Эдвин Остин ЭббиWindemere from Millerground Hill (?) - [landscape]
Эдвин Остин ЭббиWindemere from Millerground Hill (?) - [landscape]
Эдвин Остин ЭббиJuliet in hall, from Romeo and Juliet
Эдвин Остин ЭббиStudy for unidentified Shakespeare play
Эдвин Остин ЭббиCaliban, Stephano and Trinculo (Ariel invisible), illustration for Act II, Scene ii, The Tempest
Эдвин Остин ЭббиAn Unwelcome Visitor - "The reluctant host left the apartment for a second or two, and presently returned followed by the farmer's wife," illustration to Part 8, chapter 24, of William Black's Judith Shakespeare
Эдвин Остин ЭббиPortia: "By my troth, Nerissa, my little body is aweary of this great world," from Act I, Scene ii, Merchant of Venice
Эдвин Остин ЭббиStudy of man in XV century costume, possibly a caricature of the period of "The Taming of the Shrew"
Эдвин Остин Эбби"Ho! Who's there?" - Act II, Scene ii, Cymbeline
Эдвин Остин ЭббиStudy of a man in XVIIth c. Dutch costume - unidentified. Studies on reverse
Эдвин Остин ЭббиMan in apron holding a gun
Эдвин Остин ЭббиSketch for "A Love Song," from Old Songs I (book published by Harper in 1889, previously published in Harper's Monthly Magazine)
Эдвин Остин Эбби"It gives me wonder great as my content to see you here before me, O my soul's joy!," from Othello
Эдвин Остин ЭббиPreliminary sketch for Act II, Scene I, All's Well That Ends Well
Эдвин Остин Эбби"Thou foundest me..." - illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 113
Эдвин Остин ЭббиStudy for Priest and the Great Lady (watercolor)
Эдвин Остин ЭббиParolles: "France is a dog-hole," from Act II, Scene iii, All's Well That Ends Well
Эдвин Остин ЭббиFord: "Hang her, witch" - Act IV, Scene II, Merry Wives of Windsor
Эдвин Остин ЭббиCharmian: "your crown's awry! I'll mend it and then play!" - Act V, Scene II, Anthony and Cleopatra
Эдвин Остин ЭббиInterior Study of chimney piece
Эдвин Остин ЭббиSketch of a man in Revolutionary dress - unidentified illustration (to a play?)
Эдвин Остин ЭббиMiranda and Ferdinand, illustration for Act V, Scene i, The Tempest
Эдвин Остин ЭббиEnter Tony, running in with a casket (III), illustration for Oliver Goldsmith's She Stoops to Conquer
Эдвин Остин ЭббиJaques: "'It is ten o'clock: Thus we may see,' quoth he, 'how the world wags.'", illustration for Act II, Scene vii, As You Like It
Эдвин Остин ЭббиEnter two citizens. Cor: 'So, here comes a brace, you know the cause Sirs, of my standing here.' Act II, Scene iii, Coriolanus
Эдвин Остин ЭббиLorenzo and Jessica: "The moon shines bright. In such a night as this" - Act V, Scene I, The Merchant of Venice
Эдвин Остин ЭббиWalking man in cloak, sketch for an unidentified Shakespeare play
Эдвин Остин ЭббиStudy of girl in nineteenth century costume standing at door
Эдвин Остин ЭббиMan on park bench - unidentified illustration
Эдвин Остин ЭббиStudy for The Scarlet Letter (oil painting)
Эдвин Остин ЭббиSketch for The Noble Patron
Эдвин Остин ЭббиStudy for an unidentified Shakespearean play, possibly Falstaff
Эдвин Остин ЭббиFigure Scene, study for "A Castle in Spain"
Эдвин Остин ЭббиBaptista Protests, illustration for Act I, Scene i, Taming of the Shrew
Эдвин Остин ЭббиThe Duke: "If music be the food of love, play on," illustration for Act I, Scene i, Twelfth Night
Эдвин Остин ЭббиStudies of seated figures. Landscape on reverse.
Эдвин Остин ЭббиMalvolio finds the letter, illustration for Act II, Scene v, Twelfth Night
Эдвин Остин ЭббиStudy of an angel (for stained glass? for a ceiling?)
Эдвин Остин ЭббиWordsworth walks in woods: The English Lakes and Men Series, from Harper's Monthly Magazine
Эдвин Остин ЭббиThird fellow: "What though I am obliged to dance a bear." (I), illustration for Oliver Goldsmith's She Stoops to Conquer
Эдвин Остин ЭббиProteus Meets Sylvia, from Act II, Scene iv, Two Gentlemen of Verona
Эдвин Остин ЭббиStudy for Trial of Queen Katherine. Coat of arms on back.
Эдвин Остин Эбби"I am my mother's joy," sketch for "Phillada Flouts Me," from Old Songs
Эдвин Остин ЭббиSketch of tubes of paint
Эдвин Остин ЭббиFigure Sketches
Эдвин Остин ЭббиSketch of an outdoor stairway (Italian pergola, for book illustration)
Эдвин Остин ЭббиForest scene
Эдвин Остин ЭббиHelena: "Stay, though thou kill me, sweet Demetrius," illustration for Act II, Scene iii, A Midsummer Night's Dream
Эдвин Остин ЭббиArchitectural Study