Эдвин Остин Эбби"Your crown's awry! I'll mend it and then play!" (study for .1169)- Act V, Scene II, Anthony and Cleopatra (1937.1169)
Эдвин Остин Эбби"Your crown's awry! I'll mend it and then play!" (study for .1169)- Act V, Scene II, Anthony and Cleopatra (1937.1169)
Эдвин Остин ЭббиStudy of two figures, possibly Jacob and the Angel
Эдвин Остин ЭббиThe Duke Expels Valentine, from Act III, Scene i, Two Gentlemen of Verona
Эдвин Остин ЭббиWoman and dog in an interior - (unidentified illustration for a play?)
Эдвин Остин ЭббиFerdinand: "Where should this music be?", illustration for Act I, Scene ii, The Tempest
Эдвин Остин ЭббиHelena: "Pardon, madam; the Count Rousillon cannot be my brother," from Act I, Scene iii, All's Well That Ends Well
Эдвин Остин ЭббиIn Quince's Shop, illustration for Act I, Scene ii, A Midsummer Night's Dream
Эдвин Остин ЭббиStudy for Louis Comfort Tiffany's center window for "Children's Window", St. Peter's Church, Morristown, NJ
Эдвин Остин ЭббиSheet of sketches
Эдвин Остин Эбби"Nor the coy maid shall kiss the cup...," illustration to Oliver Goldsmith's The Deserted Village
Эдвин Остин Эбби"Steal from the World...," sketch for "Ode to Solitude," from The Quiet Life
Эдвин Остин ЭббиSketch of a fat man, seated
Эдвин Остин ЭббиSheet of studies of a single face
Эдвин Остин ЭббиTimon: "I prythee, beat the drum and get thee gone" - Act IV, Scene III, Timon of Athens
Эдвин Остин ЭббиUnidentified illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902)
Эдвин Остин ЭббиStudy of an angel (for stained glass? for a ceiling?)
Эдвин Остин ЭббиSketch for The Noble Patron
Эдвин Остин ЭббиSketch of an exterior: buildings and tree
Эдвин Остин Эбби"How often I have loitered o'er thy green" from The Deserted Village
Эдвин Остин ЭббиThe Return of the Native
Эдвин Остин ЭббиWoman on beach holding book, sketch for The Lay of the Lobster
Эдвин Остин Эбби"Isaac Walker" [Man smoking a pipe, sitting on bench]
Эдвин Остин ЭббиCartoon of a man chasing a bee with a basket
Эдвин Остин ЭббиIllustration for "Early One Morning," from Old Songs
Эдвин Остин ЭббиStudy of a nude female figure holding a scroll
Эдвин Остин Эбби"Old Prob" - unidentified illustration
Эдвин Остин ЭббиEarly studies for Taming of the Shrew (?)
Эдвин Остин ЭббиSimple: "Yonder he is coming, this way, Sir Hugh" - Act III, Scene I, Merry Wives of Windsor
Эдвин Остин Эбби"Herds with milk, fields with bread," sketch for "Ode to Solitude," from The Quiet Life
Эдвин Остин ЭббиGalahad and the Captive Virtues, study for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in 1901)
Эдвин Остин ЭббиPortrait of an unidentified young man
Эдвин Остин ЭббиStudy of a man's back
Эдвин Остин ЭббиAntipholus of Syracuse: "Go bear it to the Centaur," illustration for Act I, Scene ii, Comedy of Errors
Эдвин Остин ЭббиDining Scene - illustration for Austin Dobson's Ladies of Saint James
Эдвин Остин Эбби"Here, behind this screen," Oliver Goldsmith's "She Stoops to Conquer", Act V, Scene I
Эдвин Остин ЭббиSketch, "Holy Grail", The Knighting of Sir Galahad.
Эдвин Остин ЭббиMan on Bridge, sketch for "Phillada Flouts Me," from Old Songs
Эдвин Остин ЭббиKatharina, illustration for Act I, Scene i, Taming of the Shrew
Эдвин Остин ЭббиJacques, illustration for Act II, Scene v, As You Like It
Эдвин Остин ЭббиClown: "Foh! prithee stand away," from Act V, Scene ii, All's Well That Ends Well
Эдвин Остин ЭббиSketches of Cows
Эдвин Остин ЭббиStudy for Fiametta's Song (oil painting)
Эдвин Остин ЭббиSketches of Two Male Figures
Эдвин Остин ЭббиSketch of an interior: man reading aloud, women knitting - unidentified illustration
Эдвин Остин ЭббиStudy for The Wrestling Scene in "As You Like It"
Эдвин Остин ЭббиSheet of sketches of faces
Эдвин Остин Эбби"I knew him well, and every truant knew," illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 53
Эдвин Остин ЭббиSlender: "Why do your dogs bark so?" - Act I, Scene I, Merry Wives of Windsor