Эдвин Остин ЭббиDoodlesЭдвин Остин ЭббиDoodles
Эдвин Остин ЭббиSketch for The Daffodil Song
Эдвин Остин ЭббиCrowd Scene
Эдвин Остин ЭббиSheet of sketches of heads
Эдвин Остин ЭббиSketch for "Kitty of Coleraine," from Old Songs
Эдвин Остин ЭббиEvans: "Come hither, William; hold up your head; come" Act IV, Scene I, Merry Wives of Windsor
Эдвин Остин ЭббиChrist and Mary Magdalene
Эдвин Остин ЭббиPetruchio Banters Katharina, from Act II, Scene i, Taming of the Shrew
Эдвин Остин ЭббиBiron and the King, from Act IV, Scene iii, Love's Labour's Lost
Эдвин Остин ЭббиSketch for a greeting card: A Merry Xmas & a Happy New Year from M.G. and E.A. Abbey. Boy with loaded wheelbarrow
Эдвин Остин Эбби"Marry a merry meeting...," sketch for "A Love Song," from Old Songs
Эдвин Остин ЭббиMrs. Ford: "Why, what have you to do wither they bear it?" Act III, Scene iii, "The Merry Wives of Windsor", scene for Harper's Weekly, November 30, 1889
Эдвин Остин Эбби"Relax his ponderous strength and lean to hear," illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 57
Эдвин Остин ЭббиAudrey, illustration for Act V, Scene i, As You Like It
Эдвин Остин ЭббиSheet of studies
Эдвин Остин ЭббиFalstaff: "O sir!" Ford: "Believe it, for you know it: -There is money; spend it, spend it, spend more; spend all I have" - Act II, Scene II, Merry Wives of Windsor
Эдвин Остин ЭббиStudy for Priest and the Great Lady (watercolor)
Эдвин Остин ЭббиStudy of Two Heads, Jaquenetta, from Love's Labour's Lost
Эдвин Остин ЭббиScreaming woman (study for .3439), sketch for The Lay of the Lobster
Эдвин Остин ЭббиComposition study for "A Pavane" (oil painting)
Эдвин Остин ЭббиSketch of a woman in an interior - unidentified illustration
Эдвин Остин ЭббиThe Daffodil song. Shepherd and fool
Эдвин Остин ЭббиMistress Ford: "Why this is the very same: the very hand, the very words. What doth he think of us?" - Act II, Scene I, Merry Wives of Windsor
Эдвин Остин ЭббиGroup of people in an open cart - (unidentified illustration)
Эдвин Остин ЭббиSheet of sketches of heads
Эдвин Остин ЭббиWoman and serpent on beach, sketch for The Lay of the Lobster
Эдвин Остин ЭббиStudy of a man in revolutionary dress
Эдвин Остин Эбби"The Ubiquitous Amy" - unidentified illustration
Эдвин Остин Эбби"The Ides of March are come" - Act III, Scene I, Julius Caesar
Эдвин Остин ЭббиStreet scene
Эдвин Остин ЭббиSheet of figure studies
Эдвин Остин ЭббиSketch for Mr. Hardcastle, illustration for Oliver Goldsmith's She Stoops to Conquer
Эдвин Остин ЭббиSketch of four men in medieval dress at a table - unidentified illustration, possibly for "Love's Labours Lost", The King's Quandary.
Эдвин Остин ЭббиSketch for "Phillada Flouts Me," from Old Songs I (book published by Harper in 1889, previously published in Harper's Monthly Magazine)
Эдвин Остин ЭббиStudy of two women at table - unidentified illustration
Эдвин Остин ЭббиSheet of studies of Revolutionary figures
Эдвин Остин ЭббиProteus and the Duke, from Act III, Scene i, Two Gentlemen of Verona
Эдвин Остин ЭббиStudy of an angel (for stained glass? for a ceiling?)
Эдвин Остин ЭббиSheet of figure studies
Эдвин Остин ЭббиThe Clown and Malvolio, illustration for Act I, Scene v, Twelfth Night
Эдвин Остин ЭббиCivil war sketch (recto); Man viewing a painting (verso)
Эдвин Остин ЭббиStudy of a maid
Эдвин Остин ЭббиClaudio and Isabella - Act III, Scene I, Measure for Measure
Эдвин Остин ЭббиStudy for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in 1901)
Эдвин Остин ЭббиBenedick: "What, my dear Lady Disdain! are you yet living?", illustration for Act I, Scene i, Much Ado About Nothing
Эдвин Остин ЭббиPreliminary sketch for Act IV, Scene III, All's Well That Ends Well
Эдвин Остин ЭббиAn Ale House Room. Tom Twist spins the pewter platter, illustration for Oliver Goldsmith's She Stoops to Conquer
Эдвин Остин ЭббиCassius: "O look Titinius" Act V, scene iii, Julius Caesar