттиста ПиранезиThe Temple of Vespian (Veduta del Tempio di giove Tonante)ок. 1756Метрополитен-музей
Interior view of the ancient Temple of Bacchus, now the church of S. Urbano, two miles from Rome..., from Vedute di Roma (Roman Views), Джованни Баттиста Пиранези, ок. 1750Джованни Баттиста ПиранезиInterior view of the ancient Temple of Bacchus, now the church of S. Urbano, two miles from Rome..., from Vedute di Roma (Roman Views)ок. 1750Метрополитен-музей
Chimneypiece: Frieze of trophies and winged Victories on the lintel, with cornucopias to either side of the jambs decorated with varied reliefs (Ch. décorée d'une grecque), from Diverse Maniere d'adornare i cammini ed ogni altra parte degli edifizi...(Different Ways of ornamenting chimneypieces and all other parts of houses), Джованни Баттиста Пиранези, ок. 1769Джованни Баттиста ПиранезиChimneypiece: Frieze of trophies and winged Victories on the lintel, with cornucopias to either side of the jambs decorated with varied reliefs (Ch. décorée d'une grecque), from Diverse Maniere d'adornare i cammini ed ogni altra parte degli edifizi...(Different Ways of ornamenting chimneypieces and all other parts of houses)ок. 1769Метрополитен-музей
Large marble vase decorated with a relief of the sacrifice of Iphigenia, from "Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi disegnati ed incisi dal Cav. Gio. Batt. Piranesi, Vol. II" (Vases, candelabra, grave stones, sarcophagi, tripods, lamps, and ornaments designed and etched by Cavalieri Giovanni Battista Piranesi), Джованни Баттиста Пиранези, 1778–80Джованни Баттиста ПиранезиLarge marble vase decorated with a relief of the sacrifice of Iphigenia, from "Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi disegnati ed incisi dal Cav. Gio. Batt. Piranesi, Vol. II" (Vases, candelabra, grave stones, sarcophagi, tripods, lamps, and ornaments designed and etched by Cavalieri Giovanni Battista Piranesi)1778–80Метрополитен-музей
Iscrizione nei lati del Ponte di Rimino (Inscription on the side of the Rimini Bridge) followed by an index of plates in the volume, from "Antichità Romane de' Tempi della Repubblica, e de' primi Imperatori", Джованни Баттиста Пиранези, ок. 1748Джованни Баттиста ПиранезиIscrizione nei lati del Ponte di Rimino (Inscription on the side of the Rimini Bridge) followed by an index of plates in the volume, from "Antichità Romane de' Tempi della Repubblica, e de' primi Imperatori"ок. 1748Метрополитен-музей
View of St. Peter's Basilica and Piazza in the Vatican, from "Vedute di Roma" (Roman Views), Джованни Баттиста Пиранези, ок. 1748Джованни Баттиста ПиранезиView of St. Peter's Basilica and Piazza in the Vatican, from "Vedute di Roma" (Roman Views)ок. 1748Метрополитен-музей
View of the arches of the consuls Dolabella and Silanus enclosed within the Neronian arches of the Acqua Claudia, from "Roman Antiquities" (Le Antichità Romane), Джованни Баттиста Пиранези, 1756Джованни Баттиста ПиранезиView of the arches of the consuls Dolabella and Silanus enclosed within the Neronian arches of the Acqua Claudia, from "Roman Antiquities" (Le Antichità Romane)1756Метрополитен-музей
The Pantheon exterior (Veduta del Pantheon d'Agrippa oggi Chiesa di S. Maria ad Martyres), Джованни Баттиста Пиранези, 1720–78Джованни Баттиста ПиранезиThe Pantheon exterior (Veduta del Pantheon d'Agrippa oggi Chiesa di S. Maria ad Martyres)1720–78Метрополитен-музей
The Piazza di Spagna (Veduta di Piazza di Spagna), Джованни Баттиста Пиранези, ок. 1750Джованни Баттиста ПиранезиThe Piazza di Spagna (Veduta di Piazza di Spagna)ок. 1750Метрополитен-музей
The Piazza del Popolo (Veduta della Piazza del Popolo), from "Vedute di Roma", Джованни Баттиста Пиранези, ок. 1750Джованни Баттиста ПиранезиThe Piazza del Popolo (Veduta della Piazza del Popolo), from "Vedute di Roma"ок. 1750Метрополитен-музей
Colonnaded hall according to the custom of the ancient Romans, and niches adorned with statues (Sala all'uso degli antichi Romani con Colonne, e nicchie ornate di Statue), from "Prima Parte di Architettura, e Prospettive", Джованни Баттиста Пиранези, ок. 1750Джованни Баттиста ПиранезиColonnaded hall according to the custom of the ancient Romans, and niches adorned with statues (Sala all'uso degli antichi Romani con Colonne, e nicchie ornate di Statue), from "Prima Parte di Architettura, e Prospettive"ок. 1750Метрополитен-музей
View of the Ponte Salario, from "Vedute di Roma" (Views of Rome), part I, Джованни Баттиста Пиранези, ок. 1750–1778Джованни Баттиста ПиранезиView of the Ponte Salario, from "Vedute di Roma" (Views of Rome), part Iок. 1750–1778Метрополитен-музей
Demonstration panel showing technique for raising travertine and marble blocks for the construction of the tomb of Cecilia Metella, Rome, from "Le Antichità Romane", Джованни Баттиста Пиранези, 1756Джованни Баттиста ПиранезиDemonstration panel showing technique for raising travertine and marble blocks for the construction of the tomb of Cecilia Metella, Rome, from "Le Antichità Romane"1756Метрополитен-музей
Chimneypiece: Architrave decorated with a Greek key motif and a circular fireback with figures of the zodiac (Ch. décorée d'une grecque), from Diverse Maniere d'adornare i cammini ed ogni altra parte degli edifizi...(Different Ways of ornamenting chimneypieces and all other parts of houses), Джованни Баттиста Пиранези, ок. 1769Джованни Баттиста ПиранезиChimneypiece: Architrave decorated with a Greek key motif and a circular fireback with figures of the zodiac (Ch. décorée d'une grecque), from Diverse Maniere d'adornare i cammini ed ogni altra parte degli edifizi...(Different Ways of ornamenting chimneypieces and all other parts of houses)ок. 1769Метрополитен-музей
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