Эдвин Остин ЭббиSketch of three men (study for 1937.1072?), from Merchant of VeniceЭдвин Остин ЭббиSketch of three men (study for 1937.1072?), from Merchant of Venice
Эдвин Остин ЭббиThe Parson's Wicket, sketch for "The Vicar," from The Quiet Life
Эдвин Остин ЭббиAmaryllis dancing
Эдвин Остин ЭббиStudy for "Spanish and Italian Folk Songs"
Эдвин Остин ЭббиSketch for "To Master Anthony Stafford," from The Quiet Life
Эдвин Остин ЭббиSheet of sketches of medieval figures
Эдвин Остин ЭббиStudy for "His looks adorned..." - illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 47
Эдвин Остин ЭббиSketch of figures around a table - unidentified illustration for a play (?)
Эдвин Остин ЭббиStudy of an angel (for stained glass? for a ceiling?)
Эдвин Остин ЭббиLucentio: "Pardon, sweet father," from Act V, Scene i, Taming of the Shrew
Эдвин Остин ЭббиLear, Kent, Fool, and Edgar - Act III, Scene IV, King Lear
Эдвин Остин ЭббиStudy for Mariana, from Measure for Measure
Эдвин Остин ЭббиPetruchio Overturns the Trencher, from Act IV, Scene i, Taming of the Shrew
Эдвин Остин ЭббиBefore the Princess's Pavilion, from Act V, Scene II, Love's Labour's Lost
Эдвин Остин ЭббиLady with Hands Clasped, from King Richard II
Эдвин Остин Эбби"Tony Lumpkin is his own man again," illustration for Oliver Goldsmith's She Stoops to Conquer
Эдвин Остин ЭббиSketch for a greeting card: A Happy New Year; study of a man reading a sign
Эдвин Остин ЭббиStudy of back of a seated man in XV century costume, for a Shakespearean scene.
Эдвин Остин ЭббиPreliminary study for Othello (?)
Эдвин Остин ЭббиIsabella at the Nunnery (study for .1103), Act I, Scene V, Measure for Measure
Эдвин Остин ЭббиEarly study for "The Trial of Queen Katherine"
Эдвин Остин ЭббиStudies for an unidentified Shakespearean play (Falstaff?) (recto and verso)
Эдвин Остин ЭббиSheet of sketches
Эдвин Остин ЭббиMistress Quickly: "Have not your worship a wart above your eye?" - Act I, Scene IV, Merry Wives of Windsor
Эдвин Остин Эбби"His house was known to all the vagrant train," illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 43
Эдвин Остин ЭббиIllustration for "Phillada Flouts Me," from Old Songs
Эдвин Остин ЭббиCaptain Sandy
Эдвин Остин ЭббиStudy of a Tankard
Эдвин Остин ЭббиThe Re-entrance of the Players, illustration for Act V, Scene I, A Midsummer Night's Dream
Эдвин Остин ЭббиSketch: two women in garden
Эдвин Остин Эбби"Ah me!...," study for illustration to Oliver Goldsmith's She Stoops To Conquer
Эдвин Остин ЭббиFigure in a toga, sketch for an unidentified Shakespeare play
Эдвин Остин ЭббиCostume study for Two Gentlemen of Verona (?)
Эдвин Остин ЭббиEnter Time, as Chorus - Act IV, Scene I, The Winter's Tale
Эдвин Остин ЭббиEarly study for King - Act II, Scene III, All's Well That Ends Well
Эдвин Остин ЭббиThe King on the wall of Flint Castle; "Yet know my master, God omnipotent and threat the glory of my precious crown"-Act III, Scene III, Richard II
Эдвин Остин ЭббиThe Spell, illustration for Act V, Scene i, The Tempest
Эдвин Остин ЭббиSketch of a young man at window - unidentified illustration
Эдвин Остин ЭббиThe Good-natured Man. Miss Richland and the Bailiff
Эдвин Остин ЭббиStudy for Dull, from Love's Labour's Lost
Эдвин Остин ЭббиBroken Pots, from "Kitty of Coleraine", Old Songs
Эдвин Остин Эбби"While words of learned length and thundering sound," illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 57
Эдвин Остин ЭббиBefore the walls of Algiers: "Come to thy Grandam, child" - Act II, Scene I, King John
Эдвин Остин Эбби"The swain responsive as the milkmaid sung," illustration to Oliver Goldsmith's The Deserted Village
Эдвин Остин ЭббиFriar Laurence: "Till holy church incorporate two as one" - Act II, Scene VI, Romeo and Juliet
Эдвин Остин ЭббиStudy of an unidentified young woman
Эдвин Остин Эбби"Sweet as the primrose..." - illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 99
Эдвин Остин Эбби"There from the tree we'll cherries pluck," sketch for "To Master Anthony Stafford," from The Quiet Life